4 items from 2017
Bertrand Tavernier on Jacques Prévert and Joseph Kosma's Les Feuilles Mortes with Yves Montand in Marcel Carné's Les Portes De La Nuit: "The birth of the song. I mean, that's a good scene." Photo: Anne-Katrin Titze
In the second installment of my conversation with Bertrand Tavernier on his Voyage À Travers Le Cinéma Français we go towards Ernst Lubitsch's Heaven Can Wait, Lino Ventura and Jean-Pierre Melville, Jean Gabin in Jean Delannoy's adaptation of Georges Simenon's Inspector Maigret, Bernard Blier in Henri Verneuil's Le Président, Nadja Tiller in Gilles Grangier's Le Désordre Et La Nuit, Eddie Constantine, and composers Jean-Jacques Grunenwald, George Van Parys, and Paul Misraki.
- Anne-Katrin Titze
Above: Czech poster for Once Upon a Time in the West (Sergio Leone, Italy, 1968).As I’m sure I’ve said before, the world of Czech movie posters is never less than an embarrassment of riches. I keep discovering new artists that I was never aware of previously, all with an impressive body of work behind them. The other day, as I was looking through the new acquisitions of my favorite poster shop, Posteritati, I came across this striking poster for Once Upon a Time in the West: a fascinating combination of bold color, eccentric collage, pop art elements and unusual typography. I wasn’t aware of the name of Stanislav Vajce before that but a quick search on the store's website and elsewhere revealed a wild array of some of the most exciting and inventive Czech posters I have seen in a while. As with so many of »
Kl Studio Classics
Cinematography: Henri Decaë
Production design: Jacques Saulnier
Original Music: Ennio Morricone
Produced by: Jacques-e. Strauss
Directed by Henri Verneuil
American crime fanatics wary of European imports now have access to a fully Region-a disc of a big-star, big budget French-Italian-American gangster film from 1969, Henri Verneuil’s exciting The Sicilian Clan. It was filmed in two separate versions, a multi-lingual European original and a less exciting, English language cut for America. A huge hit overseas, The Sicilian Clan didn’t »
- Glenn Erickson
Since scooping up the Camera d’Or in Cannes with her directorial debut “Divines,” Houda Benyamina, the ambitious 36-year-old French-Moroccan – one of France’s rare Arab female filmmakers of North African origin — has become one of the country’s hottest emerging directors.
“Divines,” which was picked up by Netflix off of Cannes’ Directors Fortnight, will vie for a foreign-language Golden Globe on Jan. 8, alongside Paul Verhoeven’s “Elle.” Benyamina has just signed up with Wme agent Jerome Duboz, whose wide-ranging client list includes South Korean film master Park Chan-wook (“The Handmaiden”), up-and-coming Indian helmer Ritesh Batra (“The Lunchbox”), and multi-hyphenate film vet Wim Wenders (“Submergence”).
Benyamina, whose acceptance speech in Cannes gave a taste of her acerbic, bold personality and ruffled the feathers of some high-profile French industry figures, hasn’t been blinded by the spotlight.
“Since Cannes, I have been approached by many American agents, but I immediately clicked with Jerome Duboz, »
- Elsa Keslassy
4 items from 2017
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