It may have been one of Russell Crowe’s first films, but the focus of John Tatoulis’s classic adaptation remains equine over man
When endeavouring to tell live action stories from the perspective of animals, film-makers generally choose between three approaches. They can follow their subjects from a documentary-esque perspective (like director Jean-Jacques Annaud’s astonishing nature-drama The Bear), assign them voices and make their mouths move (Babe) or provide narration articulating their thoughts and feelings (The Adventures of Milo and Otis).
Related: Mad Max rewatched – gas-fuelled action pic or just plain weird?
Continue reading...
When endeavouring to tell live action stories from the perspective of animals, film-makers generally choose between three approaches. They can follow their subjects from a documentary-esque perspective (like director Jean-Jacques Annaud’s astonishing nature-drama The Bear), assign them voices and make their mouths move (Babe) or provide narration articulating their thoughts and feelings (The Adventures of Milo and Otis).
Related: Mad Max rewatched – gas-fuelled action pic or just plain weird?
Continue reading...
- 1/9/2016
- by Luke Buckmaster
- The Guardian - Film News
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