4 items from 2014
Tapping into France’s new generation of femme filmmakers, Pyramide Intl. has struck early sales on Alix Delaporte’s “The Last Hammer Blow,” which world premieres in competition at Venice.
In first “Hammer Blow” sales, Palace Films acquired rights to Australia and New Zealand, and Lumiere to Benelux territories.
Starring theater vet Gregory Gadebois and Clotilde Hesme,“Hammer Blow” turns, however, on a teen: Victor who, when he enters the Montpellier Opera House, knows nothing about music nor his father (Gadebois), who is about to conduct Mahler’s 6th Symphony. Music, however, allows their halting relationship to grow.
Hailed by France’s Telerama as a “true discovery,” actress-turned-director Borleteau’s debut “Fidelio” centers on Alice (Ariane Labed, “Before Midnight”), a 30-year-old sailor. She embarks as second mate on Fidelio, »
- John Hopewell
The 71st Venice Film Festival announced its lineup this morning, highlighted by films from American directors, including David Gordon Green, Barry Levinson, Peter Bogdanovich, Lisa Cholodenko, Andrew Niccol, and James Franco. As had been previously announced, Alejandro González Iñárritu’s Birdman, starring Michael Keaton and many others, will be the opening film when the festival begins on Aug. 27.
Click below for the entire list of 55 films playing in Venice.
A Pigeon Sat On A Branch Reflecting On Existence, directed by Roy Andersson
Starring Holger Andersson, »
- Jeff Labrecque
Premiered on November 26th 2012 on Canal+
Satisfying the hunger of movie and television consumers in dire need of original content grows more difficult with each and every passing year. Not only do the people who produce content want to release more of the same, but the very fact of the matter is that nearly every story has already been told. What bold, creative new ideas can emerge in this early 21st century, where the quantity of the content grows exponentially at a dizzying rate? Making a television show that looks, sounds, and most importantly feels like no other is no small order. One option is to genre mash; that is, splicing two or more disparate genres together to make something that, while familiar, »
- Edgar Chaput
Mother Load: Kurys Revisits Plight of Parents in Post WWII France
For those familiar with the work of director Diane Kurys, the material that inspired her latest film, For a Woman, may seem old hat. What seems to serve as the third installment of a rough trilogy concerning the lives of her parents (while Kury’s first two features seem to be about her own childhood) shortly after World War II, was first realized in her excellent 1983 film, Entre Nous, then again in 1990’s C’est La Vie. Comparatively, this latest chapter serves as the weakest of the three, but that’s not to say it isn’t compelling and engaging. More often than not, it’s a tensely paced period piece with one or two notable performances, even as it’s needlessly set in the early 80s, waffling back and forth between flashbacks to the meaty past, where it could have been entirely set. »
- Nicholas Bell
4 items from 2014
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