Dana Wynter - News Poster


‘Invasion of the Body Snatchers’ Remake in the Works at Warner Bros.

‘Invasion of the Body Snatchers’ Remake in the Works at Warner Bros.
Warner Bros. has launched a remake of the classic science-fiction movie “Invasion of the Body Snatchers” and set the project up with producer John Davis.

The Conjuring 2” screenwriter David Leslie Johnson has been tapped to write the script.

The original 1956 movie is based on Jack Finney’s 1954 novel “The Body Snatchers” in which the small California town of Mill Valley is invaded by aliens plant pods, which replicate humans as they sleep. The resulting replicants have no emotion.

The movie, set in the fictional California town of Santa Mira and shot in less than three weeks in black and white in Sierra Madre, Glendale, Chatsworth and Los Felix, ended with the aliens taking over. It was produced by Walter Wanger, directed by Don Siegel and starred Kevin McCarthy and Dana Wynter.

Invasion of the Body Snatchers” grossed $3 million in its initial release and grew in critical stature to the point that it was selected in 1994 for
See full article at Variety - Film News »

Examining Hollywood Remakes: Invasion of the Body Snatchers

  • Cinelinx
This time we have a film which has been remade multiple times. However, we’re choosing to focus on the best of those remakes. This week, Cinelinx looks at Invasion of the Body Snatchers (1978).

This often adapted story is based upon a three-part serialized story by Jack Finney which appeared originally in Colliers Magazine in 1954. It was expanded into a novel called “The Body Snatchers” in 1955.The first film version came out in 1956, and is considered one of the truly great sci-fi films. It has been remade three time, in 1978, 1993 and 2007. This article looks at the 1956 and 1978 movies because they are clearly the best of the four. Body Snatchers (1993) is just mediocre and the Invasion (2007) is just a mess. The other two are classics.

The 1956 version was written during the Cold War ‘Red Scare’, when the public was constantly reminded by our government to keep vigilant of Communist infiltration. This
See full article at Cinelinx »

Sci-fi Weekend, Ahrya Fine Art, Los Angeles, April 15-17

  • CinemaRetro
By Todd Garbarini

The Ahrya Fine Arts Theater in Los Angeles will be presenting a fun-filled weekend of six science fiction classics from Friday, April 15th to Sunday, April 17th. Several cast members from the films are scheduled to appear in person at respective screenings, so read on for more information:

From the press release:

Anniversary Classics Sci-Fi Weekend

Part of our Anniversary Classics series. For details, visit: www.laemmle.com/ac.

Re-visit the Golden Age of the Science Fiction Film as Laemmle Theatres and the Anniversary Classics Series presents Sci-fi Weekend, a festival of six classic films April 15-17 at the Ahrya Fine Arts Theatre in Beverly Hills.

It was dawn of the Atomic Age and the Cold War, as Communist and nuclear war paranoia swept onto the nation’s movie screens to both terrify and entertain the American public. All the favorite icons are here: Robby the Robot from Forbidden Planet,
See full article at CinemaRetro »

Top Screenwriting Team from the Golden Age of Hollywood: List of Movies and Academy Award nominations

Billy Wilder directed Sunset Blvd. with Gloria Swanson and William Holden. Billy Wilder and Charles Brackett movies Below is a list of movies on which Charles Brackett and Billy Wilder worked together as screenwriters, including efforts for which they did not receive screen credit. The Wilder-Brackett screenwriting partnership lasted from 1938 to 1949. During that time, they shared two Academy Awards for their work on The Lost Weekend (1945) and, with D.M. Marshman Jr., Sunset Blvd. (1950). More detailed information further below. Post-split years Billy Wilder would later join forces with screenwriter I.A.L. Diamond in movies such as the classic comedy Some Like It Hot (1959), the Best Picture Oscar winner The Apartment (1960), and One Two Three (1961), notable as James Cagney's last film (until a brief comeback in Milos Forman's Ragtime two decades later). Although some of these movies were quite well received, Wilder's later efforts – which also included The Seven Year Itch
See full article at Alt Film Guide »

Review: "Fraulein" (1958) Starring Mel Ferrer And Dana Wynter; Fox Cinema Archives Release

  • CinemaRetro
By Doug Oswald

Fraulein” begins with a close-up shot of the spires of a Gothic cathedral, organ music playing on the soundtrack and air-raid sirens blaring as a statement appears on screen: “Cologne on the Rhine during the last weeks of World War II.” The scene moves down to street level as German civilians and soldiers run for bomb shelters as destruction rains down on them. An American prisoner of war makes his escape during the chaos and he stumbles upon the home of a college professor and his daughter.

Mel Ferrer plays the American Pow, Captain Foster MacLain. He meets the Fraulein of the movie, Erika Angermann, played by Dana Wynter. She helps him evade capture during a search of her father’s home. We learn about a fiancé she has not seen in over two years. She learns later from a letter that he has been wounded and is in a hospital.
See full article at CinemaRetro »

BFI’s Sci-Fi: Days of Fear and Wonder – Invasion of the Body Snatchers (1956)

Invasion of the Body Snatchers, 1956.

Directed by Don Siegel.

Starring Kevin McCarthy, Dana Wynter, Larry Gates, King Donovan and Carolyn Jones.


Body Snatchers invade the small town of Santa Mira…

In this current era of comic-book obsessed filmmaking, the archaic trait whereby a villain is bit by/hit by/falls into radioactive elements, we automatically relate it to our current heroes. Of course, these heroes were created in the atomic age, whereby fear was rife regarding the power of nuclear energy. The atomic age not only inspired comic book heroes and villains but also impacted on cinema, providing the path for films including Forbidden Planet, Creature from the Black Lagoon, The Thing and Invasion of the Body Snatchers. All of which are either due to be shown, or have been shown, at the BFI in their outstanding Sci-Fi season: Days of Fear and Wonder.

Bookended by a Cabinet-of-Dr-Caligari, mad-man narration,
See full article at Flickeringmyth »

Top 100 Horror Movies: How Truly Horrific Are They?

Top 100 horror movies of all time: Chicago Film Critics' choices (photo: Sigourney Weaver and Alien creature show us that life is less horrific if you don't hold grudges) See previous post: A look at the Chicago Film Critics Association's Scariest Movies Ever Made. Below is the list of the Chicago Film Critics's Top 100 Horror Movies of All Time, including their directors and key cast members. Note: this list was first published in October 2006. (See also: Fay Wray, Lee Patrick, and Mary Philbin among the "Top Ten Scream Queens.") 1. Psycho (1960) Alfred Hitchcock; with Anthony Perkins, Janet Leigh, Vera Miles, John Gavin, Martin Balsam. 2. The Exorcist (1973) William Friedkin; with Ellen Burstyn, Linda Blair, Jason Miller, Max von Sydow (and the voice of Mercedes McCambridge). 3. Halloween (1978) John Carpenter; with Jamie Lee Curtis, Donald Pleasence, Tony Moran. 4. Alien (1979) Ridley Scott; with Sigourney Weaver, Tom Skerritt, John Hurt. 5. Night of the Living Dead (1968) George A. Romero; with Marilyn Eastman,
See full article at Alt Film Guide »

"Drive-in" Sci-fi Double Feature At Redford Theatre, Detroit June 13-14

  • CinemaRetro
Hey, all you Sci-Fi fans, this one’s for you — or better yet, these two are for you! The Redford Theatre is happy to present a Drive-in-style double feature with two of the best loved science fiction films from the 1950s: “Invasion of the Body Snatchers” and “War of the Worlds.” The night will include a vintage intermission program, complete with dancing hot dogs, a minutes-to-showtime countdown and 1950s movie trailers.

War of the Worlds” stars Gene Barry (of "Bat Masterson” and "Burke’s Law” fame) and Ann Robinson in her only starring role for Paramount. (She also appeared on our screen two weeks ago in a small role as a showgirl in “Imitation of Life.") A few familiar names appeared here in small roles. Sir Cedric Hardwicke provided the voice for the commentary/narration. Les Tremayne (General Mann) was best known for his estimated 30,000 radio broadcasts. (He also appeared
See full article at CinemaRetro »

Most Notable Apartheid Movies: From Brando to Whoopi. Which Ones Have You Seen?

Marlon Brando in ‘A Dry White Season,’ James Earl Jones in ‘Cry the Beloved Country’: Apartheid movies (photo: Marlon Brando in ‘A Dry White Season’) (See previous post: “Nelson Mandela: Sidney Poitier and ‘Malcolm X’ Cameo Apperance.”) Besides the Nelson Mandela movies discussed in the previous two posts, South Africa’s apartheid has been portrayed in a number of films in the last few decades. Among the most notable ones are the following: Zoltan Korda’s Cry the Beloved Country (1951). Based on Alan Paton’s novel, this British-made film features Canada Lee and Charles Carson as two men struggling to deal with the disastrous consequences of apartheid. Ralph Nelson’s The Wilby Conspiracy (1975). Sidney Poitier and Michael Caine star as, respectively, an anti-apartheid South African activist and a British engineer on the run from South Africa’s secret police, headed by racist Nicol Williamson. Chris MengesA World Apart
See full article at Alt Film Guide »

Don't Let the U.S. Government Shut Down! Quality Halloween Movies in October, Courtesy of the Library of Congress

The Cat and the Canary’ 1939: Paulette Goddard / Bob Hope haunted house comedy among Halloween 2013 movies at Packard Theater There’s much to recommend among the Library of Congress’ Packard Campus and State Theater screenings in Culpeper, Virginia, in October 2013, including the until recently super-rare Bob Hope / Paulette Goddard haunted house comedy The Cat and the Canary (1939). And that’s one more reason to hope that the Republican Party’s foaming-at-the-mouth extremists (and their voters and supporters), ever bent on destroying the economic and sociopolitical fabric of the United States (and of the rest of the world), will not succeed in shutting down the federal government and thus potentially wreak havoc throughout the U.S. and beyond. (Photo: Bob Hope and Paulette Goddard in The Cat and the Canary.) Screening on Thursday, October 31, at the Packard Theater, Elliott Nugent’s The Cat and the Canary is a remake of Paul Leni
See full article at Alt Film Guide »

Horror as Metaphor: The Pod People Cometh Part 1: McCarthyism

“Old man sitting there/he’s so fine in his chair/Watching him grow his hair/its so long he doesn’t care/…A pod is waiting for him.”

–I Monster “A Pod is Waiting”


What started out as a 120 page novella by Jack Finny published in 1955 has steadily become a quasi-film- franchise. The first film, Invasion of the Body Snatchers, was released in 1956 which then went on to be remade three more times: in 1978 by Philip Kaufman, in 1993 (Body Snatchers) by Abel Ferrara and in 2007 (The Invasion) by director Oliver Hirschbiegel. While each version carries the same plot (an alien race that replaces humans with imposters) it is the political turmoil and current events and attitudes of the times that influence and change each interpretation of the story. Whether it be yuppie culture, McCarthyism or Militarism, each film carries its own agenda and spin on the matter and
See full article at SoundOnSight »

Blu-ray Release: On the Double

Blu-ray Release Date: Aug. 20, 2013

Price: Blu-ray $24.95

Studio: Olive Films

Danny Kaye and Dana Wynter gun for bedroom fun in On the Double.

The 1961 comedy classic On the Double stars Danny Kaye (White Christmas) in a dual role wherein he portrays both a Brit and an American.

The wacky World War II comedy finds Kaye initially playing a timid American soldier who bears a striking resemblance to a famous British Colonel. The top military brass decides to use the poor chap as a pawn and they recruit him to impersonate the legendary Colonel, who has been targeted by a team of Nazi assassins.

Directed by Melville Shavelson, On the Double co-stars Dana Wynter (TV’s Wagon Train) as the Colonel’s suspicious wife, sexy Diana Dors (Theater of Blood) as the Colonel’s personal driver and mistress and Wilfrid Hyde White (My Fair Lady) as the officer overseeing the mission.

Olive Films
See full article at Disc Dish »

Twilight Author's Latest Movie Gets Lambasted by U.S. Critics

Latest adaptation of a bestselling Meyer novel has received atrocious ratings on the review-aggregator web site Rotten Tomatoes "Dopey, derivative and dull, The Host is a brazen combination of unoriginal science-fiction themes, young-adult pandering and bottom-line calculation," says New York Times film critic Manohla Dargis. And Dargis' opinion is one of the kinder ones that U.S. critics have written about Andrew Niccol's mix of romance, adventure, and science-fiction, starring Saoirse Ronan, Diane Kruger, Max Irons, and Jake Abel, and co-produced by the author of the novel on which the film is based (Niccol himself is credited for the adapation): Stephenie Meyer, best known as the brain behind the Twilight Saga literary and cinematic franchises. (Pictured above: Ronan, a Best Supporting Actress Academy Award nominee back in early 2008, and co-star Abel) Invasion of the Body Snatchers meets The Twilight Saga? In the story, an alien force usurps the
See full article at Alt Film Guide »

Airport (Universal's 100th Anniversary) - Blu-ray Review

Airport is a 1970 prestige production that is based on a best-selling novel. It may not have aged well but gives us a glimpse into a simpler time of going to the airport without being strip searched. In fact, it seems that it was easy to sneak onboard and Helen Hayes certainly stole an Oscar. The worst snowstorm in six years is playing havoc at Lincoln International Airport and general manager Mel Bakersfeld.s (Burt Lancaster) schedule. His wife Cindy (Dana Wynter) wants him to go to a charity function but a stuck plane has Mel calling in Twa chief mechanic Joe Patroni (George Kennedy) to get it off the runway. He.s also having trouble with his brother-in-law pilot
See full article at Monsters and Critics »

DVD Playhouse--August 2012

By Allen Gardner

A Separation (Sony) This drama from Iran won the 2011 Best Foreign Film Oscar, telling the story of a couple who file for a legal separation, with the wife pushing for a divorce. He won’t leave his Alzheimer’s-afflicted father behind, while she is wanting to take their young daughter with her to the United States. After a series of misunderstandings, threats and legal actions, the couple find that there is more than just their marriage that’s on the line. Hyper-realistic to a fault, reminiscent of the neo-realist films that came out of post-ww II Europe, but also repressive and redundant in the extreme, with the characters seeming to throw the same temper tantrum for two hours straight while the story, meanwhile, seems stalled. Wildly overpraised film is a real litmus test, with viewers seeming to be staunch defenders or equally impassioned detractors. It did win an Oscar,
See full article at The Hollywood Interview »

DVD Review - Shake Hands with the Devil (1959)

Shake Hands with the Devil, 1959.

Directed by Michael Anderson.

Starring James Cagney, Don Murray, Dana Wynter, Glynis Johns and Michael Redgrave.


In 1920s Dublin, a young medical student is sucked into the world of the Ira and becomes embroiled in a series of plots against the occupying British forces.

No first sentence tricks this time. Let’s go straight in there. It’s Northern Ireland in 1921, and those infamous Troubles with a capital T are in full swing. Faced with guerrilla tactics and a relentless resolve from the Irish Republican Army, the British Government have sent in the contemptible Black and Tans, a paramilitary outfit with express orders to shoot anyone even remotely suspicious-looking on sight. They function as an occupying force, as a catch-all term for British oppression in Ireland, and as the nameless, faceless target practice villains in this story.

Easy there now. Shake Hands with the Devil
See full article at Flickeringmyth »

Olive Films Brings the Original Invasion of the Body Snatchers, The Colossus of New York, and The Boogens to Blu-ray this Summer

Olive Films is quickly making a name for itself releasing classic and overlooked gems to DVD and, in particular, Blu-ray.

That trend will continue this summer when they bring us an all-time classic to Blu-ray and a cult favorite that has never before appeared on digital.

July 17th will see the Blu-ray debut of one the greatest science fiction horror films of all time (not to mention one of the most often remade movie ever). I speak of Kevin McCarthy running through the streets to warn us of the pod people in Don Siegel’s 1956 masterpiece Invasion of the Body Snatchers.

One of the greatest and most influential Sci-Fi films of all time stars Kevin McCarthy as a doctor in a small California town whose patients are becoming hysterical and accuse their loved ones as emotionless imposters. Plant-like extra-terrestrials have invaded Earth, replicating the villagers in giant seed “pods” and
See full article at Dread Central »

Blu-ray, DVD Release: Invasion of the Body Snatchers (1956)

Blu-ray & DVD Release Date: July 17, 2012

Price: DVD $19.95, Blu-ray $29.95

Studio: Olive Films

Bodies froth before being snatched in Invasion of the Body Snatchers.

The classic 1956 science fiction/horror thriller film Invasion of the Body Snatchers finally arrives on Blu-ray.

Kevin McCarthy (Kansas City Bomber) stars as a doctor in a small California town whose patients are becoming hysterical and accuse their loved ones of “becoming” emotionless imposters. It doesn’t take too long for McCarthy and his friends to discover that plant-like extra-terrestrials have invaded Earth and are replicating the townsfolk in giant seed “pods,” taking possession of their souls while they sleep. Realizing that the epidemic is out of control and spreading everywhere, the remaining humans find themselves in a terrifying race for their lives.

Directed by the great Don Siegel (Dirty Harry) and co-starring Dana Wynter (On the Double), Carolyn Jones (TV’s The Addams Family) and Larry Gates
See full article at Disc Dish »

Cinema Retro's Exclusive Interview With Bradford Dillman

  • CinemaRetro
Retro-active: The Best Articles From Cinema Retro's Archives

Bradford Dillman: A Compulsively Watchable Actor

By Harvey Chartrand

In a career that has spanned 43 years, Bradford Dillman accumulated more than 500 film and TV credits. The slim, handsome and patrician Dillman may have been the busiest actor in Hollywood during the late sixties and early seventies, working non-stop for years. In 1971 alone, Dillman starred in seven full-length feature films. And this protean output doesn’t include guest appearances on six TV shows that same year.

Yale-educated Dillman first drew good notices in the early 1950s on the Broadway stage and in live TV shows, such as Climax and Kraft Television Theatre. After making theatrical history playing Edmund Tyrone in the first-ever production of Eugene O’Neill’s Long Day’s Journey into Night in 1956, Dillman landed the role of blueblood psychopath Artie Straus in the crime-and-punishment thriller Compulsion (1959), for which he
See full article at CinemaRetro »

Memento Mori: Remembering those we lost in 2011

In October of 2010, Sound on Sight asked me to do my first commemorative piece on the passing of filmmaker Arthur Penn. I suspect I was asked because I was the only one writing for the site old enough to have seen Penn’s films in theaters. Whatever the reason, it was an unexpectedly rewarding if expectedly bittersweet experience which led to a series of equally rewarding but bittersweet experiences writing on the passing of other filmdom notables.

I say rewarding because it gave me a nostalgic-flavored chance to revisit certain work and the people behind it; a revisiting which often brought back the nearly-forgotten youthful excitement that went with an eye-opening, a discovery, the thrill of the new. Writing them has also been bittersweet because each of these pieces is a formal acknowledgment that something precious is gone. A talent may be perhaps preserved forever on celluloid, but the filmography
See full article at SoundOnSight »
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