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William A. Wellman Poster

Biography

Jump to: Overview (4) | Mini Bio (1) | Spouse (5) | Trivia (7) | Personal Quotes (9) | Salary (5)

Overview (4)

Date of Birth 29 February 1896Brookline, Massachusetts, USA
Date of Death 9 December 1975Los Angeles, California, USA  (leukemia)
Birth NameWilliam Augustus Wellman
Nicknames Wild Bill
Wild Bill Wellman

Mini Bio (1)

William Wellman, the Oscar-winning screenwriter-director of the original A Star Is Born (1937), was called "Wild Bill" during his World War I service as an aviator, a nickname that persisted in Hollywood due to his larger-than-life personality and lifestyle. A leap-year baby born in 1896 on the 29th of February in Brookline, Massachusetts, Wellman was the great-great-great grandson of Francis Lewis, one of the men who signed the Declaration of Independence. Wellman's father was a stockbroker, and his mother, the former Cecilia McCarthy, was born in Ireland. Despite an upper-middle class upbringing, the young Wellman was a hell-raiser. He excelled as an athlete and particularly enjoyed playing ice hockey, but he also enjoyed joyriding in stolen cars at nights.

Cecilia Wellman served as a probation officer for "wayward boys" (juvenile delinquents) for the Commonwealth of Massachusetts, and was such a success in her field that she was asked to address Congress on the subject of delinquency. One of her charges was her own son, as the young Bill Wellman was kicked out of school at the age of 17 for hitting his high school principal on the head with a stink bomb. He tried making a living as a candy salesman and a cotton salesman, but failed. He worked for a lumber yard but was fired after losing control of a truck and driving it through the side of a barn. Eventually he wound up playing professional ice hockey in Massachusetts and, as a young actor, while playing at the Colonial Theatre in Boston, an actor named Douglas Fairbanks took note of Wellman. Impressed by his good looks and the figure he cut on ice, the soon-to-be silent-film superstar suggested to Wellman that he had what it took to become a movie actor. Wellman's dream was to become an aviator, but since his father "didn't have enough money for me to become a flier in the regular way . . .I went into a war to become a flier."

When he was 19 years old, through the intercession of his uncle, Wellman joined the air wing of the French Foreign Legion, where he learned to fly. In France he served as a pilot with the famous Lafayette Flying Corps (better known as the Lafayette Escadrille), where he won his nickname "Wild Bill" due to his devil-may-care style in the air. He and fellow pilot Tom Hitchcock, the great polo player, were in the Black Cat group. Wellman was shot down by anti-aircraft fire and injured during the landing of his plane, which had lost its tail section. Out of 222 Escadrille pilots, 87 were killed but Wellman was fated to serve out the duration of the war. In the spring of 1918 he was recruited by the U.S. Army Air Corps, joining "because I was broke, and they were trying to get us in." Commissioned an officer, he was sent back to the US and stationed at Rockwell Field, in San Diego, California, to teach combat fighting tactics to the new AAC pilots.

Wellman would fly up to Hollywood and land on Douglas Fairbanks' polo fields to spend the weekend. Fairbanks said that he would help the returning hero break into the movies when the war was over, and he was as good as his word. Fairbanks envisioned Wellman as an actor and cast him as the juvenile in The Knickerbocker Buckaroo (1919) and as a young officer in Evangeline (1919), but acting was something Wellman grew to hate, a hatred he later transferred to actors in his employ. He was fired by fellow he-man director Raoul Walsh from "Evangeline" for slapping the lead actress, who Wellman didn't know was Walsh's wife. Disgusted with acting, Wellman told Fairbanks he wanted to be a director, and Fairbanks helped him into the production end of the business. It was a purely financial decision, he later recalled, as directors made more money than did supporting actors at the time.

Goldwyn Pictures hired him as a messenger in 1920, and he soon worked his way up the ladder, first as an assistant cutter, then as an assistant property man, property man, assistant director and second-unit director, before making his uncredited directorial debut later that year at Fox with The Twins of Suffering Creek (1920) (starring Dustin Farnum (the silent film B-Western star whom Dustin Hoffman's star-struck mother named the future double-Oscar winner after). Wellman later remembered the film as awful, along with such other B-Westerns as Cupid's Fireman (1923), starring Buck Jones, whose Westerns he began directing in 1923 after serving his apprenticeship.

Fox Films gave Wellman his first directing credit in 1923 with the Buck Jones Western Second Hand Love (1923), and other than the Dustin Farnum picture The Man Who Won (1923), he turned out Jones pictures for the rest of his time at Fox. The studio fired him in 1924 after he asked for a raise upon completing The Circus Cowboy (1924), another Buck Jones film. Moving to Columbia, he helmed When Husbands Flirt (1925), then went over to MGM for the slapstick comedy The Boob (1926) before landing at Famous Players-Lasky (now known as Paramount Pictures after its distribution unit), where he directed You Never Know Women (1926) and The Cat's Pajamas (1926). It was as a contract director at the now renamed Paramount-Famous Players-Lasky Corp. that he had his breakout hit, due to his flying background. Paramount entrusted its epic WW I flying epic Wings (1927) to Wellman, and the film went on to become what is now recognized as the first Academy Award-wining best picture.

Paramount paid Wellman $250 a week to direct "Wings". He also gave himself a role as a German pilot, and flew one of the German planes that landed and rolled over. The production employed 3,500 soldiers, 65 pilots and 165 aircraft. The massive production went over budget and over schedule due to Wellman's perfectionism, and he came close to being fired more than once. It took a year to complete the film, but when it was released it turned out to be one of the most financially successful silent pictures ever released and helped put Gary Cooper, whom Wellman personally cast in a small role, on the path to stardom. "Wings" and Wellman's next flying picture, The Legion of the Condemned (1928), in which Cooper had a starring role, initiated the genre of the World War One aviation movie, which included such famous works as Howard Hughes' Hell's Angels (1930) and Howard Hawks's The Dawn Patrol (1930). Despite his success in bringing in the first best picture Oscar winner, Paramount did not keep Wellman under contract.

Wellman's disdain for actors already was in full bloom by the time he wrapped "Wings". Many actors appearing in his pictures intensely disliked Wellman's method of bullying them to elicit an performance. Wellman was a "man's man" who hated male actors due to their narcissism, yet he preferred to work with them because he despised the preparation that actresses had to go through with their make-up and hairdressing before each scene. Wellman shot his films fast. The hard-drinking Wellman usually oversaw a riotous set, in line with his own lifestyle. He married five women, including a Ziegfeld Follies showgirl, before settling down with Dorothy Coonan Wellman, a former Busby Berkeley dancer. Wellman believed that Dorothy saved him from becoming a caricature of himself. She appeared as a tomboy in Wild Boys of the Road (1933), a Depression-era social commentary picture made for the progressive Warner Bros and which is a favorite of Martin Scorsese. It came two years after Wellman's masterpiece of the era, The Public Enemy (1931), one of the great early talkies, one of the great gangster pictures, and the film that made James Cagney a superstar. Scorsese says that Wellman's use of music in the film influenced his own first gangster picture, Mean Streets (1973) .

Wellman was as adept at comedy as he was at macho material, helming the original A Star Is Born (1937) (for which he won his only Oscar, for best original story) and the biting satire Nothing Sacred (1937)--both of which starred Fredric March--for producer David O. Selznick. Both movies were dissections of the fame game, as was his satire Roxie Hart (1942), which reportedly was one of Stanley Kubrick's favorite films.

During World War Two Wellman continued to make outstanding films, including The Ox-Bow Incident (1943) and Story of G.I. Joe (1945), and after the war he turned out another war classic, Battleground (1949). In the 1950s Wellman's best later films starred John Wayne, including the influential aviation picture The High and the Mighty (1954), for which he received his third and last best director Oscar nomination. His final film hearkened back to his World War One service, Lafayette Escadrille (1958), which featured the unit in which Wellman had flown. He retired as a director after making the film, reportedly enraged at Warner Bros.' post-production tampering with a film that meant so much to him.

Other than David O. Selznick, not many people in Hollywood particularly liked the hell-raising iconoclast Wellman. Louis B. Mayer's daughter Irene Mayer Selznick, the first wife of David O. Selznick, said that Wellman was "a terror, a shoot-up-the-town fellow, trying to be a great big masculine I-don't-know-what."

The Directors Guild of America in 1973 honored him with its Lifetime Achievement Award. H died (from leukemia) in 1975.

- IMDb Mini Biography By: Jon C. Hopwood (qv's & corrections by A. Nonymous)

Spouse (5)

Dorothy Coonan Wellman (20 March 1934 - 9 December 1975) (his death) (7 children)
Marjorie Crawford (22 December 1931 - 9 March 1933) (divorced)
Margery Chapin (1925 - 28 August 1931) (divorced) (1 child)
Helene Chadwick (September 1918 - 6 September 1923) (divorced)
Renée (February 1918 - 1918) (her death)

Trivia (7)

A great-great-great grandson of Francis Lewis of New York, one of the signatories to the Declaration of Independence.
Biography in: John Wakeman, editor. "World Film Directors, Volume One, 1890-1945." Pages 1185-1194. New York: The H.W. Wilson Company, 1987.
Directed 7 different actors in Oscar-nominated performances: Fredric March, Janet Gaynor, Brian Donlevy, Robert Mitchum, James Whitmore, Jan Sterling, and Claire Trevor.
Wellman was an ace during WWI and served in the French Foreign Legion before becoming a fighter pilot in the Lafayette Flying Corps. He won the Croix de Guerre with two palms before being shot down and sent home, seriously wounded with a broken back.
Wellman was discovered while playing hockey by Douglas Fairbanks, who encouraged him to come to Hollywood. Wellman obliged by flying his Spad and landing on a polo field located in Fairbanks' backyard. After an acting job in Fairbanks' "Knickerbocker Buckaroo," Wellman worked as a messenger boy, property man, assistant cutter, and assistant director before directing his first film in 1923.
The same year he wrote his autobiography "A Short Time for Insanity," Wellman was recovering from a nerve disease and wrote a second book, "Growing Old Disgracefully" about his five mothers-in-law, but it was never published.

Personal Quotes (9)

Get a director and a writer and leave them alone. That's how the best pictures get made.
When I made 'The Public Enemy', I was way ahead in thinking. No love story, but loaded with sex and violence.
The best director is the director whose handprints are not on the film.
I couldn't stand being an actor. I haven't liked many actors anyway, and I've directed most of them. One of my sons is an actor and it breaks my heart, but there's nothing I can do about it.
Frankly, if you examine my whole background, it's not very good. I can tell you that for every good picture, I made at least five or six stinkers.
(on Robert Taylor(Wellman directed him in Small Town Girl (1936) and in Westward the Women (1951))) I have never gotten along with actors but I was crazy about Bob Taylor. I think he's one of the finest men I've ever known.He was probably handsomest of them all.I had no trouble with him at all. He did everything I asked him to; he was wonderful.
[Ray] Milland is one of the toughest guys I've ever known in my life, believe it or not. He is an Englishman, you know, but he is a rugged guy. If I got into any trouble, I'd be glad to have Milland with me. And I've had some pros with me.
[on Clark Gable] Never have I known a man who loved to live, to live well, as he did.
I've been fired from every major studio in Hollywood except Disney. They never hired me!

Salary (5)

When Husbands Flirt (1925) $200 /week
The Boob (1926) $210 /week
You Never Know Women (1926) $210 /week
The Cat's Pajamas (1926) $210 /week
Wings (1927) $250 /week

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