2 items from 2017
“I make movies that make no sense,” Seijun Suzuki would often say, and he wasn’t being modest. The prolific director, who died earlier this month at the age of 93, was the Jackson Pollock of Japanese cinema, an irrepressibly creative artist who painted with gobs of color and geysers of fake blood in order to defy the strictures of narrative and remind viewers that movies are more than the stories they tell.
His hyper-stylized gangster sagas, which had a way of turning the most basic B-picture plots into unfettered symphonies for the senses, were born out of a rabid intolerance for boredom; audiences never knew what was going to happen next, and sometimes it’s tempting to suspect that Suzuki didn’t either. Few directors ever did more to fundamentally demolish our understanding of what film could be, and even fewer did so while working under the auspices of a major production studio. »
- David Ehrlich
The 1940s action comedy, about a railroad worker who leads a team of freedom fighters against the invading Japanese, opened only in third place two weeks ago, after The Great Wall and See You Tomorrow. Director Ding Sheng has collaborated with Chan previously on Little Big Soldier and Police Story 2013.
Zhang Yimou’s action fantasy epic The Great Wall fell to second spot with $27.96m after topping the charts for two weeks. It crossed the RMB1 billion threshold on New Year Day (Jan 1) and earned $148.02m after 17 days, surpassing Kung Fu Panda 3 as the top grossing Sino-us co-production.
New local romantic comedy Some Like It Hot opened in third place with $24.65m from its three-day opening weekend. Starring Yan Ni »
- email@example.com (Silvia Wong)
2 items from 2017
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