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2 items from 2017

‘Homeland’ Recap: Carrie, Saul and Quinn Get Back to Business in Episode 3, ‘The Covenant’

29 January 2017 7:18 PM, PST | Variety - TV News | See recent Variety - TV News news »

Spoiler alert: Do not read unless you have seen “Homeland’s” Jan. 29 episode, “The Covenant.”

Carrie learns a hard lesson and finagles her way out of a jam as only she can. Saul bares down on a bad guy with fast-talking intensity, furrowed brow and formidable beard. And Quinn gets a good chunk of his groove back in the third episode of “Homeland’s” sixth season, “The Covenant.”

The episode written by Ron Nyswaner and directed by Lesli Linka Glatter finds our characters doing what they do best, albeit in a slightly different context than in past seasons. This episode felt like a table-setting for more dramatic developments to come. But it is always a pleasure to watch these great actors — Claire Danes, Mandy Patinkin and Rupert Friend — bring to life telling moments big and small that add to depth to their characters.

Meanwhile, the episode also lays the track for renewed suspicion of F. Murray Abraham’s »

- Cynthia Littleton

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Sundance Film Review: ‘Rebel in the Rye’

25 January 2017 3:35 PM, PST | Variety - Film News | See recent Variety - Film News news »

It’s a myth of popular culture that J.D. Salinger hated the movies — that’d be conflating his personality with that of his most famous creation, Holden Caulfield — but it’s fair to say the reclusive author regarded the film industry with wary suspicion. Now, after Salinger spent six decades withholding the much-desired film rights to his 1951 masterwork “The Catcher in the Rye,” cinema has retaliated with karmic payback in the form of “Rebel in the Rye.” A glossily conventional biopic of Salinger’s pre-retirement years that would be unlikely to induce a change of heart in its elusive subject, Danny Strong’s film is diverting, mildly informative and — to borrow Caulfield’s adjective of choice — somewhat phony, heavy as it is on tortured-writer clichés and contrived art-imitates-life parallels. A dashing Nicholas Hoult takes a respectful stab at embodying Salinger’s mystique, but it’s hard not to feel that »

- Guy Lodge

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