Jay O. Sanders products
3 items from 2012
16 May 2012 3:18 AM, PDT | backstage.com | See recent Backstage news »
This project -- in which all of George Bernard Shaw's works will be performed in staged-reading format -- continues May 21 with "In Good King Charles's Golden Days," described as "an outrageous comedy about Isaac Newton, King Charles II, Nell Gwynn, and the whole gang." The cast includes Tony winners Cady Huffman and Maryann Plunkett, Sean Dugan ("Smash"), Jay O. Sanders ("Titus Andronicus"), Daniel Jenkins ("Mary Poppins"), and Christine Pedi ("Forbidden Broadway"). The Players Club, 16 Gramercy Park South, NYC. 7 p.m. $30. (212) 352-3101 or www.projectshaw.com. »
- help@backstage.com ()
20 March 2012 7:20 AM, PDT | TVLine.com | See recent TVLine.com news »
On TV this Tuesday: NCIS welcomes back Jamie Lee Curtis, Cougar Town drops a baby bombshell, New Girl Jess meets a new, older guy, Southland stages its season finale and more. In addition to TVLine’s original features (linked within), we’ve carved out nine programs you may want to check out tonight.
8 pm NCIS (CBS) | The Secretary of the Navy partners Gibbs with Dr. Samantha Ryan (returning guest star Jamie Lee Curtis) after top-secret information is leaked by someone on the inside. Sean Astin (The Lord of the Rings) also guest-stars.
8 pm 90210 (The CW) | Expect a lot of hospital »
- Matt Webb Mitovich
3 March 2012 1:36 AM, PST | MUBI | See recent MUBI news »
Quite the rave from Roberta Smith in the New York Times:
One of the best Whitney Biennials in recent memory may or may not contain a lot more outstanding art than its predecessors, but that's not the point. The 2012 incarnation is a new and exhilarating species of exhibition, an emerging curatorial life form, at least for New York.
Possessed of a remarkable clarity of vision, a striking spatial intelligence and a generous stylistic inclusiveness, it places on an equal footing art objects and time-based art — not just video and performance art but music, dance, theater, film — and does so on a scale and with a degree of aplomb we have not seen before in this town. In a way that is at once superbly ordered and open-ended, densely structured and, upon first encounter, deceptively unassuming, the exhibition manages both to reinvent the signature show of the Whitney Museum of American »
3 items from 2012
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