3 items from 2016
Confirming its status as a driving force on France’s animation scene, Mikros Image Group, the Paris and Montreal-based animation/VFX house, is working on a new “Asterix” animated feature project that follows up its 2014 hit “Asterix: The Mansion of the Gods.” Details are being kept under wraps but the movie is once again expected to be directed by Louis Clichy – who worked as an animator on Pixar’s “Wall-e” and “Up” – and Alexandre Astier, “Mansions’” screenwriter.
Produced by M6 Studios and distributed in France, and sold abroad by Snd, “Mansions” sold 3 million tickets – about $24 million in gross box office – in France from a Nov. 2014 bow.
The group’s Montreal operation – that delivered “Mune” and “The Little Prince” in 2015 – is also working on two further animation movies: a yet undisclosed toon feature and “Sahara,” directed by Pierre Coré and produced by La Station Animation.
Produced by On Ent., “The Little Prince, »
- Martin Dale
Director: Tran Anh Hung
Writer: Tran Anh Hung
Vietnamese auteur Tran Anh Hung had a smoldering early career, snagging the Camera d’Or at Cannes for his 1993 debut Scent of the Green Papaya and nabbing the Golden Lion in Venice for his 1995 sophomore film, Cyclo. A five year break brought The Vertical Ray of the Sun in 2000, and then nine years later Hung premiered his ill received English language debut, I Come With the Rain, which starred Josh Hartnett. An adaptation of Haruki Murakami’s celebrated novel Norwegian Wood was better received, though received a delayed and limited theatrical run in the Us. He’s back with an exciting new project, his French language debut Eternité (Eternity), set to star three French beauties, Melanie Laurent, Beatrice Bejo, and Audrey Tautou, based on Alice Ferney’s celebrated novel which concerns a story from the late 19th century to the end »
- Nicholas Bell
We all have predisposed notions about the infamous “romantic comedy.” As with other genres, there’s a large subsection of offerings, giving it a bad name. But, for every tired, cliché-driven comedy, there is another impressive offering that redefines the genre, garners plenty of laughs, and tells an honest story about love and relationships, however warped they may be. In the coming weeks, we’ll take a look at the fifty romantic comedy films that should be seen. These may not all be classic films, but they certainly put a stamp on the industry and the genre we affectionately call “rom-coms.”
#50. Moonrise Kingdom (2012)
Most of Wes Anderson’s films could be described as romantic comedies, but his 2012 effort stands out, as its central story focuses on young love and the need to find acceptance. In Anderson’s world, while quirks abound, true connections between characters are commonplace. With Moonrise Kingdom, »
- Joshua Gaul
3 items from 2016
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