2 items from 2014
A total of 50 films are to make up the retrospective Eastern Promises: Autobiography of Eastern Europe at the 62nd San Sebastian Film Festival (Sept 19-27).
The line-up includes movies produced since 2000 in the countries that lived under Soviet influence after the Second World War and include some that were never released theatrically in Spain.
Several directors of films in the retrospective will attend the festival to present their works including Sarunas Bartas (Lithuania), Kristina Buožytė (Lithuania), Marian Crisan (Romania), Mira Fornay (Slovakia), Bohdan Sláma (Czech Republic), Malgorzata Szumowska (Poland) and Anna Viduleja (Latvia).
A book will be published to accompany the retrospective with contributions from journalists and critics across Europe.
The titles are:
Kruh In Mleko / Bread And Milk
Jan Cvitkovic (Slovenia) 2001
A modern classic of Slovenian cinema, the tale of a man who went out for bread and milk and lost himself to alcohol »
- firstname.lastname@example.org (Michael Rosser)
Both movies will first world-premiere at Cannes. “Dragon” will play out of competition in the official selection, while “Kaguya,” helmed by Isao Takahata, will play in Directors’ Fortnight.
Annecy’s competition lineup will mix a few mainstream films — such as Thomas Szabo and Helene Giraud’s French B.O. hit “Minuscule” and Shayne Ehman and Seth Scriver’s road trip comedy “Asphalt Watches” — with many adult-skewed, auteur-driven toonpics, notably Bill Plympton’s “Cheatin’,” Femke Wolting and Tommy Pallotta’s “Last Hijack,” about Somalian pirates, as well as Korean helmer Sang-ho Yeon’s psychological thriller “The Fake” and Mait Laas’ “Limone and Maroc Orange,” a 3D satire dealing with immigration.
Other animated films set to compete include “L’Arte della felicita, »
- Elsa Keslassy
2 items from 2014
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