2 items from 2016
Manuel here. Much of the conversation following the nominations has deservedly been about the way this year’s nominees function in many ways as a litmus test for the larger pitfalls of the Academy and the industry at large. Take the screenplay categories. As Phyllis Nagy urged us, we should be celebrating the fact that four female screenwriters were nominated for four different films. It sounds like a cause worth celebrating until you realize a total of twenty screenwriters were cited overall. You have to admit, those are appalling (if yes, unsurprising) numbers. Actually, in the past ten years, only 17 out of 156 nominated screenwriters have been women. Three quick stats about this year's categories and how they may show we might be turning a corner.
- Manuel Betancourt
With a number of big Golden Globe wins last night, including best director and best dramatic picture for The Revenant, director Alejandro G. Inarritu finds himself once more in the thick of the Oscar hunt. The Mexican-born filmmaker won big last year with three Oscars for his avant garde drama Birdman, which scored him the best original screenplay, best director, and best picture awards.
This year, with the western revenge thriller The Revenant, Inarritu has once more directed a film that he wrote himself, this time adapting the screenplay from the novel by Michael Punke with co-writer Mark L. Smith.
Inarritu is not the only writer/director with films in the race this year, however, as a number of other contenders boast a director who also penned the film’s script. The original screenplay hopefuls include Spotlight (directed and written by Tom McCarthy with co-writer »
- Patrick Shanley
2 items from 2016
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