1-20 of 107 items from 2015 « Prev | Next »
Warner Bros' Pan is this week's new wide release. The film is a new telling of the Peter Pan origin story from director Joe Wright (Pride & Prejudice, Atonement), starring Hugh Jackman as the villainous Blackbeard and newcomer Levi Miller in the title role. A week ago it was reported the film's opening weekend was tracking as low as $21-22 million, worrisome numbers for a film said to be budgeted at $150 million, and I'm having a hard time going even that high with my predictions. In an attempt to find similar titles for comparison there are plenty to choose from, one such being Disney's Oz the Great and Powerful, which opened to the tune of $79.1 million in 2013. On the opposite end of the box office spectrum there's Universal's attempt at a live-action Pan movie back in 2003, which opened with $11.1 million. Adjusted for inflation, that opening number climbs to $15.4 million, a bit »
- Brad Brevet <firstname.lastname@example.org>
Here are a bunch of little bites to satisfy your hunger for movie culture: Fan Art of the Day: What would a Dune animated feature or series look like? Artist Matt Rhodes, who was also influenced by filmmaker Tarsem Singh, shows us in the below image plus more images found at Neatorama. Movie Rip-offs of the Day: Screen Rant shows us 10 hilarious foreign rip-offs of Hollywood movies, including the Brazilian Star Wars and the Italian Jaws: Filmmaker in Focus: You don't know who William Laboury is, so let the filmmaker brilliantly introduce himself through the words of movie characters (via Devour): Vintage Image of the Day: Groucho Marx wearing a Groucho Marx t-shirt. He can do whatever he want today, since...
- Christopher Campbell
Busan — “Ant-Man” topped the Korea box office for the second consecutive weekend. In a very soft week, the Marvel super hero film earned $4.91 million between Friday and Sunday, representing a week-on-week drop of 40%. It has earned $16.8 million from 2.37 million admissions after two weekends.
Ryoo Seung-wan’s hit action comedy “Veteran” remained in second spot, earning $2.61 million from 380,000 admissions between Friday and Sunday. It has amassed a total of $82.8 million from 12.5 million admissions since its Aug 5 release.
Kwon Hyung-jin’s local thriller “Deep Trap” debuted in third place. Opening on Thursday, it earned $1.39 million from 201,000 admissions over its first four days. It has already exceeded the director’s previous feature “Wedding Dress,” which earned $843,000 in 2010.
Local films, “The Beauty Inside” and “Assassination” remained in fourth and fifth spots. Released on Aug, 20 and Jul. 22 respectively, the two big local titles have made $13.3 million and $82.9 million respectively.
Hong Won-chan’s suspense thriller “Office »
- Sonia Kil
Director: Pavel Khvaleev
Running Time: 89 Minutes
Synopsis: During a mysterious epidemic, two sisters promise to look after one another. When one falls ill, the other must use old rituals and a Shamonic book to enter her sister’s subconscious and destroy the evil.
Eastern european cinema is often slow and precisely plotted for a more calming affair. That’s why III is such a curiosity. It takes on the horror genre, which is not often known for its patience or soothing qualities, but generates a very imaginative, scary, and thoughtful meditation on its themes. Created on a nothing budget by a dedicated team of just 8 people, you see names repeating themselves in the credits. Director Pavel Khvaleev serves as not only the man in charge, but also as editor and visual effects supervisor, »
- Luke Ryan Baldock
'The Man from U.N.C.L.E.' 2015: Henry Cavill and Armie Hammer. 'The Man from U.N.C.L.E.' movie is a domestic box office bomb: Will it be saved by international filmgoers? Directed by Sherlock Holmes' Guy Ritchie and toplining Man of Steel star Henry Cavill and The Lone Ranger costar Armie Hammer, the Warner Bros. release The Man from U.N.C.L.E. has been a domestic box office disaster, performing about 25 percent below – already quite modest – expectations. (See also: “'The Man from U.N.C.L.E.' Movie: Bigger Box Office Flop Than Expected.”) This past weekend, the $80 million-budget The Man from U.N.C.L.E. collected a meager $13.42 million from 3,638 North American theaters, averaging $3,689 per site. After five days out, the big-screen reboot of the popular 1960s television series starring Robert Vaughn and David McCallum has taken in a mere $16.77 million. For comparison's sake: »
- Zac Gille
Way back when, Arnold Schwarzenegger was set to star in an remake of Michael Crichton's 1973 feature Westworld. Schwarzenegger became governor, the remake was shelved, but then Tarsem Singh was brought in to direct... nothing came of that film, but now it has arrived at HBO with Jonathan Nolan (Interstellar, The Dark Knight) writing and directing (at least the first episode) and today HBO debuted the first trailer. The series takes place at a technologically advanced amusement park designed for rich vacationers with the goal of satisfying your every dream. Robots staff the park and when a group of vacationers choose a wild west adventure things go haywire and a rogue gunslinging robot begins stalking the guests. The stacked cast includes Ed Harris, James Marsden, Evan Rachel Wood, Thandie Newton, Anthony Hopkins and Jeffrey Wright. No word yet on when exactly the show will arrive, "Coming in 2016" is all the trailer gives us, »
- Brad Brevet
Ben Kingsley gets joint top billing but takes an early bath in this tiresome tale of an ageing executive who pays to have his dying soul transplanted into the body of a younger man. Enter Ryan Reynolds as the empty vessel into which Sir Ben’s spirit is magnetically injected – only to discover that this new body has a mind and memory of its own. Or, as Derek Luke puts it: “You thought you were buying a new car, turns out it has a few miles on the clock.” Recycling riffs from John Frankenheimer’s superior 1966 thriller Seconds (which in turn inspired Face/Off), Tarsem Singh’s dopey romp signally fails to mine the identity-swap promise of its premise. David and Alex Pastor’s script may be lumpen, but Reynolds »
- Mark Kermode, Observer film critic
As far as high concepts go, Ben Kingsley and Ryan Reynolds playing the same person isn't a bad start. But this switcherooo turns out to be one of the least distracting elements of Tarsem Singh's slick, silly sci-fi Self/less, which gets a running start with smart ideas it can't follow through on.
Kingsley is Damian Hayes, a haughty and emotionally detached real estate tycoon with terminal cancer. Desperate to survive at any cost, he crosses paths with a shadowy scientist (Matthew Goode on enjoyably snakelike form) who offers him a radical new procedure known as shedding, whereby his consciousness is transferred into a healthy, lab-grown new body. What do I have to lose, he asks himself, because presumably he's never heard of Faust.
In this excerpt from the Guardian film show Xan Brooks, Catherine Shoard and Peter Bradshaw watch Sir Ben Kingsley nab the body of Ryan Reynolds in Self/Less, a sci-fi thriller in which a dying billionaire implants his consciousness into a younger man with terrible consequences. Directed by Tarsem Singh and co-starring Natalie Martinez and Matthew Goode, Self/Less is released in the UK on Friday 17 July Continue reading »
- Xan Brooks, Peter Bradshaw, Catherine Shoard, Zoran Trajkovic, Richard Sprenger, Henry Barnes and Andrea Salvatici
Glances at fundamental questions of identity and humanity and decides that they are best resolved via fistfights, gun battles, and car chases. I’m “biast” (pro): mostly love Tarsem Singh’s films; big Sf geek
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
A ruthless old real-estate tycoon billionaire, Damian Hale (Ben Kingsley: Exodus: Gods and Kings), is dying of cancer, so he has his mind transferred to a younger body (Ryan Reynolds: Woman in Gold), as you do when you’re a ruthless old man wealthy beyond belief and terrified of your mortality. Of course he doesn’t ask the tough questions about the hush-hush project of clearly dubious morality, not even when the suave mad scientist in charge, Albright (Matthew Goode: The Imitation Game), smoothly notes with a slick grin that he’s not asking the right questions. This is »
- MaryAnn Johanson
From comic-book adaptations to sci-fi, fantasy and horror. Here are the new geek-skewed shows coming to Us TV in 2016...
The world of TV has never been so crowded and, at the same time, geeks have never had it so good. As saturated as the big screen is with superhero films and sprawling shared universes, that mentality has well and truly bled onto the small screen too.
So there’s a lot of comic-book adaptations coming up in 2016 from Marvel, DC and others, but genre TV is represented across the board with science-fiction, fantasy and horror represented at pretty much every network and cable channel in the Us.
Here's some of the geek TV that will be making its way to us from the Us next year.
Aka Jessica Jones (Netflix)
Part of Netflix’s own connected slice of the McU, there has been a lot of confusion over when we »
Said to be a dark and modern (how original!) re-imagining of the L. Frank Baum’s novels, NBC's Emerald City looks to be going the True Detective route as it has enlisted Tarsem Singh to fill the directors chair for all ten episodes of the new series. Emerald City was originally ordered straight-to-series in January of 2014 but NBC ended up pulling the plug due to some creative... Read More »
- Kevin Fraser
Tarsem Singh‘s Self/less isn’t getting much love from general audiences or critics at the moment, but thankfully the filmmaker is already preparing a rebound. Singh is set to direct all ten episodes of Emerald City, NBC’s upcoming drama based on The Wizard of Oz. More details on the Tarsem Singh Emerald City project after the jump. […]
- Angie Han
Single director seasons has been a rising trend in television, with last season providing the two most notable examples in HBO’s True Detective and Cinemax’s The Knick, with David Fincher and David Lynch poised to do the same with Utopia and Twin Peaks respectively in subsequent seasons. To date, however, the trend has been limited to cable channels. NBC, however, is jumping into the ring as well, as reports have now emerged that the network channel has tapped director Tarsem Singh to direct all ten episodes of its upcoming series Emerald City.
Tarsem, whose latest feature Self/Less is currently in theatres, is known to most film fans for his work on the 2006 feature The Fall. He currently has five features under his belt, along with an assortment of music videos, including that of Rem’s Losing My Religion, but has yet to work in television.
- Deepayan Sengupta
Emerald City is a long-gestating television series based on the classic story of The Wizard of Oz that has now been taken over for redevelpment by writer and executive producer David Schulner (Desperate Housewives). The show is set to tell the story of Dorothy Gale and her K9 police-dog who “are transported via tornado to another world, one far removed from our own — a mystical land of competing kingdoms, lethal warriors, dark magic and a bloody battle for supremacy”.
Aria Arjona (True Detective) will play Dorothy, and today comes news that Oliver Jackson-Cohen (Mr. Selfridge) and Ana Ularu (Serena) have joined the cast in the show, which is described as a “modern and dark reimagining of the classic »
- Scott J. Davis
Update with character descriptions, additional casting: Tarsem Singh has been tapped to direct all 10 episodes of Emerald City, the recently resurrected NBC series that underwent a redevelopment via writer/executive producer David Schulner. Shaun Cassidy is also executive producer on the Universal TV-produced series. Oliver Jackson Cohen, Ana Ularu and Gerran Howell have joined the cast of the series, described as a modern and dark reimagining of the classic tale of Oz in… »
The action follows twenty-year-old Dorothy Gale (Adria Arjona) and her K9 police dog who are transported via tornado to a mystical land of competing kingdoms, lethal warriors, dark magic and a bloody battle for supremacy.
Source: Deadline »
- Garth Franklin
Have you seen Self/less? After that, you’d think I’d lose some faith in Tarsem Singh, but the idea of Singh directing a TV show about a dark, twisted rendition of the Land of Oz is way too intriguing. Emerald City centers on 20-year-old Dorothy Gale. She tries to break into an underground facility in the Midwest, but things don't go according to plan. She manages to escape, stealing a police dog in the process, but her getaway route puts her right in the path of a nasty tornado. When she wakes up, she's in Oz, but this time around, the fabled land is packed with dark magic and lethal warriors. NBC gave Emerald City a straight-to-series 10-episode order back in January 2014 and even advertised the show that summer at Comic-Con, but then in August, news broke that the network and executive producer/writer Josh Friedman couldn’t »
- Perri Nemiroff
Directed by Tarsem Singh.
An extremely wealthy man, dying from cancer, undergoes a radical medical procedure that transfers his consciousness into the body of a healthy young man. But all is not as it seems when he starts to uncover the mystery of the body’s origin and the organization that will kill to protect its cause.
Self/less is one of those films that wants to be one thing, unfortunately is another thing, and as a result is two ideas clashing leaving behind a fragmented mess of a movie. Typically movies like this were usually always destined to be terrible but Self/less had the potential to be a provocative science-fiction thriller. The problem is that the science-fiction part (and pretty much everything interesting about the story) are ditched for an onslaught of generic action scenes, »
- Robert Kojder
In Self/Less, Ben Kingsley plays a dying, shark-like real estate tycoon who has his identity transplanted into that of a younger body, played by Ryan Reynolds. We’re told that the new body has been grown in a lab – that it is essentially a blank slate. Of course, that turns out not to be the case, but for a few moments there I allowed myself to savor the possibility that Tarsem Singh’s new film had snuck in a sick, subtle dig at Reynolds’s bland, lifeless persona. At any rate, a movie that starts out with Ben Kingsley and winds up with Ryan Reynolds has its work cut out for it.That body – which for a while makes the once-debilitated Damian Hale (the aforementioned millionaire) physically fit and irresistible to women – turns out to have once belonged to a former soldier, now presumed dead, whose mind has been wiped clean. »
- Bilge Ebiri
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