4 items from 2014
Icelandic director Bendikt Erlingsson’s Of Horses And Men won the Golden Iris Award, the top prize at the 12th Brussels Film Festival.Scroll down for full list of winners
Of Horses And Men won €10,000 ($13,600) and beat out 11 other competitors at the festival, which ran from June 6-14.
The drama about the deep relationships between members of a small Icelandic community and their horses debuted in Iceland last August and has toured the festival circuit ever since, beginning with the San Sebastian Film Festival in September. It was released in the UK last weekend.
Other notable winners included Swedish director Anna Odell’s The Reunion, which won the White Iris Award for best first film, as well as €2,500 ($3,400).
Odell’s feature about her imagined high school reunion picked up two other prizes at the festival, the Fedex Cinephile Award and the Rtbf TV Prize of Best Film.
Another film that scooped multiple awards was Farewell To The »
The recently wrapped Brussels Film Festival in Belgium has announced its jury award winners, headlined by Icelandic film "Of Horses and Men" taking home Best Film. The jury that selected the winning features was made up of industry stars with actors Hande Kodja, Anita Kravos, Olivier Rabourdin, Fabrizio Rongione and singer/songwriter Raphaël. Directed by Benedikt Erlingsson, "Of Horses and Men" tells six interwoven fables about rural life in Iceland. It was submitted for Foreign Language Oscar consideration, but was unselected. Other awards distributed included the Best First Feature title, which went to Swede Anna Odell for "The Reunion," an imagined autobiography focusing on what could have happened if fine-artist Odell had gone to her class reunion, which she was not invited to in real life. The 13th Brussels Film Festival will take place from the 5th to the 13th of June 2015 in Flagey. Check out the full slate of awards. »
- Brandon Latham
Was NBC's updated Rosemary's Baby a failed experiment? Holly reviews the 2-part horror miniseries...
This review contains spoilers.
1.1 Night 1 & 1.2 Night 2
“The devil has many faces,” a frantic priest warns Rosemary Woodhouse shortly before meeting his end at the hands of a horned stranger with CGI blue eyes and a goat-headed cane. It’s a sequence that encapsulates the ham-fisted horror of director Agnieszka Holland’s two-part miniseries Rosemary’s Baby.
Though debatably unfair, comparisons to Roman Polanski’s classic 1969 film of the same name plague this gratuitous adaptation. Technically, this incarnation is based upon the book by Ira Levin rather than a remake of the original film, but with such a formidable precedent, it’s inevitable that Holland’s version is under the microscope.
Zoe Saldana’s take on Rosemary is not without merit, initially bringing a sharp independence to the lead role. Up until now, in fact, Rosemary has been supporting her husband, »
It’s been nearly two generations since Roman Polanski’s “Rosemary’s Baby” creeped-out moviegoers (while being the stuff of several juicy chapters on celebrity gossip), making a redo more than logical. Into the breach toddles NBC’s four-hour miniseries, an old-fashioned May sweeps come-on that awkwardly puts four days between its two parts. Steeped in gore but deprived of atmosphere, this update on the Satanic classic suffers from its contemporary setting and attendant improvements in obstetrics, while feeling closer in tone to a remake of “The Omen” than of its namesake. Give the network credit for a promotable title and star in Zoe Saldana, but beyond that, well, the Devil’s in the details.
While comparisons to the earlier movie are largely a waste of time, there are two fundamental problems here with the central roles: Mia Farrow’s title character seemed fragile and waif-like, while John Cassavetes — whose »
- Brian Lowry
4 items from 2014
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