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2015 | 2013 | 2012 | 2011 | 2009

7 items from 2015


24 November 2015 7:44 PM, PST | Alt Film Guide | See recent Alt Film Guide news »

Norma Shearer films Note: This article is being revised and expanded. Please check back later. Turner Classic Movies' Norma Shearer month comes to a close this evening, Nov. 24, '15, with the presentation of the last six films of Shearer's two-decade-plus career. Two of these are remarkably good; one is schizophrenic, a confused mix of high comedy and low drama; while the other three aren't the greatest. Yet all six are worth a look even if only because of Norma Shearer herself – though, really, they all have more to offer than just their top star. Directed by W.S. Van Dyke, the no-expense-spared Marie Antoinette (1938) – $2.9 million, making it one of the most expensive movies ever made up to that time – stars the Canadian-born Queen of MGM as the Austrian-born Queen of France. This was Shearer's first film in two years (following Romeo and Juliet) and her first release following husband Irving G. »

- Andre Soares

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Queen of MGM: Fighting Revolutionaries, Nazis, and Joan Crawford

24 November 2015 7:38 PM, PST | Alt Film Guide | See recent Alt Film Guide news »

Norma Shearer films Note: This article is being revised and expanded. Please check back later. Turner Classic Movies' Norma Shearer month comes to a close this evening, Nov. 24, '15, with the presentation of the last six films of Shearer's two-decade-plus career. Two of these are remarkably good; one is schizophrenic, a confused mix of high comedy and low drama; while the other three aren't the greatest. Yet all six are worth a look even if only because of Norma Shearer herself – though, really, they all have more to offer than just their top star. Directed by W.S. Van Dyke, the no-expense-spared Marie Antoinette (1938) – $2.9 million, making it one of the most expensive movies ever made up to that time – stars the Canadian-born Queen of MGM as the Austrian-born Queen of France. This was Shearer's first film in two years (following Romeo and Juliet) and her first release following husband Irving G. »

- Andre Soares

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Cummings Pt.2: Working with Capra and West, Fighting Columbia in Court

5 November 2015 12:05 AM, PST | Alt Film Guide | See recent Alt Film Guide news »

Constance Cummings in 'Night After Night.' Constance Cummings: Working with Frank Capra and Mae West (See previous post: “Constance Cummings: Actress Went from Harold Lloyd to Eugene O'Neill.”) Back at Columbia, Harry Cohn didn't do a very good job at making Constance Cummings feel important. By the end of 1932, Columbia and its sweet ingenue found themselves in court, fighting bitterly over stipulations in her contract. According to the actress and lawyer's daughter, Columbia had failed to notify her that they were picking up her option. Therefore, she was a free agent, able to offer her services wherever she pleased. Harry Cohn felt otherwise, claiming that his contract player had waived such a notice. The battle would spill over into 1933. On the positive side, in addition to Movie Crazy 1932 provided Cummings with three other notable Hollywood movies: Washington Merry-Go-Round, American Madness, and Night After Night. 'Washington Merry-Go-Round »

- Andre Soares

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Jackson Returns! Two-Time Oscar Winner and Former Labour MP to Star in Zola Adaptation

2 July 2015 4:06 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »

Glenda Jackson: Actress and former Labour MP. Two-time Oscar winner and former Labour MP Glenda Jackson returns to acting Two-time Best Actress Academy Award winner Glenda Jackson set aside her acting career after becoming a Labour Party MP in 1992. Four years ago, Jackson, who represented the Greater London constituency of Hampstead and Highgate, announced that she would stand down the 2015 general election – which, somewhat controversially, was won by right-wing prime minister David Cameron's Conservative party.[1] The silver lining: following a two-decade-plus break, Glenda Jackson is returning to acting. Now, Jackson isn't – for the time being – returning to acting in front of the camera. The 79-year-old is to be featured in the Radio 4 series Emile Zola: Blood, Sex and Money, described on their website as a “mash-up” adaptation of 20 Emile Zola novels collectively known as "Les Rougon-Macquart."[2] Part 1 of the three-part Radio 4 series will be broadcast daily during an »

- Andre Soares

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Do audiences want quality movies? L.A. Earthquake Flick to Pass Domestic $100M Mark Today

8 June 2015 7:24 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »

'San Andreas' movie with Dwayne Johnson. 'San Andreas' movie box office: $100 million domestic milestone today As the old saying (sort of) goes: If you build it, they will come. Warner Bros. built a gigantic video game, called it San Andreas, and They have come to check out Dwayne Johnson perform miraculous deeds not seen since ... George Miller's Mad Max: Fury Road, released two weeks earlier. Embraced by moviegoers, hungry for quality, original storylines and well-delineated characters – and with the assistance of 3D surcharges – the San Andreas movie debuted with $54.58 million from 3,777 theaters on its first weekend out (May 29-31) in North America. Down a perfectly acceptable 52 percent on its second weekend (June 5-7), the special effects-laden actioner collected an extra $25.83 million, trailing only the Melissa McCarthy-Jason Statham comedy Spy, (with $29.08 million) as found at Box Office Mojo.* And that's how this original movie – it's not officially a remake, »

- Zac Gille

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Oscar-Nominated Film Series: Bates Suffers in Contrived, Overlong Drama About Christian Persecution of Jews

12 May 2015 7:17 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »

'The Fixer' movie with Alan Bates, Dirk Bogarde and Ian Holm (background) 'The Fixer' movie review: 1968 anti-Semitism drama wrecked by cast, direction, and writing In 1969, director John Frankenheimer declared that he felt "better about The Fixer than anything I've ever done in my life." Considering Frankenheimer's previous output – Seven Days in May, the much admired The Manchurian Candidate – it is hard to believe that the director was being anything but a good P.R. man for his latest release. Adapted from Bernard Malamud's National Book Award- and Pulitzer Prize-winning novel (itself based on the real story of Jewish brick-factory worker Menahem Mendel Beilis), The Fixer is an overlong, overblown, and overwrought contrivance that, albeit well meaning, carelessly misuses most of the talent involved while sadistically abusing the patience – and at times the intelligence – of its viewers. John Frankenheimer overindulges in 1960s kitsch John Frankenheimer »

- Andre Soares

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Every Best Picture Oscar Winner, Ranked From Worst to Best

6 May 2015 6:00 AM, PDT | Moviefone | See recent Moviefone news »

This week marks the 10th anniversary of the release of "Crash" (on May 6, 2005), an all-star movie whose controversy came not from its provocative treatment of racial issues but from its Best Picture Oscar victory a few months later, against what many critics felt was a much more deserving movie, "Brokeback Mountain."

The "Crash" vs. "Brokeback" battle is one of those lingering disputes that makes the Academy Awards so fascinating, year after year. Moviegoers and critics who revisit older movies are constantly judging the Academy's judgment. Even decades of hindsight may not always be enough to tell whether the Oscar voters of a particular year got it right or wrong. Whether it's "Birdman" vs. "Boyhood," "The King's Speech" vs. "The Social Network," "Saving Private Ryan" vs. "Shakespeare in Love" or even "An American in Paris" vs. "A Streetcar Named Desire," we're still confirming the Academy's taste or dismissing it as hopelessly off-base years later. »

- Gary Susman

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2015 | 2013 | 2012 | 2011 | 2009

7 items from 2015


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