10 items from 2016
The 2016 New York Film Festival line-up has arrived, and as usual for the festival, it’s an amazing slate of films. Along with the previously announced The 13th, 20th Century Women, and The Lost City of Z, there’s two of our Sundance favorites, Manchester By the Sea and Certain Women, as well as the top films of Cannes: Elle, Paterson, Personal Shopper, Graduation, Julieta, I, Daniel Blake, Aquarius, Neruda, Sieranevada, Toni Erdmann, and Staying Vertical. As for other highlights, the latest films from Hong Sang-soo, Barry Jenkins, and Matías Piñeiro will also screen.
Check it out below, including our reviews where available.
Directed by Ava DuVernay
The title of Ava DuVernay’s extraordinary and galvanizing documentary refers to the 13th Amendment to the Constitution, which reads “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, »
- Jordan Raup
In Jean Pierre and Luc Dardenne’s very best films, you know exactly what you’re getting — until the quiet dramatic pivot that gently ensures you don’t. In “The Unknown Girl,” only the first half of that assessment is true, though what we get is largely exemplary: a simple but urgent objective threaded with needling observations of social imbalance, a camera that gazes with steady intent into story-bearing faces, and an especially riveting example of one in their gifted, toughly tranquil leading lady Adèle Haenel. What’s missing, however, from this stoically humane procedural tale of a guilt-racked Gp investigating a nameless passer-by’s passing, is any great sense of narrative or emotional surprise: It’s a film that skilfully makes us feel precisely what we expect to feel from moment to moment, up to and including the long-forestalled waterworks. Though it will receive the broad distribution practically guaranteed »
- Guy Lodge
The distributor has picked up Us rights to newly announced Cannes selections Graduation and The Unknown Girl.
Adrian Titieni, Maria Dragus and Lia Bugnar star. Mungiu’s Mobra Films produced with Jean-Pierre and Luc Dardenne of Films du Fleuve; Pascal Caucheteux and Grégoire Sorlat of Why Not Productions; Vincent Maraval of Wild Bunch; and Jean Labadie of Le Pacte. Tudor Reu is executive producer.
Adele Haenel, Jeremie Renier, Olivier Gourmet, Fabrizio Rongione and Thomas Doret star in the story about a young doctor who investigates the identity of a mysterious dead body. Denis Freyd and the Dardennes produced.
The buys bring to four the number of Cannes competition selections in the »
- firstname.lastname@example.org (Jeremy Kay)
Sundance Selects has acquired U.S. rights from Wild Bunch to a pair of films in competition at the Cannes Film Festival — Cristian Mungiu’s “Graduation” and Jean-Pierre and Luc Dardenne’s “The Unknown Girl.”
Sundance Selects made the announcement Thursday, shortly after the Cannes official selection lineup was unveiled.
The distributor noted that it had already acquired U.S. rights to another Cannes competition title with Nicole Garcia’s “From the Land of the Moon” while its sister company IFC Films has Olivier Assayas’ “Personal Shopper” in competition.
“Graduation,” directed and written by Mungiu, stars Adrian Titieni, Maria Dragus and Lia Bugnar. The film was produced by Mungiu’s Mobra Films; Jean-Pierre and Luc Dardenne of Films du Fleuve; Pascal Caucheteux and Grégoire Sorlat of Why Not Productions; Vincent Maraval of Wild Bunch; and Jean Labadie of Le Pacte.
The film is a family drama that centers on themes »
- Dave McNary
It was only a few days ago when we shared the first images from Le Fils de Joseph, the latest drama Eugène Green, his follow-up to La Sapienza, which was sadly overlooked last year — at least in the United States. Led by Mathieu Amalric, Fabrizio Rongione (La Sapienza; Two Days, One Night), Natacha Régnier, Victor Ezenfis, and Maria de Medeiros, we now have the first trailer for the drama. While it is without any subtitles yet, that isn’t a problem when it comes to witnessing more vibrant cinematography from the director.
While at Berlin, Guy Lodge quite liked the film, writing for Variety, “No one behaves quite like a human being in Eugene Green’s “Le Fils de Joseph,” yet a soulful sense of humanity emerges from their heightened declamations anyway. Though it’s still steeped in its maker’s very particular formalities of language and performance, this honey-drizzled, »
- Jordan Raup
There are few better ways to predict the Cannes lineup than looking up whatever Wild Bunch are soon putting out. The French production outfit earns as much attention as anyone around mid-May, and there are at least two in-development titles that have caught our attention — though you wouldn’t necessarily expect that they have the same people working behind the scenes.
They are The Red Turtle, a co-production with Studio Ghibli directed by Michaël Dudok de Wit, and Blood Father, a thriller directed by Jean-François Richet that stars Mel Gibson, William H. Macy, Diego Luna, Michael Parks, and Erin Moriarty (The Kings of Summer, Jessica Jones), among others. Then there’s Le Fils de Joseph, from Eugène Green — whose La Sapienza was one of my ten favorite movies from last year — and starring Mathieu Amalric, Fabrizio Rongione (La Sapienza; Two Days, One Night), Natacha Régnier, Victor Ezenfis, and Maria de Medeiros »
- Nick Newman
In today's Berlinale Diary entry, I offer first impressions of Eugène Green's Le Fils de Joseph with Victor Ezenfis, Natacha Régnier, Fabrizio Rongione, Mathieu Amalric and Maria de Medeiros; Wang Bing's Ta'ang, a documentary on refugees crossing the border from Myanmar into China; Yang Chao's years-in-the-making Crosscurrent with Qin Hao, Xin Zhi Lei, Wu Lipeng, Wang Hongwei and Jiang Hualin; and Rafi Pitts's Soy Nero with Johnny Ortiz, Rory Cochrane, Aml Ameen, Darrell Britt-Gibson and Michael Harney. » - David Hudson »
No one behaves quite like a human being in Eugene Green’s “Le Fils de Joseph,” yet a soulful sense of humanity emerges from their heightened declamations anyway. Though it’s still steeped in its maker’s very particular formalities of language and performance, this honey-drizzled, farcically funny fable of an unhappy teenager seeking a father — first the one he has, then the one he deserves — could prove to be Green’s most commercially accessible work, even among arthouse auds not necessarily attuned to its millefeuille layering of theological symbolism. (Its mirthful contemporary remix of the Nativity story, however, surely can’t escape anyone’s notice.) Green makes films for anyone willing to enter his peculiar universe of expressive purity and (mostly) suspended cynicism, to which “Joseph” reps one of his most beguiling invitations.
This is Green’s first team-up with producers Jean-Pierre and Luc Dardenne, whose increasingly catholic arthouse »
- Guy Lodge
La Fille inconnue
Directors: Jean-Pierre and Luc Dardenne
Writers: Jean-Pierre and Luc Dardenne
The two-time Palme d’Or winning Belgian duo Jean-Pierre and Luc Dardenne (Rosetta; L’Enfant) take our top spot for most anticipated foreign film of 2016. Like their last two features, the directors have cast a well-known actress, Adèle Haenel (recently winning her second Cesar for Love at First Fight) for their latest feature, La Fille inconnue (The Unknown Girl) (Cecile de France centered 2011’s Kid with a Bike while Marion Cotillard mastered 2014’s Two Days, One Night). Haenel stars as a young general practitioner who feels severe guilt about not providing surgery for a young woman who is found dead a short while after. Confirming the girl’s identity is a mystery, the Gp is determined to find out what happened and who she is.
Production Co. »
- Nicholas Bell
Director: Eugène Green
Writer: Eugène Green
American born French director Eugène Green usually premieres his films at Locarno, though despite critical acclaim many fail to get considerable attention in the Us (of note, his last film 2014’s La Sapienza, also starring Belgian Fabrizio Rongione, was distributed by Kino Lorber). His latest film, Le fils de Joseph (Joseph’s Son), is described by the director as having allusions to the Bible whilst meanwhile being a topical narrative wrapped up in elements of film noir. And it boasts an incredibly prolific cast. The story revolves around a young man (Ezenfis) who lives with his mother (Régnier). Having never known his father, he heads off to look for him. He finds a cynical and Machiavellian man (Amalric) who works as a publisher in Paris. After he attempts to kill him, he will then find filial love thanks to his uncle (Rongione).
Cast: Mathieu Amalric, »
- Nicholas Bell
10 items from 2016
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