- (May 2002) Designed sets for "Lysistrata" musical by Galt MacDermot and Matty Selman adapted from the play by Aristophanes (Loeb Drama Center, Harvard University, Cambridge, Massachussets, USA).
- (September 2002) Designed sets for "Nabucco" opera by Giuseppe Verdi, libretto by Temistocle Solera based on Cortesi's ballet scenario Nabucodonosor (Dorothy Chandler Pavilion, L.A. Music Center, Los Angeles, California, USA).
- (April 2005) Designed sets for "The Light in the Piazza" musical by Craig Lucas and Adam Guettel (Vivian Beaumont Theater, Lincoln Center, New York City, New York, USA).
- (April 2006) Sets for "Awake and Sing!" play by Clifford Odets (Belasco Theatre, New York City, New York, USA).
- (May 2006) Sets for "Ridiculous Fraud" play by Beth Henley (McCarter Theatre, Princeton, New Jersey, USA).
- (December 2007) Sets for the "Cymbeline" play by William Shakespeare (Vivian Beaumont Theater, New York City, New York, USA).
- (1998) He was the scenic designer for Moss Hart and George S. Kaufman's play, "The Man Who Came to Dinner," at the Steppenwolf Theatre Company in Chicago, Illinois with Shannon Cochran in the cast.
- (2003) He was the scenic designer for Amy Freed's play, "The Beard of Avon," at the Goodman Theatre in Chicago, Illinois with Mark Harelik in the cast. The crew included Jane Greenwood (costume designer). Michael Bodeen and Rob Milburn composed original incidental music.
- (1982-1983 season) He was set designer for Michael Cristofer's play, "Lady and the Clarinet," at the Long Wharf Theatre (Stage II) in New Haven, Connecticut before transferred to New York City. Gordon Davidson was director. Jane Greenwood was costume designer. Paul Gallo was lighting designer. Stanley Silverman was composer.
- (1983-1984 season) He was set designer for Nina Shergold's play, "Homesteaders" at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. John Pasquin was director. Linda Fisher was costume designer. Judy Rasmuson was lighting designer.
- (January 1, 1984) He was set designer for Jack Kirkland's play, "Tobacco Road," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Erskine Caldwell wrote the novel. Arvin Brown was director. Bill Walker was costume designer. Ronald Wallace was lighting designer.
- (1984-1985 season) He was set designer for the musical, "Albert Herring," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Benjamin Britten wrote the book based on the short story by Guy De Maupassant. Benjamin Britten was also composer. Henry Boys wrote the vocal score. Arvin Brown was director. David Murin was costume designer. Ronald Wallace was lighting designer. Murry Sidlin was conductor. Eric Crozier was lyricist.
- (1985-1986 season) He was set designer for the musical, "Lost in the Stars," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Kurt Weill was composer. Maxwell Anderson was lyricist. Kurt Weill and Maxwell Anderson wrote the book for the based on the novel by Alan Paton. Tom Fay was conductor. Arvin Brown was director. Jennifer Von Mayrhauser was costume designer. Ronald Wallace was lighting designer.
- (1986-1987 season) He was set designer for the musical, "The Tender Land," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Aaron Copland and Horace Everett wrote the book. Aaron Copland was composer. Horace Everett was lyricist. Arvin Brown was director. David Murin was costume designer. Ronald Wallace was lighting designer. Murry Sidlin was conductor.
- (1987-1988 season) He was set designer for Thornton Wilder's play, "Our Town," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut with Hal Holbrook in the cast. Arvin Brown was director. David Murin was costume designer. Ronald Wallace was lighting designer.
- (April 1988) He was set designer for the musical, "Regina," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Based on the play, "The Little Foxes," by Lillian Hellman. Marc Blitzstein wrote the book. Marc Blitzstein was composer and lyricist. Arvin Brown was director. Jess Goldstein was costume designer. Ronald Wallace was lighting designer. Murry Sidlin was conductor.
- (1988-1989 season) He was set designer for Dennis McIntyre's play, "National Anthems," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. David Murin was costume designer. Ronald Wallace was lighting designer.
- (1988-1989 season) He was set designer for Nancy Fales Garrett's play, "Some Sweet Day," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Seret Scott was director. David Murin was costume designer. Pat Collins was lighting designer.
- (1989-1990 season) He was set designer for Arthur Miller's play ,"The Crucible," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. David Murin was costume designer. Ronald Wallace was lighting designer.
- (1990-1991 season) He was set designer for William Inge's play, "Picnic," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. Jess Goldstein was costume designer. Richard Nelson was lighting designer.
- (1991-1992 season) He was set designer for Eugene O'Neill's play, "A Touch of the Poet," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. David Murin was costume designer. Christopher Akerlind was lighting designer. Renton Evans was composer.
- (1992-1993 season) He was set designer for Alan Ayckbourn's play, "Absurd Person Singular," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. David Murin was costume designer. Arden Fingerhut was lighting designer.
- (1993-1994 season) He was set designer for George Bernard Shaw's play, "Misallaince," at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director. Jess Goldstein was costume designer. Mark Stanley was lighting designer.
- (1995-1996 season) He was set designer for James Baldwin's play, "The Amen Corner," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Seret Scott was director. Karen Perry was costume designer. Dennis Parichy was lighting designer. Bill Brown was musical director.
- (1996-1997 season) He was set designer for George Kelly's play, "The Show-Off," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. David Murin was costume designer. Mark Stanley was lighting designer.
- (1997-1998 season) He was set designer for Noel Coward's play, "Blithe Spirit," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. John Tillinger was director. Jess Goldstein was costume designer. Don Holder was lighting designer.
- (1998-1999 season) He was set designer for Chay Yew's play, "Red," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut before transferred to New York City. David Petrarca was director. Anita Yavich was costume designer. James F. Ingalls was lighting designer. Jeffrey Carlson and Rob Milburn were sound designers.
- (April 5 to 30, 2006) He was set designer for Ben Hecht and Charles MacArthur's play, "The Front Page," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was director. Jane Greenwood was costume designer. Stephen Strawbridge was lighting designer. David Stephen Baker was sound designer.
- (January 10 to February 4, 2007) He was scenic designer for A.R. Gurney's play, "The Cocktail Hour," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Kim Rubinstein was director. Candice Donnelly was costume designer. Pat Collins was lighting designer. Andrew Pluess was sound designer.
- (May 9 to June 3, 2007) He was scenic designer for Anton Chekhov's play, "Uncle Vanya," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was adapter and director. Jane Greenwood was costume designer. Christopher Akerlind was lighting designer. Daniel Baker was sound designer.
- (May 13 to June 7, 2009) He was set designer for Tennessee Williams' play, "The Glass Menagerie," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was director. Martin Pakledinaz was costume designer. Jennifer Tipton was lighting designer. David Budries was sound designer. Monica A. Cuoco was stage manager. Amy Patricia Stern was assistant stage manager. Tanya Dean was Dramaturg.
- (April 28 to May 23, 2010) He was set designer for Henrik Ibsen's play, "A Doll's House," in a world premiere adaptation at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was director and adapter. Jessica Ford was costume designer. Russell H. Champa was lighting designer. David Brudies was sound designer. Lisa Ann Chernoff was stage manager. Amy Patricia Stern was assistant stage manager. Jorge J. Rodriguez and Tanya Dean were Co-Dramaturgs. Elizabeth Roxas was choreographer.
- (November 26 to December 21, 2014) He was set designer for Steve Martin's play, "Picasso at the Lapin Agile," at Long Wharf Theatre at the Claire Tow Stage in the C. Newton Schenck III Theatre in New Haven, Connecticut. Gordon Edelstein was director. Jess Goldstein was costume designer. Donald Holder was lighting designer. David Budries was sound designer. Leah Loukas was hair and wig designer. Amy Stoller was dialect designer. Tim Acito was movement consultant. Rebecca C. Monroe was production stage manager. Amy Patricia Stern was assistant stage manager. James Calleri was casting director.
- (February 13 to March 10, 2013) He was set designer for Sam Shepard's play, "Curse of the Starving Glass," in the Long Wharf Theatre on Claire Tow Stage in the C. Newton Schenck III Theatre in New Haven, Connecticut. Gordon Edelstein was director. Clint Ramos was costume designer. James F. Ingalls was lighting designer. Fitz Patton was sound designer. Doug Wieselman was composer. William Berloni was animal trainer. Bryce MacDonald was stage manager. Amy Patricia Stern and Sara Cox Bradley were assistant stage managers. James Calleri was casting director.
- (1982 to 1983 season) He was set designer for George Bernard Shaw's play, "Heartbreak House," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Christopher Markle was director. Lawrence Casey was costume designer. William Armstrong was lighting designer.
- (1998 to 1999 season) He was set designer for William Shakespeare's play, "Julius Caesar," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Sally Wingert, Lance Reddick and Alex Podulke in the cast. Joe Dowling was director and artistic director. Paul Tazewell was costume designer. Chris Parry was lighting designer. Keith Thomas was composer.
- (2002 to 2003 season) He was set designer for George Bernard Shaw's play, "Mrs. Warren's Profession," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Lisa Peterson was director. Ann Hould-Ward was costume designer. Peter Kaczorowski was lighting designer.
- (2003 to 2004 season) He was set designer for the musical, "The Pirates of Penzance," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Dan Calloway and Jennifer Baldwin Peden in the cast. W.S. Gilbet and Arthur Sullivan were composers and lyricists. Jeffrey Hatcher was additional writer. Andrew Cooke was orchestra reviser. Joe Dowling was artistic director and director. Paul Tazewell was costume designer. Stephen Strawbridge was lighting designer. David Bolger was choreographer. Andrew Cooke was music director.
- (April 26, 1980) He was set designer for the musical, "Happy End," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Bertolt Brecht was lyricist. Kurt Weill was composer. Elisabeth Hauptmann wrote the original German play. Michael Feingold was American adapter and lyricist. Walton Jones was director. Gary Fagin was music director and conductor. William Ivey Long was costume designer. William Armstrong was lighting designer. Robert Brustein was artistic director.
- (November 23, 1980) He was set designer for Bertolt Brecht's play, "The Berlin Requiem," and "The Seven Deadly Sins," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Kurt Weill was composer. Travis Preston directed the "The Berlin Requiem." Alvin Epstein directed "The Seven Deadly Sins." Carmen De Lavallade was Choreographic Associate. Michael Feingold was translator. Dunya Ramicova was costume designer. James F. Ingalls was lighting designer. Gary Fagin was music director. Robert Brustein was artistic director.
- (December 1, 1981) He was set designer for Moliere's plays,"Signorelle: An Evening of His Farces (The Flying Doctor; The Forced Marriage; Sganarelle and A Dumb Show)," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Eilzabeth Swados; Cherry Jones; Tony Shalhoub; Karen MacDonald; John Bottom and Thomas Derrah in the cast. Andrei Serban was director. Albert Bermel was translator. Dunya Ramicova was costume designer. James F. Ingalls was lighting designer. Stephen Drury was music arranger and director. Sandra Boynton adapted and translated "A Dumb Show." Robert Brustein was artistic director.
- (May to June 1982) He was set designer for Moliere's play,"Sganarelle," in the American Repertory Theatre production at the Goodman Theatre in Chicago, Illinois with Elizabeth Swados; Cherry Jones; Tony Shalhoub; Karen MacDonald; Thomas Derrah and John Bottom in the cast. Andrei Serban was director. Albert Bermel was translator. Dunya Ramicova was costume designer. James F. Ingalls was lighting designer. Stephen Drury was music arranger and director. Robert Brustein was artistic director. Kris Kinet was production manager.
- (Fall 1981) He was set designer for Moliere's plays,"Signorelle: An Evening of His Farces (The Flying Doctor; The Forced Marriage; Sganarelle and A Dumb Show)," in the American Repertory Theatre production in the first tour of the Northeastern States including Maine, New Hampshire, Vermont, Massachusetts, Connecticut, Rhode Island and New York with Elizabeth Swados; Thomas Derrah; Cherry Jones; Tony Shalhoub; Karen MacDonald and John Bottom in the cast. Andrei Serban was director. Albert Bermel was translator. Dunya Ramicova was costume designer. James F. Ingalls was lighting designer. Stephen Drury was music arranger and director. Sandra Boynton adapted and translated "A Dumb Show." Robert Brustein was artistic director. Kris Kinet was production manager.
- (July to September 1982) He was set designer for Moliere's plays,"Sganarelle;" Frank Wedekind's play, "Lulu;" Robert Auletta's play, "Rundown" and Sam Shepard's play, "True West," in the American Repertory Theatre production in the first tour of Europe and the Middle East with Eilzabeth Swados; Cherry Jones; Tony Shalhoub; Karen MacDonald and John Bottom in the cast. Andrei Serban was director. Albert Bermel was translator. Dunya Ramicova was costume designer. James F. Ingalls was lighting designer. Stephen Drury was music arranger and director. Sandra Boynton adapted and translated "A Dumb Show." They performed at the major festivals in Asti; Avignon, France; Rotterdam and Amsterdam, Netherlands; Edinburgh, Scotland; Tel-Aviv, Haifa and Jerusalem, Israel; BITEG (Belgrade and Ljubana) and London, England. Robert Brustein was artistic director. Kris Kinet was production manager.
- (May 11, 1984) He was set and costume designer for Luigi Pirandello's play, "Six Character in Search of an Author," in the Fall Festival, Philippe Genty Company and American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Lisa Hilboldt; Seth Goldstein; Linda Lavin; Nicole Shalhoub and Robert Stattel in the cast. Robert Brustein was adapter, artistic director and director. Jennifer Tipton was lighting designer.
- (October 2, 1984) He was set and costume designer for Luigi Pirandello's play, "Six Characters in Search of an Author," in the Fall Festival production at the American Repertory Theatre in Cambridge, Massachusetts with Lisa Hilboldt; Seth Goldstein; Linda Lavin; Nicole Shalhoub and Robert Stattel in the cast Robert Brustein was adapter, artistic director and director. Jennifer Tipton was lighting designer.
- (November 23, 1984) He was set designer for Carlo Gozzi's play, "The King Stag," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Albert Bermel was English translator. Andrei Serban was director. Julie Taymor was costume, mask and puppet designer. Jennifer Tipton was lighting designer. Elliot Goldenthal was original music composer. Robert Brustein was artistic director.
- (May 10, 1985) He was set designer for William Shakespeare's play, "Love's Labour's Lost," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Jerome Kilty was director. Constance R. Wexler was costume designer. Spencer Mosse was lighting designer. Conrad Susa was composer. Robert Brustein was artistic director.
- (September 12, 1985) He was set and costume designer for Luigi Pirandello's play, "Six Characters in Search of an Author," was performed in the Fall Festival production at the American Repertory Theatre in Cambridge, Massachusetts with Lisa Hilboldt; Seth Goldstein; Linda Lavin; Nicole Shalhoub and Robert Stattel in the cast. Robert Brustein was director, artistic director and new adapter. Jennifer Tipton was lighting designer.
- (November 22, 1985) He was set and costume designer for Thomas Middleton's play, "The Changeling," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Diana D'Aquila (Beatrice-Joanna) and John Bottoms (De Flores) in the cast. Robert Brustein was director and artistic director. Richard Riddell was lighting designer.
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