Ralph Richardson was one of the greatest actors of the 20th Century English-language theater, ascending to the height of his profession in the mid-1930s when he became a star in London's West End. He became the first actor of his generation to be knighted. He became Sir Ralph in 1947 and was quickly followed Laurence Olivier in 1948 and then by by John Gielgud in 1953. Co-stars and friends, the three theatrical knights were considered the greatest English actors of their generation, primarily for their mastery of the Shakespearean canon. They occupied the height of the British acting pantheon in the post-World War II years.IMDb Mini Biography By: Jon C. Hopwood
|Meriel Forbes||(26 January 1944 - 10 October 1983) (his death) 1 child|
|Muriel Hewitt||(August 1924 - 5 October 1942) (her death)|
He often played proud patriarchs and authority figures
His rich baritone voice
Hobby was collecting motorbikes.
Knighted in 1947.
Interred at Highgate Cemetery (East), Highgate, London, England, UK.
The son of a Quaker father and a Roman Catholic mother, Ralph Richardson lived with his mother after she deserted the family home in Gloucestershire, and was raised Catholic by her.
Once found by police walking very slowly along the gutter of an Oxford street, he explained he was taking his pet mouse for a stroll.
He was awarded the Laurence Olivier Theatre Special Award in 1982 (1981 season) for his lifetime achievement in the theatre.
Played two roles originally played by Basil Rathbone. He played Karenin in Anna Karenina (1948) (Rathbone was Karenin in the 1935 Anna Karenina (1935) film version). Richardson also played Dr. Sloper in The Heiress (1949) after Rathbone had played Sloper in the Broadway stage version.
Was nominated three times for Broadway's Tony Award as Best Actor (Dramatic): in 1957, for "The Waltz of the Toreadors" in 1971, for "Home" and, in 1977, for "No Man's Land" -- but never won.
Was offered the part of Lord Bartelsham (played by Richard Vernon) in Ripping Yarns: Roger Of The Raj, but could not agree to terms and conditions.
Was part of a trio of great English stage actors, the other two being Laurence Olivier and John Gielgud. They appeared in several scenes together in the epic mini series "Wagner" (1983), which was released shortly after Richardson's death.
Was originally considered for one of the leading roles of Lady L (1965).
Famously eccentric, he once stopped in a middle of a stage performance, and addressed the audience enquiring "Is there a doctor in the house?" When a doctor made himself known, Richardson calmly enquired "Isn't this a terrible play, doctor ?".
Acting on the screen is like acting under a microscope. The slightest movement becomes a gesture and therefore the discipline has to be very severe.
I don't like my face at all. It's always been a great drawback to me.
I've never been one of those stage chaps who scoff at films. I think they're a marvellous medium, and are to the stage what engravings are to paintings.
My idea of a director is a chap who puts me in the middle of a stage and shines a bright light on me.
The art of acting lies in keeping people from coughing.
Actors never retire; they just get offered fewer parts.
Film is a wonderful medium and I love it, but I find that I cannot increase my talent by working in pictures, any more than a painter can do so by increasing the size of his brush.
I have put on so many make-ups that sometimes I have feared that when I go to wipe it off there will be nobody left underneath.
You've got to perform in a role hundreds of times. In keeping it fresh one can become a large, madly humming, demented refrigerator.
Acting is the ability to dream on cue.
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