3 items from 2016
Actress Noomi Rapace is already attached to the untitled project, which is also scripted by Sheridan (In America). It has received a production funding commitment of €540,000.
It is one of several projects backed by the Ifb as it attempts to build on what has been a successful period for the Irish film industry.
Ghost story The Lodgers, written by musician and professor of gothic literature David Turpin, has received production funding of €600,000. Directed by Brian O’Malley (Let Us Prey), it will be produced by Tailored Films (Stitches).
Described as a classic ghost story, The Lodgers tells the story of orphaned twins Edward and Rachel »
Perhaps not the most original film you’ll see all year, but very possibly the most instantly lovable, first-time filmmaker Darren Thornton’s beautifully performed, warm yet melancholic “A Date for Mad Mary” proves that “Sing Street” director John Carney does not have the Irish monopoly on highly exportable rite-of-passage dramedies. And in Seána Kerslake’s performance as the eponymous Mary (“mad” being used in its semi-admiring, semi-cautionary Irish vernacular form) he may even have an ace that Carney’s ensemble picture lacks: a barnstorming central performance, full of light and shade, that should by rights be the breakthrough Kerslake has deserved since her debut in Kirsten Sheridan’s bafflingly underseen “Dollhouse.”
Seldom have the familiar beats of the transition-to-adulthood story felt more engaging, perhaps because Thornton knows his material inside out: Having directed the Yasmine Akram play “10 Dates for Mad Mary” for stage, he has now, together with his brother Colin, »
- Jessica Kiang
In an era where Cbgb can be reborn as a themed restaurant at the Newark airport, and Iggy Pop’s musical accounts of heroin dependency can soundtrack cruise ship commercials, it’s not such a far leap to imagine the music of the Clash and the squalor of punk squats in pre-Thatcherite London serving as the backdrop for a sweetly lighthearted teenage coming-of-age tale. But that doesn’t make it any less strange.
Such is the gauntlet thrown down by Derrick Borte’s “London Town,” which follows a bright-eyed 15-year-old named Shay (Daniel Huttlestone) as he struggles to deal with some tough times in the summer of 1978, finding solace in the music, and the person, of Clash frontman Joe Strummer (Jonathan Rhys Meyers). To be sure, the film has plenty of qualities to recommend it: Meyers’ portrayal of the punk godhead is studied and exacting, from his diction to his »
- Andrew Barker
3 items from 2016
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