‘Here Alone’ director Rod Blackhurst reveals all

Interview with Director Rod Blackhurst for the film Here Alone

Here Alone was one of the best films at last summer’s Frightfest. Directed by Rod Blackhurst, Here Alone is set during the aftermath of a viral epidemic that renders the majority of the human population deranged monsters. It’s an interesting spin on the zombie genre, which has at times become a little stagnant. We enjoyed the refreshing take so much it earned our highest accolade, a full five stars.

Today the film lands in U.S cinemas and on UK iTunes. Ahead of the release we fired some questions at Blackhurst, here’s what he had to say about the project:

Interview with Director Rod Blackhurst for the film Here Alone

How would you describe Here Alone to someone not familiar with it?

People often ask me is Here Alone a genre film or an indie drama. Here’s what I tell them.
See full article at The Hollywood News »

No Highway in the Sky

No Highway in the Sky


Kl Studio Classics

1951 / B&W / 1:37 flat Academy / 99 min. / Street Date February 7, 2017 / available through Kino Lorber / 29.95

Starring : James Stewart, Marlene Dietrich, Glynis Johns, Jack Hawkins, Janette Scott, Niall MacGinnis, Kenneth More, Ronald Squire, Elizabeth Allan, Jill Clifford, Felix Aylmer, Dora Bryan, Maurice Denham, Wilfrid Hyde-White, Bessie Love, Karel Stepanek.

Cinematography: Georges Périnal

Film Editor: Manuel del Campo

Original Music: Malcolm Arnold

Written by: R.C. Sherriff, Oscar Millard, Alec Coppel from the novel by Nevil Shute

Produced by: Louis D. Lighton

Directed by Henry Koster

A few years back, whenever a desired title came up on list for a Fox, Columbia or Warners’ Mod (made-on-demand) DVD, my first reaction was disappointment: we really want to see our favorites released in the better disc format, Blu-ray. But things have changed. As Mod announcements thin out, we have seen an explosion of library titles remastered in HD.
See full article at Trailers from Hell »

8 amazing British sci-fi novels of the 1950s




From Brian Aldiss to Arthur C Clarke, 1950s Britain was rich in fantastic science-fiction novels. Here are 8 of the best...

It seems that every few years somebody announces science fiction is dead. In 2007 it was the turn of Ridley Scott, who then went on to make The Martian, so perhaps these claims should always be taken with a pinch of salt, particularly when we look back over the history of Sf writing over the years and find that it is a genre that is as much defined by current events than by any singular vision of the future.

For that reason, British science fiction in the 1950s was incredible stuff. Anxiety over the powers scientists had unleashed after the dropping the atomic bomb at the end of World War II obsessed many novelists, but so did a sense of despondency at poverty and suffering within a community
See full article at Den of Geek »

Blu-ray, DVD Release: On The Beach

Blu-ray & DVD Release Date: Aug. 26, 2014

Price: DVD $19.95, Blu-ray $29.95

Studio: Kino Lorber

Anthony Perkins, Gregory Peck and Fred Astaire in On The Beach.

The science-fiction-tinged drama On The Beach is Stanley Kramer’s 1959 film adaptation of British-Australian author Nevil Shute’s 1957 post-apocalyptic novel.

In 1964, atomic war wipes out humanity in the northern hemisphere; one American submarine—the Sawfish—finds temporary safe haven in Australia, where life-as-usual covers growing despair. . Captain Dwight Towers (Gregory Peck, The Guns of Navarone) takes the Sawfish on a mission to see if an approaching radiation cloud has weakened, but returns with grim news: the cloud is lethal. With the days and hours dwindling, each person confronts the grim situation in his or her own way. One (Fred Astaire, Easter Parade) realizes a lifetime Grand Prix ambition; another (Ava Gardner, Earthquake) reaches out for a chance at love. The final chapter of human history is coming to a close…
See full article at Disc Dish »

Filmmakers bring Fallout to cinemas

Gregory Peck and Ava Gardner in On the Beach.


When the distributor that had agreed to release Fallout pulled out, director Lawrence Johnston and producer Peter Kaufmann decided to self-distribute the documentary which celebrates the life and work of Australian novelist Nevil Shute.

That strategy entails a lot of time and effort to book cinemas but so far it.s paying off. Fallout premiered at Melbourne.s Cinema Nova on October 31 and ran for three weeks and it screened in Adelaide. The film opens on December 5 at the Dendy Newtown in Sydney and at the Arc cinemas in Canberra.

Johnston and Kaufmann are arranging four screenings at Melbourne.s Acmi in December/January and a one-off showing at the George Cinema in St Kilda on December 14. discussing with exhibitors engagements in other states. International sales are being handled by Paris-based Melimedia.

The film focuses on Shute.s most famous work,
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Atom awards for First Footprints, Jabbed, Fallout

First Footprints, Jabbed, Fallout and Once My Mother were among the winners of the 2013 Ipaf Atom awards presented in Melbourne on Thursday night.

Founded in 1982 and voted by members of the Australian Teachers of Media, the awards recognise film and media excellence in the education and screen industry sectors.

There were more than 600 entries from Australian and New Zealand media producers in 29 categories. The event was hosted by Brian Nankervis from RocKwiz. The Intellectual Property Awareness Foundation (Ipaf) was the naming sponsor this year.

Martin Butler and Bentley Dean.s First Footprints, which tells how the first Australians adapted, migrated, fought and created in dramatically changing environments, was named best documentary, general.

Sonya Pemberton.s Jabbed, which poses the questions how do you decide whether to vaccinate or not, and what are the risks?, took the award for best docu, science, technology and the environment.

Lawrence Johnston.s Fallout, which
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Power women of the 1950s: Muriel and Betty Box

In her new book Rachel Cooke re-examines the 1950s through 10 women who pioneered in their careers. In this extract she tells the stories of sisters-in-law Muriel and Betty Box, two prominent women in the British film industry

Until recently, anyone who wanted to see the film To Dorothy a Son had to lock themselves deep in the bowels of the British Film Institute off Tottenham Court Road, London, and watch it on an old Steenbeck editing machine. A little-known comedy from 1954, To Dorothy is no one's idea of a classic. It has an infuriating star in Shelley Winters, a creaky screenplay by Peter Rogers (later the producer of the Carry On series) and a set that looks as if it is on loan from a local amateur dramatics society.

We are in the home of Tony (John Gregson) and his baby-faced wife, Dorothy (Peggy Cummins). Dorothy is heavily pregnant, and confined to bed.
See full article at The Guardian - Film News »

Melbourne boosts world premiere tally

  • ScreenDaily
Melbourne boosts world premiere tally
Six of the 10 homegrown feature-length films that will have their world premieres at the Melbourne International Film Festival (Miff) have been supported by the Miff Premiere Fund, including anthology drama The Turning and Anna Broinowski’s documentary Aim High In Creation!.

Australia’s oldest and largest film festival runs from July 25 to August 11, opening with Pedro Almodóvar’s I’m So Excited! and closing with Jc Chandor’s All Is Lost, starring Robert Redford.

The 17 programme strands include activism on film and new Arabic cinema, both of which artistic director Michelle Carey says “effortlessly suggested themselves”, plus such perennial favourites as the backbeat music program, accent on Asia, night shift, international panorama and documentaries.

The Turning is an adaptation of the country’s most popular Australian book of 17 short stories set in one locale, interconnected and written by acclaimed author Tim Winton. A different person has directed each. Some are first-timers including actors David Wenham and Mia Wasikowska
See full article at ScreenDaily »

Miff to showcase six new Australian titles

Four Australian films and two feature-length documentaries will premiere at the 2013 Melbourne International Film Festival (Miff), which runs July 25 . August 11.

All were backed by the Miff Premiere Fund, which launched in 2008 and has supported more than 40 films and docos.

All told the festival will screen 310 films, 10 world premieres, 166 Australian premieres, 17 program strands, 26 forums, talks and master classes.

The curtain raiser, previously announced, is I.m So Excited! Pedro Almodóvar.s satire on contemporary Spanish society. The closer is All is Lost, the almost wordless survival-at-sea drama starring Robert Redford, writer-director J C Chandor.s follow-up to Margin Call.

Accorded the Centrepiece Gala slot is The Turning, the film adapted from the Tim Winton novel consisting of 17 chapters, each from a different director with a stellar cast led by Cate Blanchett, Rose Byrne, Hugo Weaving, Miranda Otto, Callan Mulvey, Susie Porter and Harrison Gilbertson.

The Australian Showcase section features Zak Hilditch.s These Final Hours,
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Big screen docos: what makes a documentary theatrical?

This article first appeared in If Magazine issue #150

Producer Lizzette Atkins justifies the theatrical nature of Aim High In Creation! on several levels: the scale and scope of the ideas; its experimental style; the broad interest in the closed society of North Korea; and director Anna Broinowski.s cinematic eye.

.And Anna has proven she can sustain a story for 90 minutes,. says Atkins, referring to the bold Forbidden Lie$..

If the various threads can be woven neatly together, this intriguing project could be a pearler. Cinematic propaganda is the key theme and the film follows Broinowski as she travels to North Korea to meet with that industry.s leading lights and examine former leader Kim Jong-il.s passion for cinema and the filmmaking manifesto he published. Back in Australia, applying the advice she got on a script she took with her, Broinowski makes a short about a community overcoming gas frackers . after all,
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Sandman Meditations – The Kindly Ones: Part 9

  • Boomtron
By the end of the ninth chapter of The Kindly Ones, some characters may have found things they were looking for: Rose Walker may have found her heart, and the Corinthian may have found Lyta Hall’s son, Daniel. I say “may have found” because only a fool proclaims certainties about a Sandman story before it is finished (if then!), and I aspire to be less of a fool.

Rose’s heart is left behind by Desire after their conversation. The heart is in the form of an Art Deco lighter, something cold to the touch but full of fire when sparked to life. The Corinthian finds a lot of fire when he and Matthew track down Loki and Daniel: a fireplace fire and a fire that seems to emanate from Loki as a shield and weapon. The Corinthian is strong enough to overpower Loki’s fire, to knock him
See full article at Boomtron »

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