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The nice thing about Gregg Araki’s movies is that he genuinely believes that teen horniness is not a crime: not for him Larry Clark’s pseudo-alarmed prurience or a Lifetime movie’s worth of dire consequences trailing teen sexuality. White Bird in a Blizzard‘s narrator/not-quite-heroine Kat Connors (Shaleine Woodley) is in the midst of an inexplicably celibate stretch in a hormonally-drenched first sexual relationship with neighbor Phil (Shiloh Fernandez) when her mother Eve (Eva Green) mysteriously disappears. Kat’s sexuality contributes neither to unearned guilt or poor decisions, and her relationship with the older investigating detective Scieziesciez (Thomas Jane) is never a source […] »
- Vadim Rizov
It's safe to say a suburban family is never quite how it appears.
In Gregg Araki's "White Bird in a Blizzard" (adapted from the novel of the same name), this is certainly the case. We follow the Connors, a seemingly normal husband and wife (Christopher Meloni and Eva Green), along with their teenage daughter (Shailene Woodley). When the wife suddenly disappears, the family is thrown into a tailspin and is left to pick up the pieces.
Of course things are much more complicated than that; in Araki's movie, both Meloni's and Woodley's characters have to suffer and readapt to their lives, and in suffocating suburbia there are often many complications -- and secrets.
Moviefone Canada chatted with Araki about his dream cast, suburbia and meeting Shailene Woodley.
Moviefone Canada: A lot of images and scenes have stuck with me from "White Bird in a Blizzard." There's something haunting about the film. »
- Chris Jancelewicz
In honor of the scariest night of the year, Showtime will re-air the first two episodes of “Penny Dreadful’s” first season.
Starting at 9 p.m. on Oct. 31, fans can reacquaint themselves with some of horror lit’s finest, including Dr. Frankenstein, Dorian Gray and figures from “Dracula.” Viewers can also sample the two episodes for free on YouTube and various television providers’ video-on-demand channels and websites.
The two “Penny Dreadful” hours will also be available on Showtime Anytime across platforms in the U.S.
“Penny Dreadful” stars Josh Hartnett, Timothy Dalton and Eva Green, with Reeve Carney, Rory Kinnear, Billie Piper, Danny Sapani, and Harry Treadaway rounding out the cast. The series is written and executive produced by John Logan of Desert Wolf Prods., and executive produced by Neal Street Prods.’ Pippa Harris and Sam Mendes.
“Penny Dreadful” is currently in production on its second season and will return »
- Shelli Weinstein
Most of us know Christopher Meloni for his "Law & Order: Special Victims Unit" role, Elliott Stabler -- a gruff, no-nonsense cop who often had a short fuse. In Gregg Araki's latest film, "White Bird in a Blizzard," Meloni tackles a different beast.
In the movie, Meloni plays Brock Connor, your average suburban husband with a good suit, a good job, a good wife (Eva Green) and a good daughter (Shailene Woodley). But at some point along the way, things turn sour and his wife transforms into a cold, bitter woman who lashes out at him every time he utters a word.
As a result, Brock becomes sullen and meek. One day, when his wife just disappears, his entire life is thrown into upheaval. "White Bird in a Blizzard" sees Meloni like we've never seen him before: subservient and beaten down. Moviefone Canada chatted with the actor about working out of his comfort zone, »
- Chris Jancelewicz
If you missed the first season of Showtime original series "Penny Dreadful," then today's your lucky day. We've got Season 1, Episodes 1 and 2, streaming right here, for free, so you can finally check out the creepily addictive supernatural drama.
As fans of the show, so we're pumped to get you hooked on the spooky mayhem stirred up by iconic characters pulled from the pages of classic horror literature. And just in time for Halloween, no less.
- Moviefone Staff
Christopher Meloni needs to stay far away from Eva Green. Earlier this year in Sin City: A Dame to Kill For, he co-starred opposite Green as a square-jawed detective easily corrupted by her ample charm. Meloni now finds himself once again under the actress’s spell in the indie feature White Bird in A Blizzard. In the Shailene Woodley headlined film, Meloni stars as Brock – the mild-mannered husband to Eva Green’s sultry Eve. It’s a loveless marriage, Eve never hesitating to remind Brock just how worthless and disappointing a man he truly is. When Eve suddenly disappears one morning, Brock naturally becomes a suspect in his wife’s vanishing. But could somebody so weak-willed be capable of such a monstrous act? Meloni, sporting a burly mustache and some wretched polo shirts, counters his naturally intimidating appearance to fully embody Brock’s emasculated demeanor. It’s a fine turn »
- Tommy Cook
Title: White Bird in a Blizzard Director: Gregg Araki Starring: Shailene Woodley, Eva Green, Christopher Meloni, Shiloh Fernandez, Thomas Jane, Gabourey Sidibe, Mark Indelicato and Angela Bassett Striving to leave your mark on the world and be appreciated for who you truly are as you mature into the person you want to be can be a gratifying, if not equally terrifying, experience for many people. But director Gregg Araki perfectly relayed that coming-of-age and personal discovery process in his new film adaptation, ‘White Bird in a Blizzard.’ The crime thriller, which is is based on the 1999 novel of the same name by Laura Kasischke, powerfully chronicles a teen who’s [ Read More ]
The post White Bird in a Blizzard Movie Review appeared first on Shockya.com. »
- Karen Benardello
“I was 17 when my mother disappeared,” Kat Connor (Shailene Woodley) tells us in the opening narration of White Bird in a Blizzard. “Just as I was becoming nothing but my body — flesh and blood and raging hormones — she stepped out of hers and left it behind.” It’s a poetic yet somewhat simplistic comparison, and it captures the conflicting impulses in Gregg Araki’s evocative, gorgeous, occasionally maddening film.White Bird is a coming-of-age tale that hops between the disappearance of Kat’s mother Eve (played by the great Eva Green, displaying a nutty blend of fierce allure and tense chill) and Kat’s own sexual awakening. The timeline hopscotches back and forth over a three-year period. We see the dysfunction at home, as the glamorous Eve seems so out of place in her static, sexless suburban marriage to seemingly straitlaced office drone Brock (Christopher Meloni); we see Kat start »
- Bilge Ebiri
In Gregg Araki’s new film White Bird in a Blizzard, Shailene Woodley plays Kat, a suburban 17-year-old who’s adrift after her mom (a tightly wound Eva Green) goes missing. Kat’s dad (Christopher Meloni) shuts down emotionally, Kat’s boyfriend (Shiloh Fernandez) grows physically distant, Kat’s friends (Gabourey Sidibe and Mark Indelicato) are already looking ahead to college, and as for Kat herself … well, now that she’s on her own with no parental oversight, she’s testing her own boundaries. That mission of self-discovery includes some sexual exploration that may shock audiences who only know Woodley from the PG-13 The Fault in Our Stars, as Kat sets her sights on the much older detective (Thomas Jane) investigating her mother’s case, then heads to his apartment to tentatively seduce him. You can see how that goes in this exclusive clip from the movie, out in theaters today. »
- Kyle Buchanan
Kat Connors (Shailene Woodley) is 17 years old when her perfect homemaker mother, Eve (Eva Green) disappears, just as Kat is discovering and relishing her newfound sexuality. Having lived for so long in a stifled, emotionally repressed household, she barely registers her mother's absence and certainly doesn't blame her doormat father, Brock (Christopher Meloni), for the loss. In fact it's almost a relief. But as time passes, Kat begins to come to grips with how deeply Eve's disappearance has affected her. Returning home on a break from college. she finds herself confronted with the truth about her mother's departure, and her own denial about the events surrounding it.
White Bird in a Blizzard is in theaters October 24th »
- Fernando Esquivel
Skin Deep: Araki Weathers a 4th Decade in Filmmaking
Gregg Araki’s latest ode to youthful alienation, White Bird in a Blizzard, is his most restrained and grounded work to date. It’s a quiet and astute film that derives its mystery from the err of human assumption and like most, or arguably all, of Araki’s work, this posits a naïve protagonist trying to come to terms with an unthinkably harsh world.
Unraveling slowly as 17-year-old Kat Connor (Shailene Woodley) dissects and rationalizes the world and the people around her following the disappearance of her mother, Eve (Eva Green). Kat is at a precipice, literally escaping the baby fat that marginalized and repressed her in early adolescence to emerge into an adult world unprepared, grappling with a sexuality she’s not entirely comfortable with or certain of. She’s also indirectly trying to relate this to her relationship »
- Robert Bell
Perfect for Christmas, the deluxe Sin City box set includes copies of both Sin City and the recently released Sin City 2: A Dame To Kill For on Blu-ray & DVD, alongside movie posters, specially commissioned playing cards, sticker sheets and a limited edition “Basin City” steel street sign.
Released in 2005, Sin City shook the Hollywood landscape with it’s unique comic-book inspired noir styling and all-star cast. Fastforward to 2014 and co-directors Frank Miller and Robert Rodrigues reunited with Jessica Alba, Mickey Rourke, Eva Green, Bruce Willis and Joseph Gordon-Levitt to make A Dame To Kill For, the massively anticipated follow-up.
Take a look at our exclusive look at the box set below.
- Paul Heath
Written & Directed by Gregg Araki
Just in case the title wasn’t enough of a hint, White Bird in a Blizzard provides enough ponderous dialogue and artsy flourishes to reveal itself as the pretentious mess that it is. Unsure whether it’s an indie mind-screw or a conventional potboiler, Blizzard splits the difference, interspersing clumsy dream sequences with a laughably-predictable mystery plot. This film actually seems determined to squash any chance for dramatic tension. On that count, at least, it succeeds wildly.
Shailene Woodley continues her reign of terror with a third lackluster offering in 2014. In contrast to Divergent and The Fault in Our Stars, she gets to play a bad girl in White Bird in a Blizzard, though the results are similarly mediocre. Things start with a 17 year-old Kat Connor (Woodley) recalling the day her unstable mother, Eve (Eva Green), disappeared without a trace. »
- J.R. Kinnard
White Bird in a Blizzard is the latest film from Gregg Araki, the same director who gave us Mysterious Skin, The Doom Generation and Smiley Face. It’s another excellent effort from the talented filmmaker and stars Shailene Woodley in what could be her best role to date.
The young actress steps into the part of Kat Connor, a 17-year-old girl who is just discovering her sexuality for the first time when her mother Eve (Eva Green) disappears without a trace. At first, she shows little concern over the disappearance, as the family household has long since become a very repressed one, and her father Brock (Christopher Meloni) looks to be at a complete loss in dealing with this frightening situation. But, as time goes on, Kat comes to realize how deeply affected she was by her mother suddenly vanishing and becomes obsessed with finding out the truth behind the disappearance. »
- Ben Kenber
Last year, RADiUS scored at the box office and in Awards Season with its documentary 20 Feet From Stardom (nearly $4.95 million and Best Documentary Feature Oscar win). This year, it may have another non-fiction awards behemoth, hitting theaters this weekend.
Citizenfour, directed by journalist and filmmaker Laura Poitras, tells the story of Nsa leaker Edward Snowden as he disclosed massive domestic U.S. government spying. The film unfolds in real time as Poitras and Guardian colleague Glenn Greenwald, working on a long-term project about government surveillance, were contacted online by a mysterious source calling himself “Citizenfour.” The film, completed in secret while Poitras was in self-imposed virtual exile, alleges even more Nsa overreaching at home and abroad than just what came out of the massive pile of U.S. documents Snowden leaked.
Another potential awards contender also arrives in U.S. theaters this weekend: Sweden’s entry for Foreign Language Oscar, »
- Brian Brooks
Shailene Woodley has already conquered the Ya crowd with the double-hitter of the Divergent franchise and The Fault In Our Stars, so it’s somewhat surprising (but also thrilling) to see her expand into much darker, riskier territory with White Bird in a Blizzard.
In the ’80s-set indie drama, Mysterious Skin director Gregg Araki’s first serious offering since that 2004 stunner, the actress stars as Kat Connor, a teen whose sexual awakening arrives just as her aloof, unhinged mother Eve (Eva Green) vanishes into thin air. Fearlessly baring all, both physically in the uncommonly raw and real sex scenes, and dramatically throughout the often emotional narrative, Woodley is absolutely riveting here. It’s far and away her best work since The Descendants.
Of course, those hailing White Bird in a Blizzard as a return to great drama for the young actress would be working on a faulty assumption – the film »
- Isaac Feldberg
This weekend, Keanu Reeves plays a retired legendary assassin out for revenge in the bloody action movie "John Wick," "The Hunger Games: Catching Fire" is now streaming on Netflix, while Quentin Tarantino's "Django Unchained" will be available on October 25, and the new CW dramedy "Jane the Virgin" airs its third episode Monday night at 9 p.m. with its first two episodes available now on Hulu.
Also in theaters this weekend: In "Ouija," a group of friends must confront their most terrifying fears when they awaken the dark powers of an ancient spirit board. "White Bird in a Blizzard" follows a teenage girl (Shailene Woodley) whose life is thrown into chaos when her mother (Eva Green) disappears. "Laggies" stars Keira Knightley as a 28-year-old in the throes of a quarter-life crisis who goes to live with her new 16-year-old (Chloe Grace Moretz) after her boyfriend proposes to her. "Citizenfour" follows »
- Jonny Black
Blu-ray 3D, Blu-ray & DVD Release Date: Nov. 18, 2014; Digital Release Date: Nov. 7, 2014
Price: DVD $29.98, Blu-ray 3D/Blu-ray/DVD Combo $39.99
Studio: The Weinstein Company
The action-packed, graphic novel-styled thriller Sin City: A Dame to Kill For is the decade-later sequel to 2005’s Sin City, both of which are directed Frank Miller and Robert Rodriguez (The Adventures of Sharkboy and Lavagirl).
We don't know your opinion, but we definitely think Eva Green is A Dame to Kill For.
The film is filled with scandal, murder, betrayal and mystery revolving around the lives of those swept up in a crime-filled underworld. Weaving together two of Miller’s classic stories with new tales, Sin City’s most hard boiled citizens cross paths with some of its more reviled inhabitants.
At the end of "White Bird in a Blizzard," I felt sad and dirty and lost. Call it the Gregg Araki effect. The writer/director's beautifully told films make you feel warm and fuzzy, with bubblegum candy colors and likable young characters, before revealing a latent darkness that leaves you unsafe and unsettled. And these warring sensibilities have never felt more at odds (or at home) with each other than in the campy, creeping dread of "White Bird." Foremost the director of "The Living End," "The Doom Generation" and "Mysterious Skin" (this is his first film since 2010 pratfall "Kaboom"), Araki sheds his new queer cinema roots for this Shailene Woodley vehicle about a 17-year-old girl named Kat whose sexual awakening is sparked by the spooky disappearance of her down-in-the-doldrums alcoholic mother, played with wicked malaise and malice by an out-of-place (but never out-of-step) Eva Green. Then there's Kat's stiff, »
- Ryan Lattanzio
We sat down with director Gregg Araki at the 2014 Sundance Film Festival after the premiere of his new film, White Bird in a Blizzard (Magnolia Pictures – 10.24). A key figure in the New Queer Cinema movement of the early 1990s, Araki discusses how it feels to now be a filmmaker whose works are discussed and used as texts in film studies courses. Despite a successful career, funding for material deemed difficult or unprofitable remains challenging even for a filmmaker of Araki’s status, who discusses issues with maintaining cast members in the face of funding and distributor hang-ups. In reference to his latest, we discuss Araki’s attraction to the material (based on a novel by Laura Kasichke, who also penned The Life Before Her Eyes), why he decided to slightly tweak the locale, and the fascinating enigma of Eva Green and her screen presence that recalls vintage era Hollywood. Araki »
- Nicholas Bell
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