8 items from 2014
The history of the New York Review of Books is incisively celebrated and distilled by co-directors Martin Scorsese and David Tedeschi in “The 50 Year Argument,” which takes us behind the scenes of editor Robert Silvers’ storied weekly and finds, to its great reassurance, an American cultural Goliath little affected by the tectonic shifts that have reduced so much print media to rubble. Enlivened by new and vintage interviews with Nyrb contributors who recount the stories behind their stories, this sharply etched, admittedly specialized portrait (first shown as a work-in-progress at this year’s Berlin Film Festival) should find its natural home on HBO, where it premieres Oct. 6.
To tell the story of the Nyrb is in many ways to revisit six decades of tumultuous political and cultural affairs — those that the Review was born out of (specifically, the 1963 New York newspaper strike) and those it has reported on with a »
- Scott Foundas
The reemergence of Giorgio Moroder to mainstream prominence over the last year has been one of the great unexpected gifts for music enthusiasts. In the wake of his seemingly inevitable collaboration with dance icons Daft Punk, Moroder has been collaborating, remixing, and working on new material of his own—not to mention DJing live for the first time in his storied career. In the process he has introduced himself to a new generation of fans, rightly receiving his due as an influential producer and sonic innovator. But what has yet to be widely recognized is the thumbprint Moroder has left on modern film composing. His iconic, Oscar-winning scores and songs for many of the biggest films of the late-1970s and ‘80s (Midnight Express, Top Gun) have long since entered the pantheon, but with the recent popularity of nostalgia-fueled films such as Nicolas Winding Refn’s Drive, Moroder’s influence »
- Jordan Cronk
Divergent, whatever you think of it as a movie (I found it to be your basic, agreeably rousing sensitive-teen-in-Amish-linen-finds-her-inner-tattooed-jock-to-fight-the-power formula dystopian thriller), is, like the young-adult novel it’s based on, a piece of pulp mythology that obviously borrows a lot from The Hunger Games. The heroine who hails from a downtrodden district or, in this case, a faction (Abnegnation) that prizes self-sacrifice; the fascist schemers up top; the whole gym-class-on-steroids feeling of a seemingly normal girl who rises to a series of death-defying physical challenges; and, of course, the sense that the heroine can accomplish all this because, while ordinary on the surface, »
- Owen Gleiberman
The Oscars are coming Sunday, so get ready for controversy. No, not about politics, Woody Allen or even the Oscar results. Every year, one of the show’s most beloved segments, and the one that stirs up the most heated debates is the In Memoriam sequence.
An online petition is requesting that the Oscar segment include Sarah Jones, the 27-year-old Atlanta crew member killed by a train while filming “Midnight Rider.” That petition is touching and heartfelt, and I agree that any worker, in any field, deserves special recognition if he or she died in the line of duty.
But it would be unprecedented to include a crew member whose name is not widely known. Bottom line: Every person shown in the segment will deserve to be there. But not every deserving person Will be there, because time is limited. Academy reps are nearly always mum about who is included. »
- Tim Gray
A suspect package puts DC on lockdown, meaning Frank has to sit and watch Claire's revelations on live TV. But will her evasions stand up to scrutiny?
Spoiler alert: we are recapping House of Cards on Mondays, Wednesdays and Fridays. Please do not leave spoilers for future episodes if you have seen further ahead.
Stuart Jeffries' episode three blogpost is here
Is there such a thing as a Machiavellian feminist? One who uses whatever power she has to, say, take down the man who raped her? Even if she has to lie, or at least be economical with the truth, to nail him? What was it Francis Urquhart used to say on the UK version of House of Cards all those years ago? "You might very well think that; I couldn't possibly comment."
In the fourth episode, we were confronted by the personification of this possibility when, during a TV interview, »
- Stuart Jeffries
The daughter of Olympic athlete Jesse Owens, Marlene Owens Rankin, was at the Berlin Olympic Stadium on Thursday to attend the international sales launch of “Race,” the biopic about her father. Variety spoke to her and Stephen Hopkins, the director of the film, whose cast Jeremy Irons and Geoffrey Rush have just joined.
Owens Rankin, sitting yards from the spot where Adolf Hitler watched the 1936 Olympics in which Owens won four gold medals, said the film can deliver an uplifting message to young moviegoers.
The message “is about the human spirit — about its endurance and vulnerability — but also the success you can achieve when you are motivated, and persevere in the face of adversity,” she said. “So, hopefully, kids who are underachieving and who lack hope will be motivated by his life and successes in spite of all he went through.”
The film, which was being introduced to buyers for »
- Leo Barraclough
This story first appeared in the Feb. 7 issue of The Hollywood Reporter magazine. It's where Fritz Lang premiered Metropolis and where Leni Riefenstahl premiered Triumph of the Will. When it opened in 1915, it was called Filmpalast am Zoo -- because it was located next to the zoo -- then changed to the Ufa Palast and finally Zoo Palast. By any name, though, it's been the center of German cinema for nearly a century. Story: How George Clooney Faked Da Vinci's 'Last Supper' for 'Monuments Men' Allied bombings flattened the theater in 1943, but it was rebuilt in 1955 and became a symbol of
- Scott Roxborough
In his documentaries “My Kid Could Paint That” and “The Tillman Story,” Amir Bar-Lev zeroed in on the difference between the public perception of a scandal and the private truth of the matter — a theme that serves him no less effectively in “Happy Valley,” a gripping inquiry into the revelations of sexual abuse that shocked the U.S. and devastated Penn State’s storied football program. Rather than focusing primarily on Jerry Sandusky’s crimes, the film broadens in scope and complexity to examine the assumptions of an entire community, as well as the football-first culture that allowed evil to flourish in its midst. Distinguished by its measured, analytical approach and revelatory testimony from Sandusky’s adopted and abused son, Matt, this nuanced but quietly excoriating work merits widespread exposure, and could be especially well timed to coincide with the still-ongoing court proceedings against three former university administrators.
The acts »
- Justin Chang
8 items from 2014
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners