Mad doctors! Mortiferous maidens! Horrifying hallucinations! A key early Euro-horror and one of the very first in color, this French-Italian production is a medical horrorshow crossed with a folk tale -- its centerpiece is a vintage carillon attraction in an old mill; creepy Scilla Gabel is the minatory seducer who bridges the gap between life and death. Mill of the Stone Women Region A+B Blu-ray Subkultur / Media Target Distribution GmbH 1960 / Color / 1:66 widescreen / 90, 95, 96 min. / Die Mühle der versteinerten Frauen / Street Date June 30, 2016 / Amazon.de Eur 24,99 Starring Pierre Brice, Scilla Gabel, Wolfgang Preiss, Robert Boehme, Dany Carrel Cinematography Pier Ludovico Pavoni Production Designer Arrigo Equini Film Editor Antonietta Zita Original Music Carlo Innocenzi Written by Remigio Del Grosso, Giorgio Ferroni, Ugo Liberatore, Giorgio Stegani from Flemish Stories by Peter Van Weigen (possibly apocryphal) Produced by Giampaolo Bigazzi Directed by Giorgio Ferroni
Reviewed by Glenn Erickson
2016 is shaping up as a...
Reviewed by Glenn Erickson
2016 is shaping up as a...
- 7/23/2016
- by Glenn Erickson
- Trailers from Hell
Between his high profile marriages to Brigitte Bardot and Jane Fonda, director Roger Vadim engaged in a notable liaison with Catherine Deneuve, just prior to her ascension to international stardom in 1964’s The Umbrellas of Cherbourg. Having brought Bardot to fame with his most notable title, his 1956 debut And God Created Woman, their working relationship would continue across several more titles, even as he married another actress, Annette Stroyberg, who starred in his 1959 version of Dangerous Liaisons and the erotic vampire flick Blood & Roses. Between these flurry of romances, Vadim would return to black and white cinematography (which he seemed to prefer for evoking period) with 1963’s Vice and Virtue a loose adaptation of the Marquis De Sade’s controversial erotic novel Justine for WWII era occupied France, resulting in his only collaboration with Deneuve as the virtuous member of a pair of beautiful sisters surviving on opposite ends of the oppressive Nazi spectrum.
- 3/18/2015
- by Nicholas Bell
- IONCINEMA.com
Simone Simon: Remembering the 'Cat People' and 'La Bête Humaine' star (photo: Simone Simon 'Cat People' publicity) Pert, pretty, pouty, and fiery-tempered Simone Simon – who died at age 94 ten years ago, on Feb. 22, 2005 – is best known for her starring role in Jacques Tourneur's cult horror movie classic Cat People (1942). Those aware of the existence of film industries outside Hollywood will also remember Simon for her button-nosed femme fatale in Jean Renoir's French film noir La Bête Humaine (1938).[1] In fact, long before Brigitte Bardot, Annette Stroyberg, Mamie Van Doren, Tuesday Weld, Ann-Margret, and Barbarella's Jane Fonda became known as cinema's Sex Kittens, Simone Simon exuded feline charm – with a tad of puppy dog wistfulness – in a film career that spanned two continents and a quarter of a century. From the early '30s to the mid-'50s, she seduced men young and old on both...
- 2/20/2015
- by Andre Soares
- Alt Film Guide
Finally seeing Roger Vadim's Blood and Roses (a.k.a. Et mourir de plaisir, 1960) in a watchable, if imperfect form, was a minor revelation. (If all you're interested in is major revelations, move along.) By plundering freely from Cocteau, and doing so with some panache, Vadim surpasses his usual standard of titillation and serves up some haunting images, with much help from regular cinematographer Claude Renoir (yes, of that family), and anticipates a whole lot of developments in the European horror field.
By borrowing both from La belle et la bête (a masked ball allows the cast to get into period costume) and Orphée (mythology goes mod) Vadim is paving the way for all those films that combine Gothic with pop, particularly those of Jean Rollin, who simply upped the kink factor while retaining the crumbling castles, vampires and costumed role-play pioneered by Vadim.
The movie would doubtless be...
By borrowing both from La belle et la bête (a masked ball allows the cast to get into period costume) and Orphée (mythology goes mod) Vadim is paving the way for all those films that combine Gothic with pop, particularly those of Jean Rollin, who simply upped the kink factor while retaining the crumbling castles, vampires and costumed role-play pioneered by Vadim.
The movie would doubtless be...
- 6/11/2014
- by David Cairns
- MUBI
If not for a last minute change, legendary opera star Maria Callas would have been the female lead in The Guns of Navarone.
Opera superstar Maria Callas was set to make her movie debut in Carl Foreman’s iconic war film The Guns Of Navarone, according to a new book, The Making Of The Guns Of Navarone launched this weekend at the Bradford Widescreen Film Festival (April 26-29) by Scottish film historian Brian Hannan.
The singer had scandalised the world by her affair with Greek shipping magnate Aristotle Onassis, who would later marry Jackie Kennedy, widow of assassinated president John F Kennedy. Callas was first choice for the role of the older female Greek partisan. Producer Carl Foreman promised ‘mucho love scenes’ with star Gregory Peck.
Commented Hannan, ‘At the time, Maria Callas was the most famous woman in the world, a fiery mixture of Princess Diana and Madonna, the...
Opera superstar Maria Callas was set to make her movie debut in Carl Foreman’s iconic war film The Guns Of Navarone, according to a new book, The Making Of The Guns Of Navarone launched this weekend at the Bradford Widescreen Film Festival (April 26-29) by Scottish film historian Brian Hannan.
The singer had scandalised the world by her affair with Greek shipping magnate Aristotle Onassis, who would later marry Jackie Kennedy, widow of assassinated president John F Kennedy. Callas was first choice for the role of the older female Greek partisan. Producer Carl Foreman promised ‘mucho love scenes’ with star Gregory Peck.
Commented Hannan, ‘At the time, Maria Callas was the most famous woman in the world, a fiery mixture of Princess Diana and Madonna, the...
- 4/25/2013
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
by Colleen Wanglund, MoreHorror.com
Directed by Roger Vadim (…And God Created Woman {1956}, Barbarella {1968}) Blood and Roses (1960) is a psychological thriller that may….or may not be about vampires. Based on the novella “Carmilla” written in 1872 by Joseph Sheridan le Fanu, The movie tells the story of Carmilla (Annette Vadim) who has just found out the man she loves, Leopoldo (Mel Ferrer) is marrying Georgia (Elsa Martinelli). In her grief Carmilla is driven to the tomb of her long-dead ancestor, a vampire named Millarca. Millarca has possessed Carmilla, who is now killing and terrorizing the people in and around the family’s castle.
Early in the movie Leopoldo and Carmilla, who are cousins, are explaining to friends their family’s history of vampires. They explain the superstitions of the villagers and how supposedly only one body in the family cemetery escaped staking and burning—Millarca. Her portrait hangs in the...
Directed by Roger Vadim (…And God Created Woman {1956}, Barbarella {1968}) Blood and Roses (1960) is a psychological thriller that may….or may not be about vampires. Based on the novella “Carmilla” written in 1872 by Joseph Sheridan le Fanu, The movie tells the story of Carmilla (Annette Vadim) who has just found out the man she loves, Leopoldo (Mel Ferrer) is marrying Georgia (Elsa Martinelli). In her grief Carmilla is driven to the tomb of her long-dead ancestor, a vampire named Millarca. Millarca has possessed Carmilla, who is now killing and terrorizing the people in and around the family’s castle.
Early in the movie Leopoldo and Carmilla, who are cousins, are explaining to friends their family’s history of vampires. They explain the superstitions of the villagers and how supposedly only one body in the family cemetery escaped staking and burning—Millarca. Her portrait hangs in the...
- 11/28/2011
- by admin
- MoreHorror
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.