2 items from 2015
Directed by Albert Pyun
In the future, a dangerous plague wipes out much of humanity, civilization crumbling away with it. Enter the pirates, gangs that reap barbaric pleasure out of rape and pillage. One such faction is led by the Goliath-like figure of Fender (Vincent Klyn), a psychotic individual seeking to intercept a female cyborg, Pearl (Dayle Haddon), traversing the United States to Atlanta and carrying the secret medicinal knowledge that will help the country’s few remaining doctors determine a cure to the deadly virus. Dayle cannot make the journey alone, requiring the help of tracker Gibson (Jean-Claude Van Damme) a man wrestling with his own demons and wanting to settle a score with the nefarious Fender.
Right from the opening minutes it is abundantly clear that the filmmakers wish to ape the general tone and aesthetic »
- Edgar Chaput
In the summer of 1977, James Cameron, like lots of other people that year, went to the cinema and watched Star Wars. But unlike so many others, Cameron didn't feel elation as the room went dark and the first space ship soared overhead - he felt a shiver of mild panic.
"My reaction to it was not, 'Oh, wow, that's cool. I want to see more,'" he later recalled. "It was, 'Oh wow, I better get off my butt because somebody is doing this stuff, you know, and they're beating me to it.'"
Within one year, the 24-year-old Cameron had borrowed some money from a consortium of dentists looking for a tax break, and with it, made the short film Xenogenesis. That film and its title (which could »
2 items from 2015
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