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You kid yourself into thinking, 'I'm going to do one for them and one for me,' and then you realize they're all for them. So I came to this point where I realized I hadn't really written anything -- I don't even have that drawer full of Orson Welles projects that never got made. 'Sex and Death 101' came out of just wanting something in the drawer, so that when I'm dangling from a noose above it, ...
When not writing his own scripts, he works as a "script doctor," rewriting the work of others.