Raoul Walsh Poster


Jump to: Overview (5) | Mini Bio (1) | Spouse (3) | Trade Mark (1) | Trivia (19) | Personal Quotes (1) | Salary (3)

Overview (5)

Date of Birth 11 March 1887New York City, New York, USA
Date of Death 31 December 1980Simi Valley, California, USA
Birth NameAlbert Edward Walsh
Nickname Uncle
Height 6' 0½" (1.84 m)

Mini Bio (1)

Raoul Walsh's 52-year directorial career made him a Hollywood legend. Walsh was also an actor: He appeared in the first version of W. Somerset Maugham's "Rain" renamed Sadie Thompson (1928) opposite Gloria Swanson in the title role. He would have played the Cisco Kid in his own film In Old Arizona (1928) if an errant jackrabbit hadn't cost him his right eye by leaping through the windshield of his automobile. Warner Baxter filled the role and won an Oscar. Before John Ford and Nicholas Ray, it was Raoul Walsh who made the eye-patch almost as synonymous with a Hollywood director as Cecil B. DeMille's jodhpurs.

He interned with the best, serving as assistant director and editor on D.W. Griffith's racist masterpiece, The Clansman, better known as The Birth of a Nation (1915), a blockbuster that may have been the highest-grossing film of all time if accurate box office records had been kept before the sound era. He pulled triple duty on that picture, playing John Wilkes Booth, the man who assassinated President Abraham Lincoln at Ford's Theater and ranked as the most notorious American actor of all time until Pee Wee Herman (Paul Reubens).

The year before The Clansman, Walsh was second unit director on The Life of General Villa (1914), also playing the Mexican revolutionary Pancho Villa as a young man. Walsh got his start in the business as co-director of another Pancho Villa flick, The Life of General Villa (1914), in 1912. The movie featured footage shot of an actually battle between Villa's forces and Mexican federal troops.

In 1915, in addition to helping out the great Griffith, Walsh directed no less than 14 films, including his first feature-length film, Regeneration (1915), which he also wrote. The movie starred silent cinema superstar Anna Q. Nilsson as a society woman turned social worker who aids the regeneration of a Bowery gang leader. It was a melodrama, but an effective one. In his autobiography, Walsh credited D.W. Griffith with teaching him about the art of filmmaking and about production management techniques. The film is memorable for its shots of New York City, where Walsh had been born 28 years earlier on March 11, 1887.

Raoul Walsh would continue to be a top director for 40 years and would not hang up his director's megaphone (if he still had one at that late in the game) until 1964. As a writer, his last script was made in 1970, meaning his career as a whole spanned seven decades and 58 years.

He introduced the world to John Wayne in The Big Trail (1930) in 70mm wide-screen in 1930. It would take nine more years and John Ford to make the Duke a star. In one three-year period at Warner Bros., he directed The Roaring Twenties (1939), They Drive by Night (1940), High Sierra (1941), The Strawberry Blonde (1941), Manpower (1941), They Died with Their Boots On (1941), and Gentleman Jim (1942), among other films in that time frame. He helped consolidate the stardom of Humphrey Bogart and Errol Flynn while directing the great James Cagney in one of his more delightful films, The Strawberry Blonde (1941). This was the same director that would elicit Cagney's most searing performance since The Public Enemy (1931) in the crime classic White Heat (1949).

Novelist Norman Mailer says that Walsh was dragged off of his death bed to direct the underrated film adaptation of Mailer's The Naked and the Dead (1958). The movie is as masculine and unsentimental as the book, an exceedingly harsh look at the power relations between men at war on the same side that includes the attempted murder of prisoners of war and the "fragging" of officers (Sergeant Croft allows his lieutenant to walk into an ambush). Walsh was at his best when directing men in war or action pictures.

Raoul Walsh seemingly recovered from Mailer's phantasmagorical death bed, as he lived another 22 years after The Naked and the Dead (1958). He died on December 31, 1980, in Simi Valley, California, at the age of 93.

- IMDb Mini Biography By: Jon C. Hopwood

Spouse (3)

Mary Simpson (1947 - 31 December 1980) (his death)
Lorraine Miller (20 August 1928 - 1947) (divorced)
Miriam Cooper (1916 - 1926) (divorced) (2 children)

Trade Mark (1)

Although he directed in numerous "manly" genres, he is principally remembered as a master of crime dramas

Trivia (19)

Final resting place: Assumption Catholic Cemetery, Simi Valley, California.
Lost his right eye and lead role on location for In Old Arizona (1928) when a jackrabbit leaped into the windshield of his car.
One of the 36 founders of the Academy of Motion Picture Arts and Sciences (AMPAS).
Brother of actor George Walsh.
He often repeated Jack Pickford's wisecrack about him: "Your idea of light comedy is to burn down a whorehouse."
Was originally slated to direct Adventures of Don Juan (1948), in 1945, however Errol Flynn had a falling-out with him.
D.W. Griffith had vowed to make a director of Walsh and sent him down to Mexico to make a documentary on the notorious Pancho Villa. Walsh rode with the revolutionary leader from Juarez to Mexico City, recording the journey on film. Walsh later confirmed a long-standing rumor--after a battle in which Villa took many federal soldiers prisoner, he made Walsh and his crew film the prisoners' executions by firing squad. When Walsh got back to Hollywood, however, studio executives refused to allow the executions to be included in the documentary, as they were deemed too grisly for audiences to watch.
Was a pallbearer at Errol Flynn's funeral along with Mickey Rooney, Guinn 'Big Boy' Williams, Jack Oakie, Mike Romanoff and Otto Reichow on October 19, 1959, at the Church of the Recessional at Forest Lawn, Glendale, CA.
Directed one Oscar-nominated performance: Gloria Swanson in Sadie Thompson (1928).
Walsh remade three of his own films: Carmen (1915) as The Loves of Carmen (1927); The Strawberry Blonde (1941) as One Sunday Afternoon (1948); and High Sierra (1941) as Colorado Territory (1949).
Changed his name--at the suggestion of playwright friend Paul Armstrong--from Albert Edward Walsh to the more exotic Raoul Walsh.
Was commissioned a second lieutenant in the Signal Corps during World War I but never went to Europe. He managed war footage for bond drives and arranged to have Mary Pickford sell war bonds.
After playing bits in films Walsh drew the attention of director Christy Cabanne, who secured a series of bit parts in good pictures at Biograph with Blanche Sweet, Mary Pickford, Lionel Barrymore, Dorothy Gish and Lillian Gish, Cabanne then introduced Walsh to D.W. Griffith, who took him west and secured him some directing jobs.
Walsh was picked by Biograph to go to Mexico and meet Mexican bandit-turned-revolutionary Pancho Villa. Walsh returned to the U. S. with enough footage for a seven-reel feature written by and starring Walsh as Villa with Christy Cabanne directing.
Walsh disliked his first wife, actress Miriam Cooper, intensely and referred to her in his autobiography as the "mercenary witch." As both were Catholics, Cooper never remarried after their divorce. They had two adopted sons.
The family of Walsh's mother, Elizabeth Brough, could trace her family back before the Revolutionary War. His father Thomas was an Irish revolutionary who had escaped from a Dublin jail. They were married in St. Patrick's Cathedral. Thomas made a good living tailoring, designing and cutting men's clothes. The older Walsh designed the uniforms for Theodore Roosevelt's Rough Riders and made enough from the war to buy a mansion in the West Nineties near Riverside Drive, where he entertained such celebrities as Roosevelt, William F. Cody, Diamond Jim Brady, Enrico Caruso, Frederic Remington and Lillian Russell.
Jane Russell said in her biography that Walsh was blind towards the end of his life.

Personal Quotes (1)

You can really double anybody. If the action is good enough, it can be a monkey with top-hat and spats.

Salary (3)

Regeneration (1915) $400 per week
Carmen (1915) $800 per week
The Honor System (1917) $1,000 per week

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