5 items from 2011
There are two sides to the Martin Scorsese coin, and it has been this way for quite some time. On one side, there.s the passionate cineaste, whose adoration for the medium (and the industry.s deep, rich history) can be seen draped all over Hugo, in theaters now. On the other side, however, lies a .budding. documentary filmmaker who desperately seeks an outlet on which to download the massive files of information and trivia locked up in his brain. Since 1970.s Street Scenes, Scorsese has worked out his passions in documentary form, often commenting on music as well as his Italian heritage and relationship with New York City. But now it sounds like Scorsese.s interest in film history and documentary filmmaking may marry for an anticipated picture. In a lengthy feature on Michael Henry Wilson.s new book Scorsese On Scorsese, The Independent UK reports that the Oscar-winning »
"The movies in The Silent Roar, Film Forum's ongoing Monday-night series of silent masterpieces from MGM studios, all date from 1924 to 1929, the glorious last half-decade before the coming of sound," writes Imogen Smith for Alt Screen. "While the series includes some director-dominated films, like Erich von Stroheim's Greed and The Merry Widow, the line-up consists mainly of star vehicles constructed around singular personalities: Greta Garbo, Buster Keaton, Lon Chaney, and Lillian Gish. Each of these icons presents a case study in silent acting, and taken together, The Silent Roar makes for an excellent primer in this lost art." The series runs through February 6.
"2011 has been a good year for silent cinema on DVD," writes Kristin Thompson, presenting "an overview of some of the highlights."
Fandor's Keyframe is dedicated this week to "The Silent Artists."
I’ll go out on a limb here and say that anybody reading these words is at least tangentially familiar with Martin Scorsese‘s narrative output. I will, however, also assume that quite a few people have limited themselves to his features — and if I’m correct, they’ve missed out on entertaining, enlightening windows into everyday life (American Boy, Italianamerican), the world of music (The Last Waltz, No Direction Home, Living in the Material World), and film history (A Personal Journey Through American Movies, My Voyage to Italy).
That lattermost category is especially pertinent at this very moment, since The Independent — who profiled a new book about the man, Scorsese on Scorsese — briefly mentioned that he and the book’s author, Personal Journey co-writer and co-director Michael Henry Wilson, are working on a “new doc about British cinema.” To say that Scorsese‘s no stranger to the topic is rather obvious. »
- firstname.lastname@example.org (thefilmstage.com)
An audience with Scorsese isn't like a typical junket interview with a big-name American director. That is made very clear in Michael Henry Wilson's new book, Scorsese on Scorsese. This features a series of discussions that Wilson has had with Scorsese about his films, from 1974 right up to the present day. Their encounters are confessional, therapeutic, invariably littered with references to other movies and often highly technical. Wilson (who co-wrote Scorsese's masterful documentary A Personal Journey with Martin Scorsese Through American Movies and is now working with him on his new doc about British cinema) is reverential towards his subject, but also very probing. The metaphors used here are often about illness, addiction and transcendence: a strange mix of the biblical and the psychoanalytical. "Film is a disease... as with heroin, the antidote to film is more film," Scorsese once observed, quoting his fellow director Frank Capra. He is clearly contaminated with this disease. »
James Cagney, the quintessential movie gangster
Seemingly always en vogue, gangsters have been especially so in recent years. The grand seigneur of American cinema, Martin Scorsese, finally won his long-deserved first Academy Award for Best Achievement in Directing for “The Departed” in 2007. Michael Mann’s 2009 effort “Public Enemies” was a big-budget production with high-dollar stars. The HBO drama “The Sopranos” attracted millions of viewers per week for eight years. “Sopranos” writer Terry Winter teamed up with Scorsese in 2010 for another acclaimed gangster series, “Boardwalk Empire,” which won two Golden Globes earlier this year. Warner Bros., the studio that invented the gangster film, is hoping to get back in the game with a revival of the classic genre. And Scorsese, who made his name with gangster films like “Mean Streets,” “GoodFellas” and “Casino,” will likely return to the genre with mafioso thesps Robert De Niro, Joe Pesci, and Al Pacino in »
- Torsten Reitz
5 items from 2011
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