17 items from 2014
IndieWire covers a panel discussion in NYC:
In response to the titular question, panelists agreed on the struggles of sustaining oneself financially while working as film critics. “Journalism and jobs of people who write for a living are in danger,” said Slate critic Dana Stevens. “But I also think the web, and social media opened up other avenues for criticism, making it a more democratic endeavor, and less of an elite point.”
“Can women save film criticism as an occupation? No, it’s beyond hope,” said panelist Miriam Bale, who writes for the New York Times and other outlets. “It’s the only place I’ve seen that the rates get lower as you get more experience. But do I think women can save the culture of criticism? Maybe. I notice women whom I knew to be big film fans have this tendency to get really deep with what interests them. »
- MaryAnn Johanson
CBS will air an unprecedented number of original programming hours this summer, on Tuesday revealing a sked that includes four dramas alongside the thrice-weekly reality staple “Big Brother.” The lineup includes three original hours of programming on Sunday.
The Eye will hold off on launching its summer fare until late June, with “Big Brother” kicking off its 16th season on Wednesday, June 25. This will mark the second straight year that the reality vet has launched in late June after traditionally starting its summer editions post-July 4.
“Big Brother” will be airing in the same timeslots as a year ago: Sunday and Wednesday at 8 p.m. and the live eviction show on Thursdays at 9.
As previously announced, “Under the Dome,” last summer’s »
- Rick Kissell
Travis McGee lives on a houseboat in Fort Lauderdale dubbed The Busted Flush, taking on "salvage consultant" jobs whenever he is running low on money, recovering lost items for clients for half of the profits. When he meets the battered Lois, he tries to track down her abusive boyfriend, a journey which becomes far more violent and complicated than he imagined. The character, who appeared in 21 of John D. MacDonald's books, is seen as the precursor to other popular literary heroes such as Jack Reacher and Spenser: For Hire, who has a penchant of helping out damsels in distress during his adventures.
Exclusive: James Mangold is negotiating to direct The Deep Blue Good-By, the 1964 John D. MacDonald novel that kicked off series of mystery novels with character Travis McGee. This has long been eyed by Fox as the launch of a star-driven franchise based on the beach bum McGee, a forerunner of muscular solitary heroes like Jack Reacher and Spenser For Hire, helping (and romancing) damsels in distress as he kicks ass against the powerful. The film was originally set as a star vehicle for Leonardo DiCaprio. That’s not going to happen now, as DiCaprio has plenty of work in front of him and this film, with a most recent script draft by Mystic River novelist Dennis Lehane, is certainly ready to go. DiCaprio and his Appian Way partner Jennifer Davisson-Killoran are producing with Amy Robinson and Chernin Entertainment. Previous script drafts were done by Dana Stevens and Kario Salem. Mangold, »
- MIKE FLEMING JR
Alessandra Stanley discusses the presence of social causes, notably gay rights, in last night's ceremony. Citing Jared Leto's impassioned acceptance speech for "Dallas Buyers Club" and Ellen DeGeneres's playful allusions to her sexuality on stage, she writes: "Hollywood is so righteous, suddenly, about gay rights, and that’s a little puzzling because for so long, movies were part of the problem. Professional basketball has its first openly gay player, Jason Collins, but it’s still hard to think of romantic leads — male or female — who are A-list Hollywood movie stars and also openly gay." [New York Times] Critics may be unsure of DeGeneres, but audiences aren't: last night's ratings are the best since the last ceremony she hosted. [Hollywood Reporter] Why the host's emphasis on social media was a savvy move. [La Times] Ramin Setoodeh, meanwhile, thinks she's the best fit for the job since Billy Crystal. [Variety] Mark Harris declares last night's show, for better and worse, »
- Guy Lodge
"Dallas Buyers Club" is looks likely to win the Best Makeup and Hairstyling Oscar, not least because AMPAS members might feel happier checking that off than "Bad Grandpa" or "The Lone Ranger." If it does, though, it'll surely be the humblest achievement ever to take the award, as Katey Rich learns that makeup artist Robin Mathews' entire budget for the film was just $250: "'The Academy just gasped when they heard that,' Mathews says, with no lack of pride in her voice ... 'We had to take them back and forth from their sickest look to their healthiest look, up to five times in one day ... They maintained that 40-pound weight loss throughout. So when you see them in the film, and they look like they’re 25 pounds heavier and healthier because of the medication, that’s just makeup.'" [Vanity Fair] Dana Stevens loves "Frozen," but has serious issues with »
- Guy Lodge
HuffPo Gabby Sidibe gets in trouble for using the word "Tranny" on television. It's hard to keep up. Gabby is not alone. I also didn't realize this word was now off limits since Lgbt people have been using it for years and in names of clubs and dance nights and everything ("Tranny Shack" "Tranny Chasers" etcetera)
Cinema Blend American Hustle will hit DVD Bluray on March 18th. I wonder if it will have any Oscar wins to tout on its cover? You think?
The Wire attends the Frozen sing-along
TV Blend poster for season 2 of Bates Motel (I wish I had liked that show, but nope.)
In Contention Guy makes us want to go the Miami Film Festival
More on Psh
The Wrap catches us up on »
- NATHANIEL R
Why Philip Seymour Hoffman Was Perfect to Play Critic on Film.
Justin Chang Remembers Philip Seymour Hoffman: A Master of His Screen Craft.
6 Unforgettable Philip Seymour Hoffman Performances from Cinema Blend
The post Recommended Reading: All About Philip Seymour Hoffman appeared first on Sound On Sight. »
Scott Foundas: They say dogs come to resemble their owners (or vice versa), but if you hang around a film festival long enough, do you start to resemble the movies? That thought crossed my mind on Sundance’s final Sunday, when, as I was leaving a screening at the Eccles Theater, a volunteer enthusiastically congratulated me on my lead performance in the festival’s big award winner, “Whiplash,” which took both the audience award and the grand jury prize in this year’s U.S. dramatic competition. Of course, it’s flattering to be mistaken for Miles Teller, who’s a very good actor (in addition to being nine years my junior), but I couldn’t help wondering if something more mysterious was afoot.
Maybe that’s because, just the day before, I had caught up with another of this year’s Sundance breakouts, “I Origins,” in which the »
- Scott Foundas, Peter Debruge and Justin Chang
Sundance Institute this evening announced the Jury, Audience and other special awards of the 2014 Sundance Film Festival at the feature film Awards Ceremony, hosted by Nick Offerman and Megan Mullally, in Park City, Utah. Video of the ceremony in its entirety is available at Sundance.org/Live.
The U.S. Grand Jury Prize: Documentary was presented by Tracy Chapman to:
Rich Hill / U.S.A. (Directors: Andrew Droz Palermo, Tracy Droz Tragos) - In a rural, American town, kids face heartbreaking choices, find comfort in the most fragile of family bonds, and dream of a future of possibility.
The U.S. Grand Jury Prize: Dramatic was presented by Leonard Maltin to: Whiplash / U.S.A. (Director and screenwriter: Damien Chazelle) - Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity. Cast: Miles Teller, J.K. Simmons.
The World Cinema »
Photo by Dvrosa
It was another great year at the Sundance Film Festival! There were so many fantastic movies shown, and I still have a couple more to go. I'm really happy to say that Miles Teller and J.K. Simmon's film Whiplash took home the top two prizes, winning the Grand Jury Prize and the Audience Award. This was my number one favorite film from the festival, and it seems like everyone else at the festival loved it too, so it doesn't surprise me that it won.
Here's the full list of winners:
Sundance Institute this evening announced the Jury, Audience and other special awards of the 2014 Sundance Film Festival at the feature film Awards Ceremony, hosted by Nick Offerman and Megan Mullally, in Park City, Utah. Video of the ceremony in its entirety is available at www.sundance.org/live.
The U.S. Grand Jury Prize: Documentary was »
- Joey Paur
Damien Chazelle’s Whiplash was Day 1 feel good buzz title of the fest that ultimately served as a measuring stick for the other competing 15 titles in the section and as predicted below had a good chance at doing what last year’s Fruitvale did: when both major awards of its category. Now that I’ve completed a 15 hour nap, I can watch the ceremony below – and you can spoil the suspense by simply going over the other award winners in the multiple categories below. Next week we’ll be publishing our interviews with several of the filmmakers mentioned below. Congrats to the winners and non-winners.
Park City, Ut — Sundance Institute this evening announced the Jury, Audience and other special awards of the 2014 Sundance Film Festival at the feature film Awards Ceremony, hosted by Nick Offerman and Megan Mullally, in Park City, Utah. Video of the ceremony in its entirety is available at www. »
- Eric Lavallee
The Sundance Film Festival has come to a close in snowy Park City, Utah, and the institute has announced its winners for 2014. The big winner on the night was a film called Whiplash starring Miles Teller. The film picked up the big Grand Jury prize as well as the Audience Award in the U.S. Dramatic Competition. Whiplash sees Teller as a young musician who struggles to make it as a top jazz drummer (see main pic).
Dramatic effort The Skeleton Twins which stars comedy stars Kristen Wiig and Bill Hader in serious roles, won the Waldo Salt Screening Award for writers Craig Johnson and Mark Heyman, while the big directing award, went to Cutter Hodierne and his drama Fishing Without Nets, which revolves around a young father who turns to pirating in Somalia to support his family.
Here’s the full release with the complete list of the 2014 winners:
Park City, »
- Paul Heath
Lone Survivor tells the true story of elite Seal Marcus Luttrell and his band of brothers, who were sent on a dangerous 2005 mission in Afghanistan that quickly went Fubar. When the four soldiers — played by Mark Wahlberg, Taylor Kitsch, Ben Foster, and Emile Hirsch — are discovered in hostile territory by shepherds who may or may not be aligned with the Taliban, they have to decide whether to execute their captives and continue their stealth operation or release them and risk being surrounded by numerically superior forces.
The soldiers quickly realize that it’s a life-or-death decision, one that not all of them will survive. »
- Jeff Labrecque
The Sundance Institute announced Thursday 24 jurors who will sit on six separate committees at the 2014 film festival, including directors Bryan Singer and Lone Scherfig, sitting on the U.S. dramatic jury, as well as domestic doc juror, singer-songwriter Tracy Chapman.
This year’s list of jurors includes the usual mix of filmmakers and film commentators, including Leonard Maltin and film critic Dana Stevens, both of whom round out the dramatic jury, along with “Little Miss Sunshine” producer Peter Saraf.
Joining Chapman on the U.S. documentary jury is “20 Feet From Stardom” director Morgan Neville, as well as Jonathan Oppenheim, the film editor of such classic docs as “Paris Is Burning,” the producer of “The Daily Show With Jon Stewart, »
- Andrew Stewart
X-Men franchise director Bryan Singer, whose first two features debuted at the Sundance Film Festival — including The Usual Suspects in 1995 — was one of the industry figures named to the Sundance juries that will judge this year’s films when the festival begins next week. Singer, who has X-Men: Days of Future Past due in May, will be one of five members of the U.S. Dramatic Jury. Other members of the juries include Tracy Chapman, Lone Scherfig, Leonard Maltin, and screenwriter Jon Spaihts (Prometheus). A complete list of the juries, courtesy of the Sundance Film Festival, can be viewed after the jump. »
- Jeff Labrecque
Every year, contrarian critic Armond White finds a way to steal the spotlight from the actual winners at the New York Film Critics Circle Awards, and last night was no exception. During Steve McQueen's acceptance speech for Best Director for 12 Years a Slave, somebody heckled the filmmaker, yelling out comments such as, "You're an embarrassing doorman and garbage man," "Fuck you," "Kiss my ass," and "Pulease!" (That last comment came just after McQueen thanked the group for its support.) But was it White, who had previously made his non-support for 12 Years a Slave known when he called it "torture porn"?It's his Mo — we've witnessed him heckling people at this very event in years past. But last night, we couldn't see (or hear) with certainty, given his position in the back of the room. A Variety reporter said it was White. And Slate critic Dana Stevens, who was »
- Jennifer Vineyard
17 items from 2014
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