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2014 | 2013 | 2012 | 2011 | 2010 | 2009

6 items from 2014

The 20 Best Film Scores of 2014

31 December 2014 12:49 PM, PST | SoundOnSight | See recent SoundOnSight news »

It’s been a great year for film music. I say that as someone who had to endure the laughably dated qualities of Alberto Iglesias’ Exodus: Gods and Kings and had to swallow the pill that is Howard Shore‘s latter days Middle-earth music.

But it has been a great year. Clint Mansell gave us haunting, complex soundscapes in Noah, the Alexandre Desplat Hive Mind unleashed another five feature-length scores on the planet, and we even got a peak at John Williams‘ forthcoming music in that Star Wars trailer.

So what was the best of the bunch? For simplicity’s sake, I’ve limited this list to movies with U.S. theatrical runs in 2014. When possible, I’ve also linked to our reviews and select cues on Spotify, although you’ll note the occasional YouTube or SoundCloud embed as well. Let’s do this:

20. HornsRobin Coudert

Every few years, »

- David Klein

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Eastern Boys movie review: pretty boy

5 December 2014 4:10 AM, PST | www.flickfilosopher.com | See recent FlickFilosopher news »

Repugnant drama about the tender relationship between a man who pays for sex and the boy he hires. At least Pretty Woman pretended to be a fairy tale. I’m “biast” (pro): nothing (at least before the film started and I realized what it was about)

I’m “biast” (con): nothing

(what is this about? see my critic’s minifesto)

I have no sympathy for men who pay for sex. I have even less sympathy for men who delude themselves into thinking that the people they are paying for sex actually enjoy it and want to be letting the man paying do what he’s doing. (We can test that! Let’s level the playing field and ensure that everyone can make a decent living without having to accept money from strangers in exchange for access to their bodies. And then we’ll see just how many women »

- MaryAnn Johanson

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Horses gallops to Brussels victory

17 June 2014 5:43 AM, PDT | ScreenDaily | See recent ScreenDaily news »

Icelandic director Bendikt Erlingsson’s Of Horses And Men won the Golden Iris Award, the top prize at the 12th Brussels Film Festival.Scroll down for full list of winners

Of Horses And Men won €10,000 ($13,600) and beat out 11 other competitors at the festival, which ran from June 6-14.

The drama about the deep relationships between members of a small Icelandic community and their horses debuted in Iceland last August and has toured the festival circuit ever since, beginning with the San Sebastian Film Festival in September. It was released in the UK last weekend.

Other notable winners included Swedish director Anna Odell’s The Reunion, which won the White Iris Award for best first film, as well as €2,500 ($3,400).

Odell’s feature about her imagined high school reunion picked up two other prizes at the festival, the Fedex Cinephile Award and the Rtbf TV Prize of Best Film.

Another film that scooped multiple awards was Farewell To The »

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Award Winners for Brussels Film Festival Announced with Top Honors to 'Of Horses and Men'

16 June 2014 10:59 AM, PDT | Indiewire | See recent Indiewire news »

The recently wrapped Brussels Film Festival in Belgium has announced its jury award winners, headlined by Icelandic film "Of Horses and Men" taking home Best Film. The jury that selected the winning features was made up of industry stars with actors Hande KodjaAnita KravosOlivier RabourdinFabrizio Rongione and singer/songwriter Raphaël. Directed by Benedikt Erlingsson, "Of Horses and Men" tells six interwoven fables about rural life in Iceland. It was submitted for Foreign Language Oscar consideration, but was unselected.  Other awards distributed included the Best First Feature title, which went to Swede Anna Odell for "The Reunion," an imagined autobiography focusing on what could have happened if fine-artist Odell had gone to her class reunion, which she was not invited to in real life. The 13th Brussels Film Festival will take place from the 5th to the 13th of June 2015 in Flagey. Check out the full slate of awards. »

- Brandon Latham

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Rosemary's Baby review: Night 1 & Night 2

18 May 2014 1:30 AM, PDT | Den of Geek | See recent Den of Geek news »

Was NBC's updated Rosemary's Baby a failed experiment? Holly reviews the 2-part horror miniseries...


This review contains spoilers.

1.1 Night 1 & 1.2 Night 2

“The devil has many faces,” a frantic priest warns Rosemary Woodhouse shortly before meeting his end at the hands of a horned stranger with CGI blue eyes and a goat-headed cane. It’s a sequence that encapsulates the ham-fisted horror of director Agnieszka Holland’s two-part miniseries Rosemary’s Baby.

Though debatably unfair, comparisons to Roman Polanski’s classic 1969 film of the same name plague this gratuitous adaptation. Technically, this incarnation is based upon the book by Ira Levin rather than a remake of the original film, but with such a formidable precedent, it’s inevitable that Holland’s version is under the microscope.

Zoe Saldana’s take on Rosemary is not without merit, initially bringing a sharp independence to the lead role. Up until now, in fact, Rosemary has been supporting her husband, »

- louisamellor

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TV Review: ‘Rosemary’s Baby’

7 May 2014 7:30 AM, PDT | Variety - TV News | See recent Variety - TV News news »

It’s been nearly two generations since Roman Polanski’s “Rosemary’s Baby” creeped-out moviegoers (while being the stuff of several juicy chapters on celebrity gossip), making a redo more than logical. Into the breach toddles NBC’s four-hour miniseries, an old-fashioned May sweeps come-on that awkwardly puts four days between its two parts. Steeped in gore but deprived of atmosphere, this update on the Satanic classic suffers from its contemporary setting and attendant improvements in obstetrics, while feeling closer in tone to a remake of “The Omen” than of its namesake. Give the network credit for a promotable title and star in Zoe Saldana, but beyond that, well, the Devil’s in the details.

While comparisons to the earlier movie are largely a waste of time, there are two fundamental problems here with the central roles: Mia Farrow’s title character seemed fragile and waif-like, while John Cassavetes — whose »

- Brian Lowry

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2014 | 2013 | 2012 | 2011 | 2010 | 2009

6 items from 2014

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