Berlinale 2017 Top Picks and Coverage Roundup

  • MUBI
Below you will find our favorite films of the 2017 Berlin International Film Festival, as well as an index of our coverage.Awardstop PICKSGiovanni Marchini CamiaI.On the Beach at Night AloneII.Bright NightsIII.Ulysses in the Subway, The Other Side of Hope, The Party, El Mar La Mar, Railway Sleepers, UntitledYaron DahanI.El Mar La MarII.The Other Side of HopeHave a Nice DayIII.On Body and SoulCOVERAGEGiovanni Marchini CamiaRead | How Political Is the Berlinale?: On Berlin's Critics' Week and Étienne Comar's DjangoRead | Family Dinners and Parisian Hotels: On Oren Moverman's The Dinner and Neïl Beloufa's OccidentalRead | Getting Better—and Funnier: On Aki Kaurismäki's The Other Side of Hope and Sally Potter's The PartyRead | Chromesthetic Delirium and Documentary Spontaneity: On Marc Downie, Paul Kaiser, Flo Jacobs & Ken Jacobs' Ulysses in the Subway and Michael Glawogger & Monika Willi's UntitledYaron DahanRead | Elemental Poetics: On J.
See full article at MUBI »

Conditions of Uncertainty: Discussing Alexandre Koberidze’s "Let the Summer Never Come Again"

  • MUBI
Let the Summer Never Come AgainOn February 15, the 3rd Woche der Kritik (Berlin Critics' Week) presented the world premiere of the first feature-length work by Alexandre Koberidze, a student at the German film and television school Berlin (dffb), whose highly original short films, among others Looking Back Is Grace (Der Fall, 2014) and Colophon (2015), have earned him recognition and mentions at festivals like Oberhausen. His new film Let the Summer Never Come Again bends notions of visuality and storytelling in a hyper-present re-interpretation of silent cinema. As is the custom of the Critics’ Week, we asked two guests to share their thoughts with the audience after the screening: Pip Chodorov and Ruth Anderwald. But to get the debate started, we invited them to a little exchange before the projection took place. Pip Chodorov studied film semiotics and cognitive science. He has been working with film, in particular experimental film, on many different levels: as a filmmaker,
See full article at MUBI »

Lost Lost Lost & Walden | Blu-ray Review

Just before the start of reel 5 of Lost Lost Lost, Jonas Mekas‘ memoiric rumination on the memorial tolls of immigrant exile, he explains in simple terms his artistic propulsion – “It’s my nature now to record. To try to keep everything I’m passing. To keep, at least, bits of it. I have lost too much. So now, I have these bits that I have passed through.” Having escaped the clutches of the world war encroaching upon his mother country of Lithuania in 1944 only to have been stopped midway through Germany and imprisoned in a labor camp with his brother, Adolfas, until their eventual escape months later, one can only image how deeply ingrained this sentiment truly is for the filmmaker. Having endured so much in this brief period before he and his brother emigrated to America in 1949, it is a wonder that his art, and particularly the avant-garde diary
See full article at »

Underground Film Links: August 5, 2012

This Week’s Must Read: Pfft, forget the Sight & Sound polls — Hey, they never ask for my opinion! — the One+One Filmmaking Journal has compiled a great list of 10 films they love and which you must see, none of which we can really argue with. The list includes films by George Kuchar, Jeff Keen, Derek Jarman, Shuji Terayama and, of course, several more — including one film we ourselves saw and loved just recently, the bat-shit crazy Hausu by Nobuhiko Obayashi.If you want some awesome Sunday experimental film browsing, then a great stop is the Mono No Aware filmmaking workshop films!If you live in Toronto, or want to live there, the Images Festival is looking to hire a programmer for next year’s festival.Film Journal International reviews Pip Chodorov’s Free Radicals: A History of Experimental Film, which has been screening at the Anthology Film Archives. The review asks the question,
See full article at Underground Film Journal »

Underground Film Links: February 26, 2012

Yes, the Oscars are being held tonite and despite Bad Lit’s predilection towards underground film, we will be watching, red carpet and all. But, if you want to kill time during the commercials, then consider clicking on some extra links below and boning up on non-Oscar film.

This week’s Absolute Must Read is J. J. Murphy’s Best Indie Films of 2011 list and commentary. In general, I rarely read movie reviews, but I find Murphy’s reviews to always be so insightful, educational and entertaining, that I savor every word of them — and you should, too! I’m also 100% with him when he discusses the issues of writing about over-looked and under-appreciated movies. It can be absolutely heartbreaking work, but we do it because we love it. And the other thing about Murphy’s reviews is that they always make me want to run right out and see
See full article at Underground Film Journal »

Daily Briefing. "Film socialisme" Cruise Ship Runs Aground

  • MUBI
If the Costa Concordia, which ran aground off the west coast of Italy last night, looks familiar to you, it's likely that it's because it's the cruise ship that's the setting for the first movement of Jean-Luc Godard's Film socialisme ("It's less a tourist cruise than an international summit of bastards," wrote David Phelps in June). The accident, which cost the lives of three people and injured many more (and around 40 of the 4000 passengers are still missing), occurred on the same evening that a rogue vigilante group going by the name of Standard and Poor's downgraded the credit ratings of nine eurozone countries.

Which brings us to our first set of DVDs. A Forum topic on Artificial Eye's release of its Theo Angelopoulos Collection has been rumbling along for half a year now and, with the third volume coming out next month, David Jenkins has a good long
See full article at MUBI »

2011 Cinema Arts Festival Houston, Highlights Films and Live Performances Including The World Premiere Of ‘Art Car: The Movie’

Texas is known for some great film festivals. apart from SXSW and Fantastic Fest, both held in Austin – Houston also hosts some wonderful events. Among them is the Cinema Arts Festival. This year’s line-up is extremely strong, with titles that include Pina, David Cronenberg’s A Dangerous Method, The Artist and the World Premiere of Art Car: The Movie. Sadly we do not have any contributors over in Houston, but I did feel the need to quickly promote the festival. Here is the press release.

Houston – Now in its third year, Cinema Arts Festival Houston, which runs from November 9 to 13, 2011 will bring an ambitious program of films by and about artists to the vibrant Texas city known internationally for its dynamic art scene. From painting and dance to classical music and multimedia work, this edition will also include appearances by directors, actors, musicians, and special tributes to Ethan Hawke and documentary master Patricio Guzman.
See full article at SoundOnSight »

55th London Film Festival Programme

The programme for the 55th BFI London Film Festival in partnership with American Express launched today by Artistic Director Sandra Hebron, celebrates the imagination and excellence of international filmmaking from both established and emerging talent. Over 16 days the Festival will screen a total of 204 fiction and documentary features, including 13 World Premieres, 18 International Premieres and 22 European Premieres . There will also be screenings of 110 live action and animated shorts. Many of the films will be presented by their directors, cast members and crew, some of whom will also take part in career interviews, masterclasses, and other special events. The 55th BFI London Film Festival will run from 12-27 October.

Special Screenings

Opening the festival is Fernando Meirelles’ 360, written by Peter Morgan, and starring Sir Anthony Hopkins, Jude Law and Rachel Weisz. Weisz is also the star of Terence Davies’ closing night film, The Deep Blue Sea, alongside a cast which includes Simon Russell Beale and Tom Hiddleston.
See full article at SoundOnSight »

55th BFI London Film Festival Programme Announced

  • HeyUGuys
From the 12th to the 27th of October the 55th BFI London Film Festival brings its annual box of delights to the capital. Earlier today the full programme was announced, and it look like being another fine year.

We already know that Fernando Meirelles’ latest 360 will open proceedings on the 12th and fifteen days later Terence DaviesThe Deep Blue Sea will bring the festival to a close but there are many more great films to come and see in London this October.

There was a familiar feeling creeping across the audience this morning that a lot of the films had, like last year, already played elsewhere but this is only a small consideration when you consider the scope of the festival’s remit. To bring a vital, fresh and horizon-expanding series of features, shorts and documentaries is no easy task, and while the more well known films have played
See full article at HeyUGuys »

Full Line-Up For The 55th BFI London Film Festival Revealed

I have just literally walked out of a special launch event for the 55th BFI London Film Festival, held this morning at the massive Odeon cinemas in London’s Leicester Square. This year’s festival runs from 12th October until the 27th October and we’re especially excited because this is the very first year that The Hollywood News will have properly covered the whole event, despite the many years that we have been online.

This morning’s launch event was introduced by BFI Chief Executve Amanda Nevill and Artistic Director Sandra Hebron, who actually bows out of the role after this year. Following the introductions the capacity auditorium, made up of fellow journalists, actors, actresses, filmmakers and other industry folk, we were treated to a 30 minute reel showcasing 36 of the 300 films and short films playing at the festival, which is once again sponsored primarily by American Express. We already
See full article at The Hollywood News »

BFI London Film Festival Full Line-Up Announced

Artistic director Sandra Hebron has announced the line-up for the 55th BFI London Film Festival this morning where they will screen “a total of 204 fiction and documentary features, including 13 World Premieres, 18 International Premieres and 22 European Premieres” plus “110 live action and animated shorts”.

We are already knew Fernando Meirelles’ adaptation of Arthur Schnitzler’s erotic drama play 360 written by Peter Morgan and starring Anthony Hopkins, Jude Law and Rachel Weisz would open the festival and that The Deep Blue Sea, which incidentally is another adaptation of a play (Terence Rattigan’s) and also stars Rachel Weisz, will close it. Of Time and City’s Terrence Davies directed that movie which also stars Tom Hiddleston and Simon Russell Beale.

Now we know the in-between stuff from the Gala & Special Screenings and there’s a wide selection of extremely interesting films;

George Clooney is bringing his political thriller The Ides of March that
See full article at Obsessed with Film »

Robert Breer, 1926 - 2011

  • MUBI
Experimental animator Robert Breer, once referred to by the Harvard Film Archive as the "Kinetic Poet of the Avant-Garde," passed away on Friday. Pip Chodorov broke the news via the Frameworks list, calling him "a good friend, a very funny man, and a great artist."

Breer's father, an automobile designer, rigged a Bolex so that he could shoot home movies in 3D. In the early 50s, Breer lived in Paris, where he made large abstract paintings, and in the 60s, he made "float" sculptures that wander the gallery. An exhibition of several of these paintings and sculptures is currently on view at Baltic's Level 4 Gallery in Gateshead through September 25.

Yoel Meranda, who, a few years ago, worked at the Film-makers' Cooperative in New York, which Breer co-founded in the 70s, has a moving remembrance. Here's how it begins: "When I first saw on Fred Camper's Senses of Cinema top tens
See full article at MUBI »

2011 Sydney Underground Film Festival: Official Lineup

For their 5th annual event, which is set to run Sept. 8-11, the Sydney Underground Film Festival is looking a little more demented than ever. And that’s saying a lot for this scrappy, still relatively young fest, which typically offers ample twisted cinematic offerings.

The fun kicks off with the Opening Night film, the demented superhero comedy Super, written and directed by former Troma go-to screenwriter James Gunn (Tromeo & Juliet); then ends with the Closing Night wallowing in Sydney’s seedy underbelly, X, by homegrown filmmaker Jon Hewitt.

Crammed between these two excursions into violence and depravity is a lineup filled with perverse visions, scandalous public figures, sickening horror, experimental pop culture remixes and more.

For Bad Lit: The Journal of Underground Film, the highlight of the fest is Usama Alshaibi‘s Profane, a complex psychological, psychosexual, spiritual morality play about a Muslim sex worker who endures a “reverse
See full article at Underground Film Journal »

Underground Film Links: July 10, 2011

This week’s Must Read is actually a series of articles. Cineflyer is reprinting and transcribing articles from the first 2007 edition of The Moose, the newsletter of the Winnipeg Film Group. Here’s a scan of the cover. The issue included movie reviews by Darryl Nepinak and Mike Maryniuk’s top 10 Wfg films. Plus, there’s filmmaking tips by Cecilia Araneda and Heidi Phillips. An article by King of the Internet, Jaimz Asmundson. Guy Maddin interviews his favorite filmmaker, Guy Maddin.Heavy Metal Parking Lot hits the big time with a profile in the Wall Street Journal, of all places!Did you know Chicago’s Facets had a Tumblr blog? We didn’t, but now we do. Go bookmark.Plus, on the Facets blog, Gregory Hess reviews Steven Soderbergh’s “lost” film Kafka, which is only available on VHS. That’s weird.Speaking of Chicago, the Tribune spotlights two homegrown
See full article at Underground Film Journal »

Key Players in the 2011 Cannes Market: Celluloid Dreams

Celluloid Dreams, the Sales Agent and Production Co. based out of Paris have got a pair of films playing in the festival's line-up in the closing night film Honore's Beloved and the Ucr selected Loverboy from Romania. The top title in our books is Marjane Satrapi's Chicken with Plums which is currently in post and would currently be a contender for a Venice slot and Frederick Wiseman's next docu (see pic above) and an Italian number from Marco Bellocchio called Sorelle Mai. Here is their menu items: Beloved (Les Bien-AIMÉS) by Christophe HONORÉ - Completed Greetings To The Devil (Saluda Al Diablo De Mi Parte) by Carlos Esteban Orozco - Completed Loverboy by Catalin Mitulescu - Completed Another Silence by Santiago Amigorena - Post-Production Atrocious by Fernando Barreda Luna - Completed Bullhead (Rundskop) by Michaël R. Roskam - Completed Chicken With Plums (Poulet Aux Prunes) by Marjane Satrapi
See full article at »

Free Radicals: A History of Experimental Film | Review - AFI Fest 2010

“I’d like you to meet some of my friends and see their films,” announces filmmaker Pip Chodorov at the beginning of this very personal visual essay on some of the leading figures of 20th century experimental cinema. Chodorov starts with a series of clips from his family’s home movies shot in the 1960s, as well as footage of his own projects shot in the 1970s, to explain his perspective of experimental film. Establishing his tone very early on, Chodorov focuses on the free spirited nature of experimental cinema; as well as the inherent desire for experimental filmmakers to create something new, while shattering any and all preconceived notions about art and cinema.
See full article at SmellsLikeScreenSpirit »

Why Hasn’t The Underground Embraced The iPod?

The history of underground film production has followed along the path of the consumerization of equipment – From 16mm film to 8mm to analog video to digital. However, the distribution of underground film has been very slow at adopting the same consumerist ways and means.

In the U.S., it’s understandable why the underground never truly exploited the VHS format, despite it’s relative cheapness and pervasiveness. The chain store distribution market was nigh impossible to penetrate and producing the bulky tapes would become a major storage issue if they had nowhere to go quickly. (Perhaps the only company that’s ever been fully committed to releasing underground films on VHS was — and is — France’s Re:voir, run by Pip Chodorov.)

While many modern underground filmmakers still wait for their films to be released on DVD by professional distributors, other filmmakers use the multitude of workable self-distribution methods that are
See full article at Underground Film Journal »

2010 Festival du Nouveau Cinema Fnc Lab: Official Lineup

The 39th annual Festival du Nouveau Cinema is set to run in Montreal on Oct 13-24. But, within the overall, massive festival is the Fnc Lab, the avant-garde and experimental section that will be having screenings and live film performances every night on Oct. 14-22.

This year, the Fnc Lab is showcasing two retrospectives; plus, a short film program of strictly 16mm films, films from the Korean Jeonju Digital Project, four feature-length projects and several special one-of-a-kind performances.

The retrospectives are of two key American women experimental filmmakers. First, in conjunction with the Double Negative Collective, the fest presents a career overview of Chick Strand, the eminent ethnographic filmmaker who sadly passed away last year at the age of 77.

Then, there’s also a retrospective of playful avant-garde filmmaker Marie Losier, who is well known for her collaborations with and film portraits of key underground figures like George Kuchar, Tony Conrad and Genesis P-Orridge.
See full article at Underground Film Journal »

See also

Credited With | External Sites