2 items from 2014
Feature Alex Westthorp 19 Feb 2014 - 07:00
The BBC's contemporary take on Arthur Conan Doyle's short stories has made Sherlock the most popular television drama series in many years. Benedict Cumberbatch has made Sherlock his own, his approach to the role as radical for the current era as the late, great Jeremy Brett's was a generation ago. Martin Freeman has banished our memories of his role as Tim Canterbury in Ricky Gervais and Stephen Merchant's The Office, with his wonderful re-assessment of Dr John Watson. The corporation is making the most of the Conan Doyle franchise. After from two rather lacklustre yuletide cases, firstly with Richard Roxburgh in 2002 then Rupert Everett in 2004; they finally have a hit on their hands. The benchmark hitherto has always been Granada Television »
Although Hammer Films will always be associated with British horror, the studio did have stiff competition. Amicus specialised in the successful horror anthologies and Us counterparts American International Pictures established a permanent UK base in the mid sixties. Other smaller independents took their own bite from the cherry tree of horror with some success, the best known being Tigon Films.
Tigon has received some belated recognition in recent years. Andy Boot’s book on British horror Fragments of Fear devotes a chapter to the company while John Hamilton’s excellent book Beast in the Cellar covers the varied career of Tigon’s charismatic founder Tony Tenser.
Like Hammer’s Sir James Carreras, Tenser was one of the British Film Industry’s great entrepreneurs. Born in London to poor Lithuanian immigrants and a movie fan since childhood, he was an ambitious man with a natural talent for showmanship. Combining shrewd business »
2 items from 2014
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