| Tupelove [short; 2012; 15min] |
cinematographer / editor / post sound mix |
Tupelo Convention and Visitors Bureau / Mike McCarthy |
| A Lot In Common [short; 2011; in-production] |
gaffer / assistant camera |
Jacqueline Serrano |
| Breaking Up With Rosie [feature; 2012; in-production approx 90min] |
gaffer / sound |
2DB Productions / Karl Wilson |
| Dangerous People [feature; 2012; in-production approx 80min] |
cinematographer |
Garo Nigoghossian |
| SubStructure [pilot; 2012; in-production] |
gaffer / assistant camera |
Alex Gore |
| Death Do Us Part [short; 2011; in production approx 8min] |
cinematographer |
Jon Croft |
| Compass Cabaret 55 [documentary; 2011; in-production approx 90min] |
additional editing / color-correction / sound mix |
Studio207 / Mark Siska |
| Listen [ short; 2011; in-production approx 5min ] |
cinematographer / editor |
Mary Brown |
| Bubble Gum [short; 2011; 9min] |
cinematographer / editor / sound |
Michael Thomas Jacob Morgan |
| The Couch [ short; 2011; 26min ] |
cinematographer / post sound mix / assistant editor |
Sage Hall |
| The Lon Chaney Thing [short; 2011; 15min] |
gaffer / additional camera |
Mark Troy |
| Pique [short; 2011; 16min] |
gaffer |
Righteous Ent./Mo Lynch |
| The Thief, The Wife and Charles [short; 2011; 12min] |
mastering post sound and picture |
Michael Thomas Jacob Morgan |
| Clown Demented [ short; 2011; 36min ] |
editor / colorist / camera operator |
The Unit / Atiq Rahman |
| Candy [ short; 2010; 8min] |
cinematographer / post sound mix |
Sage Hall |
| Wicked Backwards [short; 2010; in production approx 25min] |
cinematographer / colorist |
Michael Thomas Jacob Morgan |
| Cigarette Girl [ feature; 2009; 89min ] |
cinematographer / sound / picture edit and colorist |
John Michael McCarthy |
| December [ feature; 2008; 101min ] |
location sound (partial) |
Gary Dresden |
| The Message [ feature; 2008; in-production ] |
location sound |
Thomas P. Clay |
| The Arab [ short; 2008; 11min ] |
sound editor |
Boris Wexler |
| The Bath [ short; 2007; 12min ] |
sound editor |
Boris Wexler |
| Boxcartoon [ animation; 2006; 10min ] |
sound design |
Matt Marsden |
| Spiderville [ feature; 2005; awaiting completion ] |
location sound |
Josh Brusin |
| Fair Trade [ short; 2004; 10min ] |
producer / editor / sound / digital effects |
Will Frank |
| A Dress Rehearsal [feature; 2003; 80min] |
editor / sound |
Storms Denman |
| Broad Daylight [ various DVD extras; 2003 ] |
editor |
Guerrillamonster Films |
| Superstarlet A.D. [feature; 2002; 72min] |
(as Steven Buckley) associate producer |
John Michael McCarthy |
| Superstarlet A.D. [feature; 2002; 72min] |
sound / offline editor / digital effects |
John Michael McCarthy |
| In Through The Out [experimental; 2002, 14min] |
editor / sound / digital fx |
Mark Siska |
| King Louie at Dixie's Tavern [ 2002; 14min ] |
camera / edit |
hausofwheat |
| Morning Ritual [ short; 2001; 8min ] |
sound design |
Lazarus Hawk [ produced by Craig Brewer ] |
| Small Green Scratches [animation; 2001; 2.5min] |
sound design |
Matt Marsden |
| Duelin' Firemen! [ video game/short; 2000 ] |
construction coordinator / mock videogame seq. |
Runandgun! / Grady Sain |
| Elvis Meets The Beatles [short; 2000; 22min] |
sound / digital effects / actor |
John Michael McCarthy |
| Wil Roy Sanders: The Last Living Bluesman [documentary; 2000; 42min] |
digital imaging effects / production assistant |
Shangri La Records / Sherman Wilmott |
| Train Rides: East & West [experimental; 1999; 4min] |
sound / edit assist |
Melinda Fries |
| The BLVD [documentary; 1999; 64min] |
additional camera |
Deborah Stratman |
| Twilite [feature; 1998; 68min] |
editor / sound / additional camera |
Raoul Vehill |
| Out The Window [experimental; 1998; 18min] |
sound / edit assist |
Melinda Fries |
| Book of Swords [feature; 2002; 99min] |
grip |
Peter Allen |
| The Sore Losers [feature; 1997; 90min] |
co-producer / digital effects / location sound |
John Michael McCarthy |
| The Nite Owl [short; 1995; 28min] |
set construction |
Nondor Nevai |
company.