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6 items from 2016

The Best Movie Posters of 2016

23 December 2016 5:11 AM, PST | MUBI | See recent MUBI news »

1. CosmosAdam Maida’s silent scream for Andrzej Zulawski’s swansong Cosmos is a poster that cries out to be noticed. Channeling the starkest of Polish poster design—think Mieczyslaw Wasilewski or Andrzej Pagowski—Maida’s design is as deceptively crude as it is beautifully executed. I love everything about this poster, down to its hand-lettering, that tiny hanged bird and the even tinier—nice if you can get away with it—billing block. Maida’s witty, diagrammatic work has already graced Criterion covers for Nagisa Oshima’s Death by Hanging, John Frankenheimer’s The Manchurian Candidate, and Costa-Gavras’s The Confession and State of Siege, but it is his eye-catching black-and-white editorial illustration/montages for the New York Times that this most reminds me of. You can see more of his work here.2. The HandmaidenTrees and a hanging also feature heavily in my second favorite poster of the year: an »

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10 Surprises and Hidden Gems from the 2017 Sundance Lineup

30 November 2016 2:08 PM, PST | Indiewire | See recent Indiewire news »

2016 is nearly over and most people can’t wait to reach the finish line, so the Sundance Film Festival lineup couldn’t arrive at a better moment to give us something to anticipate for the new year.

Read More: Sundance 2017 Announces Competition and Next Lineups, Including Returning Favorites and Major Contenders

With the announcement of the U.S. and World Competition sections as well as the ever-tantalizing Next category of edgier fare, the first set of Sundance announcements kick off a wave of expectations from new talent and veterans alike. There will be much to dig through, from potential sales titles to breakthrough talent, and more announcements to come (the midnight section, short films, and forward-thinking New Frontiers section are all around the corner). In the meantime, we’ve dug through the initial Sundance blast to unearth a few standouts worthy of anticipation.

David Lowery’s Secret Movie Isn’t »

- Eric Kohn and David Ehrlich

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The Eyeslicer: An Indie Filmmaker Variety Series (By Invitation Only)

29 September 2016 10:02 PM, PDT | Filmmaker Magazine - Blog | See recent Filmmaker Magazine news »

Producers Dan Schoenbrun and Vanessa McDonnell have launched a Kickstarter campaign for The Eyeslicer, a new variety series by and for indie filmmakers. Among the filmmakers set to contribute are David Lowery, the Zellner Brothers, Lev Kalman & Whitney Horn, Yen Tan, Calvin Reeder, Shaka King, Ornana, John Wilson, Jennifer Reeder, Leah Shore, Colin Healey, Lauren Wolkstein, and Chris Radcliffe The campaign is aiming to raise $28,000 to fund season one and if all goes smoothly, the 10-episode, 10-hour first season will launch in January. Schoenbrun (a contributor to Filmmaker) and McDonnell recently collaborated to create collective : unconscious, an anthology feature film where they […] »

- Paula Bernstein

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David Lowery On ‘Pete’s Dragon’: How a Microbudget Filmmaker Became Disney’s Secret Weapon

9 August 2016 1:11 PM, PDT | Indiewire | See recent Indiewire news »

Nine years before he completed production on the multi-million dollar Disney remake of “Pete’s Dragon,” David Lowery was living out of the back of his car, editing corporate videos. The Dallas native directed his first feature, the little-seen “Lullaby,” at age 19. The ensuing years found him collaborating with a close-knit group of local film-savvy friends, but little in the way of upward mobility. “I never put a premium on making a living,” he told me in a recent phone conversation. “It was never one of those things that was important to me.”

Lowery’s work at the time suggests as much — it’s anything but commercial — and yet it provided him with an ideal platform for a massive career move as one of Disney’s newest secret weapons. “Pete’s Dragon,” a $60 million re-imagining of the 1977 live-action-animated musical film, has all the hallmarks of Lowery’s earlier work: a serene, »

- Eric Kohn

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SXSW 2016: In 1985, Potent Memories Are Evoked In Just 8 Minutes

11 March 2016 9:00 AM, PST | Screen Anarchy | See recent Screen Anarchy news »

A little past two in the morning, I began weeping. I blame filmmaker Yen Tan. His short film, 1985, screens today at SXSW, but Mr. Tan kindly made it available for me to watch in advance. Though I'm sure it will look much nicer on a big screen, I'm grateful I had the opportunity to experience it, even on a small screen, so I can describe the absolute brilliance of its opening, as well as its overall impact. (I hope this will not spoil it -- the film is quite short -- but just in case, please be advised that the next paragraph details the opening minute.) We see a living room in a house. We can detect a man sitting in a chair, his...

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SXSW 2016 Exclusive Poster Debut: Yen Tan's 1985

2 March 2016 6:00 AM, PST | Screen Anarchy | See recent Screen Anarchy news »

We're gearing up to cover SXSW 2016, which begins next week in Austin, Texas, and to kick things off, we're happy to premiere the poster for Yen Tan's short film 1985. Mr. Tan wrote and directed the film, which stars Robert Sella and Lindsay Pulsipher. Mr. Tan is a personal acquaintance of long standing, so, frankly, I'm not entirely objective, but he made the wonderfully on-point drama Pit Stop a couple years back, as well as a flock of good short films over the years. He's also a very good poster artist, and we've premiered his work in the past. 1985 will enjoy its world premiere on Friday, March 11, at 10:15 p.m. at the Vimeo Theater, as part of the Texas Shorts Competition, and...

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2016 | 2015 | 2014 | 2013 | 2012 | 2009 | 2008

6 items from 2016, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

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