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2016 | 2015 | 2014 | 2013 | 2012 | 2010 | 2009 | 2008

4 items from 2016


How colourist Tim Stipan gave Deadpool its

8 March 2016 6:05 PM, PST | IF.com.au | See recent IF.com.au news »

Deadpool.

Deadpool, one of the biggest hits of the year so far, was finished on Baselight by colourist Tim Stipan at Deluxe.s Efilm facility in Hollywood.

.Working on such a complex, effects-heavy project often requires various external matte sequences in addition to multiple image tracks", Stipan said.

"Multiply that by the large number of VFX vendors, and it meant we had a lot of different layers and mattes".

During Deadpool.s production in Vancouver, Stipan and DoP Ken Seng (an old university friend) ran camera and lens tests, then devised a set of reference looks on-set, much of which could be created in camera to build a natural look..

They also tested different film grains that were used for some of the versions of the movie, with the exception of Hdr, IMAX and Dolby Vision.

.We were going for a gritty look. We didn.t want a very saturated, »

- Staff Writer

Permalink | Report a problem


How colourist Tim Stipan gave Deadpool its "gritty" look

8 March 2016 6:05 PM, PST | IF.com.au | See recent IF.com.au news »

Deadpool.

Deadpool, one of the biggest hits of the year so far, was finished on Baselight by colourist Tim Stipan at Deluxe.s Efilm facility in Hollywood.

.Working on such a complex, effects-heavy project often requires various external matte sequences in addition to multiple image tracks", Stipan said.

"Multiply that by the large number of VFX vendors, and it meant we had a lot of different layers and mattes".

During Deadpool.s production in Vancouver, Stipan and DoP Ken Seng (an old university friend) ran camera and lens tests, then devised a set of reference looks on-set, much of which could be created in camera to build a natural look..

They also tested different film grains that were used for some of the versions of the movie, with the exception of Hdr, IMAX and Dolby Vision.

.We were going for a gritty look. We didn.t want a very saturated, »

- Staff Writer

Permalink | Report a problem


How colourist Tim Stipan gave Deadpool its "gritty, darker" look

8 March 2016 6:05 PM, PST | IF.com.au | See recent IF.com.au news »

Deadpool.

Deadpool, one of the biggest hits of the year so far, was finished on Baselight by colourist Tim Stipan at Deluxe.s Efilm facility in Hollywood.

.Working on such a complex, effects-heavy project often requires various external matte sequences in addition to multiple image tracks", Stipan said.

"Multiply that by the large number of VFX vendors, and it meant we had a lot of different layers and mattes".

During Deadpool.s production in Vancouver, Stipan and DoP Ken Seng (an old university friend) ran camera and lens tests, then devised a set of reference looks on-set, much of which could be created in camera to build a natural look..

They also tested different film grains that were used for some of the versions of the movie, with the exception of Hdr, IMAX and Dolby Vision.

.We were going for a gritty look. We didn.t want a very saturated, »

- Staff Writer

Permalink | Report a problem


Colourist Tim Stipan on shaping Deadpool's "gritty, darker" look

8 March 2016 6:05 PM, PST | IF.com.au | See recent IF.com.au news »

Deadpool.

Deadpool, one of the biggest hits of the year so far, was finished on Baselight by colourist Tim Stipan at Deluxe.s Efilm facility in Hollywood.

.Working on such a complex, effects-heavy project often requires various external matte sequences in addition to multiple image tracks", Stipan said.

"Multiply that by the large number of VFX vendors, and it meant we had a lot of different layers and mattes".

During Deadpool.s production in Vancouver, Stipan and DoP Ken Seng (an old university friend) ran camera and lens tests, then devised a set of reference looks on-set, much of which could be created in camera to build a natural look..

They also tested different film grains that were used for some of the versions of the movie, with the exception of Hdr, IMAX and Dolby Vision.

.We were going for a gritty look. We didn.t want a very saturated, »

- Staff Writer

Permalink | Report a problem


2016 | 2015 | 2014 | 2013 | 2012 | 2010 | 2009 | 2008

4 items from 2016


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