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2 items from 2017

‘Inside Psycho’ Review: The Classic Hitchcock Film’s Origin Story is a Wicked Twist on Hollywood and True Crime Podcasts

28 March 2017 8:30 AM, PDT | Indiewire | See recent Indiewire news »

Mark Ramsey knows that it’s sometimes best to hide the star of the show until the moment is absolutely right. It’s why, in the first episode of “Inside Psycho,” a new six-part series about the birth, production and aftermath of the 1960 horror classic, you won’t hear the words “shower” or “Leigh” or “Hitchcock” or “Universal.”

It’s a particularly striking debut, not just because of the delayed introduction of the expected cast of characters. In opening this “Psycho” origin story with a 25-minute overview of the life and crimes of Plainfield, Wisconsin serial killer Ed Gein, Ramsey makes an early case that the best path to understanding the film is via a circuitous route, one with an ever-changing narrative perspective. And plenty of “Mother.”

This trail, particularly in its opening salvo, is unapologetically soaked in goo and gore. (“The following contains mature content,” Ramsey explains at the top of the premiere. »

- Steve Greene

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Vertigo Screens at The Hi-Pointe Saturday Morning – Here are Alfred Hitchcock’s Ten Best Movies

7 March 2017 5:59 PM, PST | | See recent news »

Article by Jim Batts, Dana Jung, and Tom Stockman

Alfred Hitchcock’s Vertigo screens at St. Louis’ fabulous Hi-Pointe Theater this weekend as part of their Classic Film Series. It’s  Saturday, March 11th at 10:30am at the Hi-Pointe located at 1005 McCausland Ave., St. Louis, Mo 63117. The film will be introduced by Harry Hamm, movie reviewer for Kmox. Admission is only $5

This gives us a perfect excuse to re-run this top ten list so here, according to We Are Movie Geeks, are Alfred Hitchcock’s ten best films:


Frenzy, Hitchcock’s next to last feature film from 1972, represented a homecoming of sorts since it was the first film completely shot in his native England since his silents and early ” talkies ” in the 1930’s. By dipping into the then somewhat new territory of serial killers, he took full advantage of the new cinema freedoms and truly earned his ‘ R ‘ MPAA rating. »

- Tom Stockman

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