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6 items from 2016


AFI Honoree John Williams Looks Back on Six Decades of Iconic Themes

9 June 2016 10:00 AM, PDT | Variety - Film News | See recent Variety - Film News news »

Star Wars.” “E.T.” “Jaws.” “Indiana Jones.” “Superman.” “Harry Potter.”

Admit it: You can’t think of any one of those films without hearing the score in your head.

John Williams, who wrote all those classic themes [and dozens more] will receive the American Film Institute’s Life Achievement Award on June 9 from frequent collaborator Steven Spielberg. It will be the first such honor given to a composer in the 44-year history of the award.

“This man’s gifts echo, quite literally, through all of us, around the world and across generations,” says AFI president-ceo Bob Gazzale. “There’s not one person who hasn’t heard this man’s work, who hasn’t felt alive because of it. That’s the ultimate impact of an artist.”

Over six decades in Hollywood, Williams has written some of the most memorable music in movie history. His 100-plus features have earned 50 Academy Award nominations [making him the most-nominated living person] and he’s won five times. »

- Jon Burlingame

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Antony Gibbs, Editor of ‘Dune,’ ‘Fiddler on the Roof,’ Dies at 90

2 March 2016 11:11 AM, PST | Variety - Film News | See recent Variety - Film News news »

Antony Gibbs, a British-born film editor who cut dozens of pictures, including such ’60s classics as “Tom Jones” as well as “Fiddler on the Roof,” “Rollerball,” “Dune” and “Ronin,” died February 26. He was 90.

The Guild of British Film and Television Editors reported his death on Facebook.

Gibbs was nominated for four of the American Cinema Editors’ Eddie Awards, including for “Tom Jones” in 1964 and “Fiddler on the Roof” in 1972. He won Eddies in 1998 for his work on John Frankenheimer’s TNT miniseries “George Wallace,” starring Gary Sinise, and in 2002 for his editing of Mark Rydell’s TNT TV movie “James Dean,” starring James Franco (a film for which he also picked up an Emmy nomination). Also in 2002, he received an Ace career achievement award.

The Ace said of Gibbs in 2002: “With ‘Reindeer Games’  he continued his successful collaboration with John Frankenheimer, but his friend director Mark Rydell allowed Tony to »

- Carmel Dagan

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Remembering National Society of Film Critics Award-Winning Brazilian Superstar Pêra

10 February 2016 7:28 PM, PST | Alt Film Guide | See recent Alt Film Guide news »

Marília Pêra: Actress starred in Brazilian movie classic 'Pixote.' Marília Pêra: Brazilian film, TV and stage star Remembering Brazilian stage, television, and film star Marília Pêra, whose acting and singing career spanned more than five decades. Pêra died of lung cancer on Dec. 5, '15, in Rio de Janeiro. Born Marília Soares Pêra on Jan. 22, 1943, in Rio, she was 72 years old. 'Pixote' prostitute Internationally, Marília Pêra is best known as the loud, vulgar prostitute Sueli, who becomes acquainted with São Paulo street kid Fernando Ramos da Silva in Hector Babenco's well-received social drama Pixote / Pixote: A Lei do Mais Fraco (1981),[1] a fierce indictment of Brazilian society's utter disregard for its disadvantaged members. In one pivotal – and widely talked about scene – she lets the titular character (da Silva, at the time 12 years old)[2] suckle her breast. In another, she pulls down her panties and sits in »

- Andre Soares

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Oscar-winning cinematographer Vilmos Zsigmond has died by Anne-Katrin Titze - 2016-01-05 22:58:54

5 January 2016 2:58 PM, PST | eyeforfilm.co.uk | See recent eyeforfilm.co.uk news »

Vilmos Zsigmond shot François Truffaut and Bob Balaban in Close Encounters Of The Third Kind

Cinematographer Vilmos Zsigmond, who won an Oscar for his work on Steven Spielberg’s Close Encounters Of The Third Kind, died on New Year's Day at his home in Big Sur, California at the age of 85. The legendary collaborator with Robert Altman (McCabe And Mrs. Miller, The Long Goodbye), Brian De Palma (Blow Out. Obsession, The Bonfire Of The Vanities) and Woody Allen (Cassandra’s Dream, You Will Meet A Tall Dark Stranger, Melinda And Melinda), also received Oscar nominations for Michael Cimino’s The Deer Hunter, Mark Rydell's The River and De Palma's The Black Dahlia. The Cannes Film Festival in 2014 presented him with a Lifetime Achievement Award.

Vilmos Zsigmond, with fellow cinematographer Yuri Neyman (Liquid Sky) founded the Global Cinematography Institute in 2012. Two-time Oscar-winning cinematographer Haskell Wexler for Hal Ashby's »

- Anne-Katrin Titze

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Vilmos Zsigmond Dies: Oscar-Winning Cinematographer Was 85

3 January 2016 7:15 PM, PST | Deadline | See recent Deadline news »

Updated With Statement from Cinematographers Guild president 11:31 Am and 7:15 Pm: Cinematographer Vilmos Zsigmond, winner of an Oscar for Steven Spielberg’s Close Encounters Of The Third Kind, has died. The Hungarian-born Zsigmond was 85 and passed away New Year’s Day. Zsigmond was also Oscar nominated for Michael Cimino’s The Deer Hunter, Mark Rydell’s The River and Brian De Palma’s The Black Dahlia. He rose to fame with a string of iconic 1970s movies including Robert… »

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Vilmos Zsigmond, Oscar-Winning Cinematographer, Dies at 85

3 January 2016 10:36 AM, PST | Variety - Film News | See recent Variety - Film News news »

Hungarian-born cinematographer Vilmos Zsigmond, winner of an Oscar for his achievements on “Close Encounters of the Third Kind” and a nominee for “The Deer Hunter,” “The River” (1984) and the “The Black Dahlia” (2006), has died at 85. His business partner Yuri Neyman said he died January 1.

Over a period of five decades in Hollywood, his other outstanding achievements included “Deliverance,” “Blow Out,” “The Ghost and the Darkness” and such Robert Altman films as “McCabe and Mrs. Miller” and “The Long Goodbye.” And he considered it the ultimate compliment that no two of his movies looked alike.

Working into his eighties, Zsigmond also shot a number of episodes of the Fox sitcom “The Mindy Project” from 2012-14. Zsigmond ranked among the 10 most influential cinematographers in film history in a 2003 survey conducted by the International Cinematographers Guild.

Belying his comment to Rolling Stone that “a cinematographer can only be as good as the director, »

- Carmel Dagan

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6 items from 2016


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