In Anna May Wong’s day though, this was standard practice. In spite of this idotiic, pig-headed racism shown to her by studio bosses, Wong carved out an enviable career for herself, becoming the world’s first Asian-American star. She cut her acting teeth playing alongside the inimitable Douglas Fairbanks in The Thief of Bagdad (1924); Shanghai Express (1932) saw her upstage Marlene Dietrich in the slinky seductress stakes. After all that, Hollywood’s ridiculous Hays Code forbade her to share an on-screen kiss with
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