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Sally Hawkins Poster

Biography

Jump to: Overview (2) | Mini Bio (1) | Trade Mark (3) | Trivia (42) | Personal Quotes (12)

Overview (2)

Date of Birth 27 April 1976Dulwich, London, England, UK
Height 5' 5" (1.65 m)

Mini Bio (1)

Sally Cecilia Hawkins was born in London, England in 1976. The daughter of Jacqui and Colin Hawkins, authors and illustrators of children's books, Hawkins was born in Dulwich, and brought up in Blackheath, in southeast London. She attended James Allen's Girls' School in Dulwich. She graduated from the Royal Academy of Dramatic Art in 1998. Hawkins' theatre appearances include Much Ado About Nothing (2000), A Midsummer Night's Dream (2000), Misconceptions (2001), Country Music (2004), and David Hare's adaptation of Federico García Lorca's play The House of Bernarda Alba in 2005. Hawkins made her first notable screen performance as Samantha in the 2002 Mike Leigh film All or Nothing (2002). She also appeared as Slasher in the 2004 film Layer Cake (2004). She played the role of Zena Blake in the BBC adaptation of Sarah Waters' novel, Tipping the Velvet (2002) in 2002. Her first major television role came in 2005, when she played Susan Trinder in the BAFTA-nominated BBC drama Fingersmith (2005), an adaptation of Sarah Waters' novel of the same name, in which she co-starred with Imelda Staunton, as she had in Vera Drake (2004). Since then she has gone on to star in another BBC adaptation, Patrick Hamilton's Twenty Thousand Streets Under the Sky. Hawkins appeared in three episodes of the BBC comedy series Little Britain (2003), in addition to Ed Reardon's Week on BBC Radio 4. She has also contributed to the BBC Radio 4 series Concrete Cow. In 2006, Hawkins returned to the stage, appearing at the Royal Court Theatre in Jez Butterworth's The Winterling. In 2007, she played the lead in a new film of Jane Austen's Persuasion, and followed this with her critically acclaimed performance in Happy-Go-Lucky (2008). Questions and a minor controversy arose when Hawkins was not nominated for an Academy Award for her performance as Poppy. It was the first year since 2000-01 that the winner of the Golden Globe for Best Actress in a Motion Picture Musical or Comedy was not nominated for an Academy Award, and the first year since 1995-96 that no one from the category was nominated. During 2006 she also made uncredited appearances in Richard Ayoade's Man to Man with Dean Learner where she played various uncredited roles from Personal Assistant to Wife of Steve Pising in various deleted scenes included on the DVD. Hawkins' 2009-10 films included Desert Flower (2009), Never Let Me Go (2010), and Happy Ever Afters (2009). In November 2010, she appeared on Broadway as Vivie in Mrs. Warren's Profession. In 2011, Hawkins appeared in Submarine (2010) and had a supporting role in the film adaptation of Jane Eyre (2011).

- IMDb Mini Biography By: Lily S.

Trade Mark (3)

Often works with Mike Leigh
Often portrays people of lower class.
An apologetic and grateful presence, with a shy and nervous demeanor.

Trivia (42)

Contributed her writing skills to the BBC Radio 4 comedy show "Concrete Cow".
Grew up in southeast London.
Graduated from the Royal Academy of Dramatic Arts in London.
Attended James Allen Girls' School.
Born to Jacqui and Colin Hawkins, noted authors and illustrators of children's books.
Was obsessed with 1940s black and white films in her childhood.
Enjoys painting.
In 2006, she told a reporter for The Independent that she had been diagnosed with a "chronic condition" (which she did not disclose) that required treatment and which seemed to be responding to treatment.
Was an extra on Star Wars: Episode I - The Phantom Menace (1999) while attending drama school.
At the 86th Academy Awards in 2014, she was the only nominated actor in attendance, not to be given a reaction shot, following her "Oscar clip". Following her clip, the monitor broke down, and a black screen was shown. When the monitor was resurrected a few seconds later, it had cut to fellow nominee June Squibb instead.
She has portrayed the mother of Craig Roberts's character twice. First in Submarine (2010), then in Jane Eyre (2011).
With her Golden Globe victory for Happy-Go-Lucky (2008), she joined a small group of actresses, who won a Golden Globe for a performance that was not nominated by the Academy Awards. Other actresses include Nicole Kidman and Kate Winslet.
Cate Blanchett and Hawkins became good friends after they co-starred in Blue Jasmine (2013). Blanchett won the Oscar for her performance in the film and mentioned Hawkins in her speech twice. First she thanked "the sublime Sally Hawkins" and then she thanked Carla Meyer "for getting Sally and I together".
Her favorite filmmakers are John Cassavetes and Robert Altman.
Has one brother. He's five years older than her and works as a web designer and illustrator.
Cate Blanchett and she jokingly considered wearing crocs and plastic bags to The 86th Academy Awards (2014), if the weather was bad.
Found out about her Oscar nomination for Best Supporting Actress in Blue Jasmine while she was grocery shopping.
Was originally cast in The Last Days on Mars (2013), but backed out due to personal commitments. She was replaced by Olivia Williams.
2010: Presented Robert Downey Jr. his Golden Globe for Best Actor in a Motion Picture - Musical or Comedy. Like her, he won the Golden Globe for a performance that he was not subsequently Oscar nominated for.
Spokesperson for Oxfam's East Africa Appeal.
Some of her fellow 1998 graduates from Royal Academy of Dramatic Arts, includes Tobias Menzies, Robert Wilfort, Maxine Peake and Joanna Page.
Good friends with Richard Ayoade, who has directed her several times.
One of the first acting jobs she did was performing the title character in a school production of "The Emperor's New Clothes'.
Was on a lot of pain killers, when she attended the red carpet of the Golden Globes, for the first time in 2009. This was due to a painful scar she received after she broke her collarbone on a film set.
Was attached to "The Roaring Girl" for a long time, but production on the film never developed. The film was set to be a biopic of Bernadette Devlin, the woman who became, at 21, Northern Ireland's youngest female Member of Parliament.
Experienced her first desire to act at the age of 3, when she visited a circus for the first time and was subsequently inspired to perform.
Has a fear of snakes.
The role of Poppy in Happy-Go-Lucky (2008) was written specially for her. Prior to filming, she prepared for the role by staying in character one day, while visiting the streets of London.
Was originally cast in Dirty Girl (2010), in an unspecified part, but later dropped out for unknown reasons.
Three of the original Dagenham seamstresses invited her for tea, prior to the filming of Made in Dagenham (2010), as they wished to inform her properly about mindset behind the strike, that she was set to portray in the film. Hawkins' grandmother also worked as a seamstress, although not at the Dagenham factory.
Her entrance to the stage, where she accepted her Golden Globe win, was briefly interrupted by fellow nominee Meryl Streep. Hawkins was awarded in favor of Streep, and on her way to the stage, she was stopped by Streep, who asked: "Are you happy now?".
She was diagnosed with dyslexia as a child. She has stated that acting lessons helped her to understand and pronounce words correctly.
Good friends with Colin Farrell.
One of her favorite film is Brief Encounter (1945). She has once hosted a screening of the film at Cineworld Haymarket in London. Some of her other favorite films include The Lovers on the Bridge (1991), Beauty and the Beast (1946), Wild Strawberries (1957), E.T. the Extra-Terrestrial (1982) and The Member of the Wedding (1952).
Was cast in Godzilla (2014), almost three weeks after filming had begun on the production.
Plays the piano, as seen in All Is Bright (2013). Her character's brief piano-act by was performed by herself.
Her films Submarine (2010), Never Let Me Go (2010) and Made in Dagenham (2010) all premiered at the Toronto Film Festival in 2010. Having three films premier at TIFF is a record-high number of films for an actress, and following this, she was entitled "Toronto's Belle of the Ball" by USA Today.
Was cast in an ITV production of A Passage to India (1984), opposite Matthew Macfadyen, Laurence Fox and Gemma Jones. The show was set to air in the autumn of 2009, but the production was axed due to budget restrains.
Two of her movies from 2014, Paddington (2014) and Godzilla (2014), had a CGI figure as the title character, and both films were the second outing of a director, who previously only had directed an independent film and had no experience with a big-name cast.
She was introduced as "The Best Actress You've Never Heard of" when she visited The Early Show on CBS, in 2009.
Replaced Rachel McAdams in Maudie (2015).
One of 271 people invited to join AMPAS in 2014.

Personal Quotes (12)

[on Godzilla (2014)] It doesn't actually feel like a huge film, and that's a testament to Gareth Edwards, the director. He's also English. And he comes from the performance first, rather than how it looks. I never expected I would be cast in a film like this - and that's all thanks to Gareth. His cast is really unusual and interesting and people you wouldn't normally see in this type of film, and I hope it makes for a different type of monster film.
You only do good work when you're taking risks and pushing yourself and failing really badly.
I'm not a glamour puss.
[on her part in Star Wars: Episode I - The Phantom Menace (1999)]: Oh, I don't even know if I made the final cut. It was one day many years ago. I was still in drama school. A friend was working on it and got me in. I was in a huge audience scene. We were replicated about a thousand times. I wore a chiffon costume. It was quite a look. And I saw Ewan McGregor. He would not remember me. I never told him. I just passed by him. He was playing football, and I was on my way to set. I was just an extra in the village. I got paid 100 quid, I think.
[on Cate Blanchett, her co-star in Blue Jasmine (2013)]: I was very lucky with Cate. She's incredible, and she's a theater actress as well. She thinks and works - I'm flattering myself by saying this - in a similar way as me. She comes from that training and we had time together in New York to get to know each other. Luckily, she was performing "Uncle Vanya" to great acclaim. That was the first time I saw her in the flesh. Then we had time to just talk and unravel the script. That was invaluable for me. It created such grounding.
I love Woody Allen because you are there to work and do your job. There is no time for the pleasantries. There's no time for chit-chat. I like that. He is very right to it. I never thought that I'd be lucky enough to work with him once let alone twice. He's incredibly precise and economical with his words. He doesn't want to hang around. He's sometimes incredibly specific. And sometimes he just lets you get on with it, and he steps away. He works incredibly economically and fast, and he doesn't smooth it over. Does that make sense? He doesn't tell you, "Oh that's amazing."
I'd love to do the Oscars in Topshop vintage, my way. But I'm not allowed. And it's all an illusion. The dresses - mine, anyway - have to be sent back at midnight, like Cinderella.
[on recognition, following her win a the Berlin Festival for Happy-Go-Lucky (2008)]: I was having dinner after the ceremony and Paul Thomas Anderson came over. He congratulated me on the Bear, which was sitting on the table. I was dribbling with excitement. Michel Gondry also came to pay his respect. He loves Mike Leigh's work; he talked about "Naked" and "Career Girls". Only for about 30 seconds, but time stood still.
My family went to Universal Studios and did a Star Trek video spoof. My mum and dad were Klingons. I was Mr. Spock with the ears, and my brother was Captain Kirk. It's one of my most treasured possessions.
Every movie has a bit of magic in it. Even if it's just for a beat.
It's outrageous how women in the film industry are paid less than men all the time. I went to a very good school where we were encouraged to be as independent and strong as we liked and it was quite a shock when I got out into the world to discover how women were patronized and undermined in the workplace. (2010)
I loved working with Nigel Cole on [Made in Dagenham (2010)], but I have to say that now that I think about it, considering what the movie has to say, wouldn't it have been great if 'Made in Dagenham' had been directed by a woman? That would be a real sign of progress, wouldn't it?

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