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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003

1-20 of 40 items from 2017   « Prev | Next »


The Incredible Linking Man

8 August 2017 4:00 PM, PDT | FilmExperience | See recent FilmExperience news »

• The Cut "I'm rooting for the Lannisters" fun piece on Game of Thrones (which I still read about on occasion even though I haven't watched since season 2)

• /Film Guillermo del Toro's official tequila looks like it's from one of his movies

• Vulture every Charlize Theron performance ranked. Interesting list though I quibble with the order (as they seem to equate the quality of the movies with the quality of her performance and Theron is precisely the star she is because she is often able to be good even in terrible pictures). Also Young Adult should be #1

• Playbill all star cast lined up for Steve Martin's next Broadway show (after his musical Bright Star), this one's a comedy called Meteor Shower

• Browbeat the internet goes wild for old Russ Tamblyn dancing clip from 1956

• Tracking Board Nicole Kidman is in talks to headline a crime thriller called Destroyer directed by Karyn Kusama. »

- NATHANIEL R

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Ken Burns, Jonathan Groff, and More on Why PBS Losing Federal Funding Would Be ‘Heartbreaking’

1 August 2017 8:48 AM, PDT | Indiewire Television | See recent Indiewire Television news »

One of the most exciting things about PBS’s time at the Television Critics Association press tour is that, over the course of two days, critics get exposed to programming that covers an incredibly diverse range of subjects, from deep space exploration to nature to great poets to world-changing wars. But this summer, many of the panels took at least a moment to acknowledge the currently precarious state of public television programming in the United States, due to a proposed federal budget that would eliminate funding for PBS.

As reported on Sunday, PBS president and CEO Paula Kerger explained to critics that should the proposed budget go through, PBS had “no Plan B” for what would happen next. Many of the other speakers who appeared over the following two days had plenty to say about what effect this would have on the kind of programming they create, should this budget pass. »

- Liz Shannon Miller

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Ken Burns, Jonathan Groff, and More on Why PBS Losing Federal Funding Would Be ‘Heartbreaking’

1 August 2017 8:48 AM, PDT | Indiewire | See recent Indiewire news »

One of the most exciting things about PBS’s time at the Television Critics Association press tour is that, over the course of two days, critics get exposed to programming that covers an incredibly diverse range of subjects, from deep space exploration to nature to great poets to world-changing wars. But this summer, many of the panels took at least a moment to acknowledge the currently precarious state of public television programming in the United States, due to a proposed federal budget that would eliminate funding for PBS.

As reported on Sunday, PBS president and CEO Paula Kerger explained to critics that should the proposed budget go through, PBS had “no Plan B” for what would happen next. Many of the other speakers who appeared over the following two days had plenty to say about what effect this would have on the kind of programming they create, should this budget pass. »

- Liz Shannon Miller

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Justice Link

26 July 2017 2:00 PM, PDT | FilmExperience | See recent FilmExperience news »

Boy Culture want to see a web or tv series sequel to Boy Culture  (2006)?

Film School Rejects a new short film starring Oscar Isaac available to watch online

Deadline a huge list of in-development franchises - what's the next big sci-fi fantasy hit?

Coming Soon Nicholas Hoult is in talks to play the Lord of the Rings author Jrr Tolkien in a forthcoming biopic. Those unfamiliar with Tolkien but for book jacket photos, Hoult seems like odd casting but the movie will be about his youth and service in World War I (which of course informed his iconic books)

Av Club Raising Arizona was on the cover of a Serbian biology textbook!

/Film Wonder Woman 2 is aiming for a December 2019 release date. Patty Jenkins still not confirmed to return as director

Mnpp has a new crush in François Arnaud

Towleroad Ezra Miller kisses a male fan at Comic Con. »

- NATHANIEL R

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Ugly Betty Cast Reunites at Benefit Concert: “Familia Forever”

25 July 2017 9:07 AM, PDT | PEOPLE.com | See recent PEOPLE.com news »

Another Ugly Betty reunion took place in Los Angeles—and for the sweetest reason!

In support of their former costar Vanessa Williams, actresses America Ferrera and Ana Ortiz formed part of the audience at Sondheim on Sondheim, a benefit concert that took place last Sunday at The Hollywood Bowl in Los Angeles. At the show, Broadway stars came together to perform the hits of composer and lyricist Stephen Sondheim including Williams, Jonathan Groff (Glee), and Jesse Tyler Ferguson (Modern Family).

After the performance, Ferrera and Ortiz made sure to snap a picture of their Ugly Betty reunion. Ferrera then shared »

- Thatiana Diaz

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Musicals That Want More

17 July 2017 8:53 AM, PDT | www.culturecatch.com | See recent CultureCatch news »

Fun Home 5th Avenue Theare, Seattle Through July 30th

When it comes to Broadway-caliber theatre productions, cities like Seattle get what New York is willing to give them. Very often this means local audiences only get a taste of the most mainstream, spectacular efforts the Great White Way has to offer, remaining unexposed to the more challenging and innovative works that do sometimes still happen there. As a result, theatre (particularly musical theatre) is relegated to its niche enclave of dedicated fans along with a wider audience of casual theatre goers who come knowing what to expect. While presenting an enjoyable way to pass a few evening hours this can also bear a disappointing stamp of mediocrity. Fun Home, currently playing at Seattle's 5th Avenue Theatre, is a happy exception to this trend.

Like Next to Normal before it, Fun Home works to break the preconceived notions of what musical theatre is and can be. »

- C. Jefferson Thom

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Recommended Films in Times of Madness: Singing Kidnappers and Dancing Puerto Ricans Will Make You Forget Ballistic Missiles

4 July 2017 11:36 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »

Fourth of July movies: A few recommended titles that should help you temporarily escape current global madness Two thousand and seventeen has been a weirder-than-usual year on the already pretty weird Planet Earth. Unsurprisingly, this Fourth of July, the day the United States celebrates its Declaration of Independence from the British Empire, has been an unusual one as well. Instead of fireworks, (at least some) people's attention has been turned to missiles – more specifically, a carefully timed North Korean intercontinental ballistic missile test indicating that Kim Jong-un could theoretically gain (or could already have?) the capacity to strike North America with nuclear weapons. Then there were right-wing trolls & history-deficient Twitter users berating National Public Radio for tweeting the Declaration of Independence, 140 characters at a time. Besides, a few days ago the current U.S. president retweeted a video of himself body-slamming and choking a representation of CNN – courtesy of a gif originally created by a far-right Internet »

- Andre Soares

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Stand Up for Lgbtq Rights at the Pride March + More NYC Events 6/23–6/29

23 June 2017 8:30 AM, PDT | backstage.com | See recent Backstage news »

New York is the city that never sleeps, and with so many events and activities each week across all five boroughs, it can be hard to know what’s actually worthwhile. Here are the events New York City actors should have on their radars this week. March with (gay) pride.At a time when equal rights are, unfortunately, under siege, it has never been more necessary for the Lgbtq community and its allies to stand strong. New York City’s Gay Pride March will strut the streets of Manhattan on June 25, beginning at 36th St. and Fifth Ave., and traveling southbound until it reaches Christopher St. in the historic Greenwich Village. Be loud; be proud. (And keep in mind surrounding bars in the area very often have drink specials to honor the momentous event!) (Free)  Savor Sondheim without bells 'n whistles. Returning to Feinstein’s/54 Below for its seventh installment on June 25, “Sondheim Unplugged” will once again deliver selections from the songbook of one of the American theater’s greatest composers, Stephen Sondheim. Featuring cast members from original Broadway productions of “Into the Woods” and “Sweeney Todd,” this is a can’t-miss event for anyone »

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Meryl Streep Makes History with 20th Oscar Nom: A Look Back at Her Iconic Nominated Roles

22 June 2017 10:15 AM, PDT | PEOPLE.com | See recent PEOPLE.com news »

Last year, Meryl Streep received her 20th Academy Award nomination for her performance in Florence Foster Jenkins. Streep’s nod makes her the most nominated performer in Oscars history. 

In honor of Streep’s incredible feat (which she celebrated with an epic gif of her dancing; see below), we’re looking back at the roles that got her the accolades. 

via Giphy

(We’re just as excited as you, Meryl!)

1979: The Deer Hunter

Though she didn’t win for her turn as the girlfriend of a fallen soldier in Vietnam, the role helped establish Streep as one to watch in the awards show game, »

- Maria Yagoda and Diana Pearl

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Telluride Film Festival Names Joshua Oppenheimer Guest Director

20 June 2017 9:39 AM, PDT | Variety - Film News | See recent Variety - Film News news »

The Telluride Film Festival has selected documentary filmmaker Joshua Oppenheimer as its guest director for its 44th festival, running over Labor Day weekend on Sept. 1-4.

Oppenheimer received two Academy Award nominations for best documentary for his 2012 film “The Act of Killing” and 2014’s “The Look of Silence” — both which screened at Telluride. He will select a series of films to be presented at the festival.

“The guest director program is one of the most essential and wonderful parts of our festival,” said executive director Julie Huntsinger. “Joshua has been a part of the show with several of the incredible films he has made in the past, and now as our guest director. His rare combination of intelligence and down-to-earth understanding of humanity will make for a remarkable presentation of films our audience will not want to miss.”

The Look of Silence” premiered at the Venice Film Festival, where it »

- Dave McNary

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"Twin Peaks," Episode 6 Recap: Make Sense of It

15 June 2017 4:06 AM, PDT | MUBI | See recent MUBI news »

Twin Peaks Recap is a weekly column by Keith Uhlich covering David Lynch and Mark Frost's limited, 18-episode continuation of the Twin Peaks television series.A man walks into a bar—after cursing out Gene Kelly (because most of the time we don't feel like singin' in the rain). The bar, by the way, is named "Max Von's," surely after Erich von Stroheim's rabidly devoted butler Max von Mayerling from Sunset Blvd (1950). Of his employer, silent-film diva Norma Desmond (Gloria Swanson), Max once said, "Madame is the greatest star of them all." No more proper locale, then, for a star entrance: "Diane," says FBI forensics specialist Albert Rosenfield (Miguel Ferrer) to a platinum blond beauty nursing martini and cigarette. Around turns Diane Evans, the heretofore unseen confidante of FBI Special Agent Dale Cooper (Kyle MacLachlan), and played (of course, how could there be any doubt?) by Laura Dern. »

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Babalink

10 June 2017 4:00 PM, PDT | FilmExperience | See recent FilmExperience news »

Two Must Reads @ Vulture

In this moment I really must bow down. Vulture just slayed all this week. I'm sure it helps to have a huge budget and access to hundreds of talented writers but still. I am regularly in awe. Particularly of these two pieces:

"The 30 Best Broadway Songs of the Past 40 Years" insightful fun writeups in shows stretching from Annie in 1977 through Hamilton in 2015 with a ton of Stephen Sondheim near the top (as well they should be) "A Conversation with Ann Dowd and Margo Martindale" two scene stealers talk late-blooming careers, being confused for each other, favorite roles, and not repeating yourself. 

Lots more good linkage after the jump »

- NATHANIEL R

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The 2017 Tony Nominees’ Worst Audition Horror Stories

9 June 2017 1:30 PM, PDT | backstage.com | See recent Backstage news »

Sometimes you blow an acting audition so spectacularly, it’s like a waking nightmare. You flub your lines, forget your lyrics, you’re meeting casting directors in the middle of a bad day—as Tony-nominated “Sweat” star Michelle Wilson says, “If you don’t have a humiliating story about auditioning, you’re not an actor.” Take it from the best of the 2016–17 Broadway season (Lucas Steele, Stephanie J. Block, and more!)—horrible auditions will help make you a better, more resilient performer and person. And hey, if you’re as talented as Mary Beth Peil, your worst audition in front of Stephen Sondheim may not end up as badly as you might expect! Don’t forget to subscribe to the Backstage YouTube Channel for more acting advice! And join Backstage in tuning into the Tony Awards this Sunday, June 11 on CBS. Check out Backstage’s Broadway audition listings! »

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Soundtracking: "Best Worst Thing..."

7 June 2017 7:30 AM, PDT | FilmExperience | See recent FilmExperience news »

Soundtracking is our newest wekly series, with Chris Feil talking music in the movies! The Tony Awards are this weekend, so here is a documentary on a Broadway flop...

Best Worst Thing That Ever Could Have Happened charts the making and failing of Stephen Sondheim / Hal Prince collaboration Merrily We Roll Along. The musical charts the decades-spanning friendship of three showbiz types, but told in reverse and with teenagers playing the roles. It was high concept and it was a notorious bomb - but with one brilliant and emotionally involving score.

If you’re unfamiliar with the musical and its complicated backwards plotting, Best Worst Thing does a pretty snappy job of quickly explaining the show’s concept before focusing on the cast left out in the cold by Merrily’s failure. What sounds rather niche for a documentary subject is actually quite moving and emotionally accessible, and still touches on some hefty themes. »

- Chris Feil

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Lynn Nottage’s New Play “Mlima’s Tale” to Premiere Off Broadway in 2018

5 June 2017 12:01 PM, PDT | Women and Hollywood | See recent Women and Hollywood news »

Lynn Nottage: IAmTheatre/YouTube

Lynn Nottage’s follow-up to her Pulitzer Prize-winning and Tony-nominated play “Sweat” will bow in 2018. Per the New York Times, “Mlima’s Tale” will premiere Off Broadway at the Public Theater and run from March 27 to May 20, 2018.

“Mlima’s Tale” revolves around the titular character, an elephant “caught in the world’s black market for ivory.” Nottage’s new play explores “a trail of greed and desire as old as trade itself,” the Public summarizes.

Nottage is the first woman to win the Pulitzer Prize for Drama twice. She won this year for her Broadway debut, “Sweat,” a play about factory workers facing layoffs in Reading, Pennsylvania. She also won in 2009 for “Ruined,” which focuses on “ruined” women — rape survivors and sex workers — in civil war-torn Congo. Her other plays include “Crumbs from the Table of Joy,” “Fabulation,” “Intimate Apparel,” and “By the Way, Meet Vera Stark.” “Sweat” previously won the Blackburn Prize in 2016.

If you’re interested in “Mlima’s Tale,” consider checking out Kate Brooks’ “The Last Animals” and “Trophy,” co-directed by Christina Clusiau. The upcoming docs, which premiered this year at Tribeca and Sundance, respectively, also examine human carelessness and greed — and the dire effects they have on wildlife.

Among the other women-penned projects set for the Public’s 2017–18 season are Sarah Burgess’ political satire “Kings,” Nia Vardalos’ “Tiny Beautiful Things,” which is an adaptation of Cheryl Strayed’s book, Julia Cho’s college classroom-set “Office Hour,” Rinne Groff’s post-Superstorm Sandy meditation “Fire in Dreamland,” and Judy Collins’ cabaret “A Love Letter to Stephen Sondheim.”

The Public Theater will celebrate its 50th anniversary and commemorate its first production, “Hair,” this upcoming season. Visit the Public’s website for more information.

Lynn Nottage’s New Play “Mlima’s Tale” to Premiere Off Broadway in 2018 was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story. »

- Rachel Montpelier

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The Rewards Behind Jake Gyllenhaal’s Extreme Physical & Emotional Character Plunges — Deadline Disruptors

17 May 2017 12:45 PM, PDT | Deadline | See recent Deadline news »

In a whirlwind month, Jake Gyllenhaal has just completed a lauded run starring in a Broadway revival of the seminal Stephen Sondheim musical Sunday in the Park with George. Between performances, he found time to preside over the Tribeca Film Festival launch of Hondros, the documentary about slain war photographer Chris Hondros produced by Nine Stories, the ambitious production company Gyllenhaal runs with Riva Marker. Now, it's off to Cannes for the premiere of Bong Joon-h… »

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Interview: Director Azazel Jacobs Looks at ‘The Lovers’

17 May 2017 9:45 AM, PDT | HollywoodChicago.com | See recent HollywoodChicago.com news »

Chicago – There is a familiar Stephen Sondheim song called “Send in the Clowns,” which speaks of the absurdity of relationships, and their ups and downs. Writer/director Azazel Jacobs has kind of made a movie version of that song’s meaning, with the trials of a married couple, cheating on each other, in “The Lovers.”

Michael (Tracy Letts) and Mary (Debra Winger) are in a marriage rut that seems impossible to heal. They both have taken lovers, Michael with Lucy (Melora Walters) and Mary with Robert (Aidan Gillen). However, their lovers are getting impatient, each want the other to end the marriage. Michael and Mary make a promise to themselves and their other mates that they will end the charade after their son (Tyler Ross) comes to visit. But strangely, that secret lights a spark between them again. Send in the clowns, don’t bother they’re here.

Debra Winger »

- adam@hollywoodchicago.com (Adam Fendelman)

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‘Pacific Overtures’ Theater Review: Stephen Sondheim Survives the Scissors

4 May 2017 4:41 PM, PDT | The Wrap | See recent The Wrap news »

Franco Zeffirelli once remarked that directors rarely staged Mozart’s “Don Giovanni” effectively, because they either emphasized the comedy or the drama and rarely got the right balance. The same could be said of almost any musical written by Stephen Sondheim. Back in the 1970s, director Hal Prince almost always got it right, from “Company” to “Sweeney Todd.” Broadway theatergoers didn’t know how lucky we were. In hindsight, we do, thanks to John Doyle. Doyle almost always gets it wrong, making Sondheim’s shows all about the angst. His most egregious failure was the 2006 Broadway revival of “Company,” which excised all. »

- Robert Hofler

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Tribeca 2017 Women Directors: Meet Laurie Simmons — “My Art”

21 April 2017 11:31 AM, PDT | Women and Hollywood | See recent Women and Hollywood news »

My Art

Laurie Simmons is an internationally recognized artist. Her work is included in the collections of the Brooklyn Museum, the Museum of Modern Art, the Guggenheim Museum, and the Whitney Museum, among others. In 2006 she wrote and directed a short film, “The Music of Regret,” starring Meryl Streep.

My Art” will premiere at the 2017 Tribeca Film Festival on April 22.

W&H: Describe the film for us in your own words.

Ls: “My Art” is a kind of coming-of-age story focusing on Ellie Shine, a single woman and artist with a more than decent life which includes a teaching job, friends, and a dog. Ellie longs to push the boundaries of her artwork — as opposed to her “career” — and sets out to challenge herself in new ways.

She leaves New York to house-sit the home and studio of a more successful artist friend. Uncomfortable at first with inhabiting the space of another artist, she ultimately figures out how to incorporate her friend’s barn, clothes, cars, objects, and even some of the locals to help her move her work to a new place. She meets some curiously engaging new friends who also seem to be questioning the direction of their lives, but Ellie’s path and somewhat bittersweet happy ending are uniquely hers and hers alone.

W&H: What drew you to this story?

Ls: I’ve spent a lot of time observing both portrayals of artists and representations of women my age on-screen and feel that both often fall short of what I feel to be accurate and true to the life I’ve experienced. I’d thought long and hard about women’s stories — particularly women over 40.

Do the stories ever move beyond the subjects of love and a rumination on aging? Are women’s aspirations ever really addressed apart from finding romance and a story book ending? And, lastly, what about the ageless aspects of a female character — those traits which might make her appealing, cinematically, to people of all ages?

I’d imagined the character of Ellie for a long time and at a certain point I would say she started telling me her story. I also felt compelled to give an honest picture of how an artist might work in her studio — a story devoid of the kind of caricature and melodrama often assigned to the character of “the artist.”

W&H: What do you want people to think about when they are leaving the theater?

Ls: I’d like people to feel like they’ve just visited a place that’s very private, very green, and that something happened, something changed — not necessarily something huge, but something that reshaped the course of someone’s ordinary life.

I’ve always loved all the incarnations of Shakespeare’s “A Midsummer Night’s Dream” from Ingmar Bergman’s “Smiles of a Summer Night” and Stephen Sondheim’s “A Little Night Music” to Woody Allen’s “A Midsummer Night’s Sex Comedy.”

The summer farce with its implication of “the moon made me do crazy things” has always appealed to me along with the romance movies of the French New Wave like “Jules and Jim.” There’s a sense that these movies have both transported you and held you hostage in someone else’s life. I’d like people to feel that they’ve gotten to know Ellie, Frank, and John, and maybe to feel a little bit disappointed that they won’t get to find out what happens next.

W&H: What was the biggest challenge in making the film?

Ls: Ha. The biggest challenge in making the film was making the film — every aspect of it, from the first outline to the first screening at the Venice Film Festival. I’m not sure I actually believed I would see it up on a screen. Making it was that much of a fantasy for me.

W&H: How did you get your film funded? Share some insights into how you got the film made.

Ls: I would say somewhere in between crowdsourcing and private funding is my answer, but I’m still shocked by how many doors I had to knock on to try and find financing for “My Art.” I assumed it would be a far easier task than it turned out to be. I think when a director is in the throes of raising funds for a movie there is very little one won’t do or sell to make it happen — dogs and children included.

W&H: What does it mean for you to have your film play at Tribeca?

Ls: Tribeca is a film festival that literally sprung from the ashes of 9/11, a national tragedy that occurred at our doorstep in downtown New York. I remember the first year of the festival so clearly — the mood was grim. I made one of the first artist trophies that were originally given as prizes to filmmakers at the fest.

In some sense “My Art” is about New York and about making it in New York. New York is where I made my work and came of age. I adore the city and am the consummate New Yorker.

I understand filmmakers who make the claim that their film is a love letter to the city. I initially thought I would make that movie but in “My Art” New York is always hovering just outside the frame.

What I truly know from experience is how challenging it is to live in New York and more specifically how difficult it is to find your destiny here. Every New Yorker readily admits they have a very passionate but fraught love affair with the city.

Showing my film to a New York audience is really my dream.

W&H: What’s the best and worst advice you’ve received?

Ls: The best advice I received came from Ed Lachman, who shot my first film, a short called “The Music of Regret.” He told me to be democratic and diplomatic on set — to listen to what everyone has to say and then do what you want.

The worst advice I’ve received? Oh my God, [I’ve been given a lot of bad advice.]

W&H: What advice do you have for other female directors?

Ls: I’ll offer the same advice I’ve given my art students all these years: Find your subject. Tell your story. If it’s true to you, it will find it’s way into the world.

I’m new to the film world but I imagine there are many of the same challenges that exist in the art world. We have to get our numbers up — we need more women in the front line.

W&H: Name your favorite woman-directed film and why.

Ls: I love “The Hitchhiker,” which was directed by Ida Lupino and made her the first women to direct a film noir. It was a true thriller with an all-male cast. Lupino was really the first indie woman director.

She became a skilled low-budget filmmaker who pulled from her own wardrobe for costumes, reused sets from other movies, cast real people in roles, and used product placement with Coke and Cadillacs. She shot in public places to avoid location costs and did as much as possible in preproduction to avoid multiple retakes. I love the stories about how resourceful she was and how she loved to be considered a “mother” on set and a “bulldozer” when it came to getting money.

My close second would be Elaine May’s “A New Leaf,” followed by Andrea Arnold’s “Fish Tank.”

W&H: There have been significant conversations over the last couple of years about increasing the amount of opportunities for women directors yet the numbers have not increased. Are you optimistic about the possibilities for change? Share any thoughts you might have on this topic.

Ls: I can only base my ideas on what I know from my own [visual arts] community where there are similar discussions. Years ago people started raising the issue of percentages of women represented in both museums and commercial gallery spaces. There was a flurry of activity and a number of “all-women” exhibitions but when the dust settled there was no real viable change, so the conversation started again.

I feel things are moving in a more positive direction. Maybe both having a female presidential candidate, and one of the largest U.S. protests (by women!) in history is finally ripping the band aid off the surprisingly blatant sexism that exists in our country. I have confidence that this particular glacier is beginning to melt but we need to be vigilant and make ourselves heard and not be afraid to address so-called feminine topics and the accompanying biases.

https://medium.com/media/80e3e7267905659f5efba2c85ff27546/href

Tribeca 2017 Women Directors: Meet Laurie Simmons — “My Art” was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story. »

- Laura Berger

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Sara Bareilles on the Songs of Her Life — Including the Waitress Tune She Rewrote ’40 Times’

11 April 2017 1:35 PM, PDT | PEOPLE.com | See recent PEOPLE.com news »

Sara Bareilles may have made a name for herself on the pop charts with Grammy-nominated hits like “Love Song” and “Brave,” but the 37-year-old singer grew up a theater kid.

“My first introduction into music was theater cast albums,” Bareilles tells People, during a sit-down in New York City. “Miss Saigon, Les Misérables, The Secret Garden, Little Shop of Horrors, Chess — you name it, I was all about it.”

She had a chance to write her very own theater cast album with Waitress — the hit 2016 musical she composed about a waitress in a small town who enters a pie contest »

- Dave Quinn

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1-20 of 40 items from 2017   « Prev | Next »


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