9 items from 2014
The Terminator was released 30 years ago this weekend—but our Hillary Busis hadn’t seen it until this past week. (Of course, she's not alone; everyone has at least one shameful gap in their pop cultural knowledge. So we opened up the question to our staffers: What’s a classic (or "classic") film that you’ve missed? Read through our choices—and feel free to chime in with your own. Kyle Ryan, EW.com editor: It won Best Picture in 1962 and is No. 7 on the AFI's "100 best films" list, but not only have I never seen Lawrence of Arabia, I »
- EW staff
Dennis Lehane has had a more charmed run that most authors, watching his superb novels Mystic River, Gone Baby Gone and Shutter Island get turned into fine movies. Now he’s adapted one of his short stories into the Fox Searchlight drama The Drop, with Bullhead helmer Michael R. Roskam launching the film at Toronto last night and a cast led by Tom Hardy, James Gandolfini, Noomi Rapace, Bullhead‘s Matthias Schoenarts and John Ortiz. Here, Lehane discusses what it’s like to have his dialogue made better by great actors, and what Hollywood owes authors in turning their books into films.
Deadline: You have this gift for creating memorably desperate tough guy characters on the fringes of the criminal world. Where did the inspiration for Animal Rescue come from?
Lehane: It started just with an image. A guy walking in the snow, down a street, and he hears a noise. »
- Mike Fleming Jr
Ever since Brian the dog was run over in Family Guy last year, there has been a hole in the schedules for a sophisticated talking cartoon animal who can stand on its hind legs for 25 minutes offloading wisecracks, ideally while drunk.
BoJack Horseman fills that cultural lacuna. The eponymous star of Netflixs new 12-part animated satire for adults is like a reverse centaur, and while having a human body rather than a horses has some drawbacks, it does mean he has the opposable thumbs to hold beer bottles and pour vodka into his blender for his morning pick-me-up. Waking up to find a horses head in ones bed was, according to Mario Puzo, one of lifes most terrifying ordeals, but BoJacks many lovers feel otherwise. True, his »
- Stuart Jeffries
The obligatory movie catchphrase…memorable golden dialogue for the cinematic soul. What film fan does not enjoy reciting and repeating their favorite movie quotes? After all, there are countless catchphrases in films–some are famous, some are familiar, some are obscure. Still, paraphrasing movie quips has become an art onto itself?
So what are your all-time movie catchphrases? Perhaps it is Jimmy Cagney’s “You dirt rat…you killed my brother?”. Maybe it is Cary Grant’s “Judy, Judy, Judy”? Or how about Lauren Bacall’s “You know how to whistle, don’t you? Just blow…” Whatever movie catchphrases catches your fancy is fine so long as it brings up memories of the film or film characters tat have made a big impression on your cinema experiences.
The Lip Service: The Top 10 Movie Catchphrases selections are: (in alphabetical order according to film title):
1.) “Fasten your seat belts, it »
- Frank Ochieng
“Just when I thought I was out…they pull me back in.” And it’s a shame they did. Sixteen years after Francis Ford Coppola outdid his first masterwork, The Godfather, with the inconceivably more impressive The Godfather, Part II, he, Mario Puzo, and Al Pacino returned unnecessarily to the immaculate characters and world they created for a final chapter of the Corleone family. Most would agree that one of cinema’s most famous and infamous families was better off left on their pedestal.
- Kyle North
Top 10 Ryan Lambie 4 Apr 2014 - 06:26
There's nothing new about directors returning to the stories and characters they first brought to the screen years before. Director Fritz Lang directed his first film featuring the mesmeric master of disguises Doctor Mabuse in 1922; he then returned to make The Testament Of Dr Mabuse in 1933, before heading back one final time for The Thousand Eyes Of Dr Mabuse in 1960 - the director's last film.
In recent years, however, it's become increasingly common for directors to return to the film series they began years earlier. It's an attempt, perhaps, to return to themes that still interest them, or to tell a new story in the same landscape as before, or maybe because of a Hollywood deal too lucrative to turn down. As the selection below proves, »
Commenting on the Critics with Simon Columb...
"RoboCop was a smash hit 27 years ago … And it has become an iconic touchstone of pulpy, provocative, giddily violent mainstream cinema, so much so that news of a remake – which reaches our screens this week – prompted widespread howls of dismay in the fan community, as if sacred ground was being trampled on."
Read the full article here.
Prompting these howls may be a sense of loss. The inevitable loss of credibility a film has when optioned for remake status. Watching The Godfather last night, I realised the film could never be remade. Of course, in the warped mind of a film studio perhaps we will see a foolhardy statement claiming the remake is under consideration, but it’ll never happen. Considering the purpose of remakes, I don’t believe The Godfather fits the bill. »
- Gary Collinson
Tori Brazier continues our Al Pacino Retrospective with a look at The Godfather...
Regularly topping polls as one of the greatest and most influential films ever made, Francis Ford Coppola’s 1972 masterpiece The Godfather needs very little introduction. Suffice it to say, the film deserves every one of its accolades (including three Academy Award wins and seven nominations) and every inch of its stellar reputation amongst film fans and critics alike.
Based on the 1969 novel of the same name by Mario Puzo (who co-wrote the screenplay with Coppola), The Godfather tells the story of a fictional New York mob family headed by patriarch and ‘Don’ Vito Corleone (Marlon Brando). It focuses on the gradual moral corruption of his youngest and brightest son Michael (Al Pacino), who begins the film in 1945 as a decorated war hero and college-educated family outsider, but ends it as a ruthless Mafia boss operating out of »
- Gary Collinson
To Live and Shake and Die in La! continues at Trailers from Hell, with screenwriter Josh Olson introducing "Earthquake."A-listers Mark Robson, Jennings Lang and Mario Puzo (!) steal a leaf (and more) from the Irwin Allen playbook with this turgid smash hit about a devastating La temblor which painstakingly copies stunt shots from The Poseidon Adventure. If not for the sternum-rattling sound effects of Sensurround, an alarming audio process that duplicates the trembling sensation of theater walls coming down around your ears, this prototypical ’70s disaster epic would be remembered only as an archaic soap opera that would have seemed risible in 1954, let alone ’74. Clifford Stine and Albert Whitlock were among the team of visual effects masters who helped level Los Angeles in such convincing fashion. »
- Trailers From Hell
9 items from 2014
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