11 items from 2016
Melvil Poupaud walked the Rendez-Vous with French Cinema red carpet with The Great Game (Le Grand Jeu) director Nicolas Pariser, Disorder's Alice Winocour, Julie Delpy's Lolo composer Mathieu Lamboley, Bang Gang's Eva Husson, A Decent Man's Emmanuel Finkiel, John Waters, Cindy Sherman, James Ivory, Angélique Kidjo, Aurélia Thiérrée with Guillaume Nicloux and his Valley Of Love star Isabelle Huppert.
Oscar Isaac in Jc Chandor's A Most Violent Year, Alain Delon in Valerio Zurlini's Indian Summer (Le Professeur), Benoît Jacquot's Closet Children (Les Enfants Du Placard), Marguerite Duras, Eric Rohmer, Xavier Dolan, Justine Triet, Fan Bingbing, and his Great Game co-stars Clémence Poésy and André Dussollier - these and more entered into a kind of Lacanian conversation with Melvil Poupaud at the Parker Meridien in New York. »
- Anne-Katrin Titze
Title: Fidelio Alice’s Odyssey (Fidelio, l’odyssée d’Alice) First Run Features Director: Lucie Borleteau Writer: Lucie Borleteau, Clara Bourreau , Mathilde Boisseleau Cast: Ariane Labed, Melvil Poupaud, Anders Danielsen Lie Running Time: 97 min Rated: Unrated (language, nudity, sex) Special Features: None On DVD And VOD 05/17/16 Alice (Ariane Labed, The Lobster) is a 30-year-old French woman in a passionate, loving relationship with her fiancé Felix (Anders Danielsen Lie, Reprise). The two spend as much time together as they can before her job as an engineer takes her away for several months aboard the freighter Fidelio. Once the freighter pulls from port, she discovers that the captain is Gaël (Melvil Poupaud, By the [ Read More ]
The post Fidelio Alice’s Odyssey DVD Review appeared first on Shockya.com. »
In what is pretty much the closest thing French cinema will produce to a Hollywood-style romantic comedy this year, Justine Triet’s “In Bed With Victoria” offers both the candor and the schmaltz of “Trainwreck.” Innovative to the extent that it recognizes the sexual allure, as well as the desires, of its leading lady (played by Virginie Efira), without turning her into an object of lust, the commercially minded film centers on a Paris lawyer who’s as shrewd as they come in a courtroom, but something of a disaster in her private affairs. The pic should get a boost in France, if not so much abroad, from the fact it kicks off Cannes Critics’ Week.
Efira, a blonde actress with a baby-doll face and wolf-whistle curves (but nary a trace of Amy Schumer’s physical comedy instincts, alas), Victoria struggles with the responsibilities of single-motherhood, pawning off her two young daughters, »
- Peter Debruge
The second edition of the 'Women in Motion' program will take place in Cannes from May 11 to 22, 2016 at the 69th Festival de Cannes.
The year’s official poster is of Frances McDormand whose presentation at last year’s first edition illuminated gender bias practices within the film industry in the most captivating, funny and serious presentation of the several presentations given.
During her Talk on 22 May 2015, the actress addressed the impact gender discrimination had on budget negotiations for female filmmakers, the lack of money being one of the main issues faced within the industry. Frances McDormand made her point hit home:
"We don't need help, we need money. We don't need more initiatives; we need money."
"Women in motion - it's done! We are moving, we just need to catch up."
Read more on SydneysBuzz about the inaugural sessions of Women in Motion, Cannes 2015.
Launched jointly by Kering and the Festival de Cannes in 2015 as part of an official five year partnership, the 'Women in Motion' program celebrates women's talent in cinema. In keeping with the first edition, the 'Women in Motion' program will be comprised of its two founding pillars: the 'Women in Motion' Talks and the 'Women in Motion' Awards.
The Talks will be announced ahead of the Festival, and will highlight the contribution of women and discuss their role in the film industry.
In addition to the Talks, the first 'Women in Motion' Award will reward the exemplary contribution of a laureate to both the film industry and women's causes. The second Award will be attributed to one or several up-and-coming talents in the film industry, chosen from a shortlist of individuals compiled throughout 2015.
To watch Frances McDormand's Talk on 22 May 2015 visit Here
"I am proud that ‘Women in Motion’ has once again been given the chance to feature in the program of such a major event as the Festival de Cannes this year. In 2015, ‘Women in Motion’ proved to be a powerful platform for supporting women in cinema.
With ‘Women in Motion’ – and even more so this year, given the real support we are providing to several female directors – we are taking another step towards real awareness and tangible changes, promoting a film industry that is more representative of the richness and diversity of our societies." -François-Henri Pinault, Chairman and CEO of the Kering Group
The ‘Women in Motion’ Talks: discussing the role and importance of women in film
Taking place as morning sessions throughout the entire competition, this year’s ‘Women in Motion’ Talks will welcome guests from outside the film industry to enrich the discussions about the place and contribution of women in cinema and underline solutions which would make the industry more representative.
· During the first edition of the ‘Women in Motion’ Talks held in 2015, a number of high-profile men and women eagerly joined the debate. Isabella Rossellini, Claire Denis, Salma Hayek Pinault, Matthias Schoenaerts, Melvil Poupaud, Isabelle Huppert, Sylvie Pialat, Agnès Varda, Thierry Frémaux, Frances McDormand and Deniz Gamze Ergüven all expressed their views on women and cinema during a series of interviews open to journalists and industry professionals.
The ‘Women in Motion’ Awards: celebrating talented women
· In addition to the talks, the 69th Cannes International Film Festival will also be marked by the presentation of the ‘Women in Motion’ Awards.
· In 2015, two honorary awards were attributed; the first to actress, producer and committed philanthropist Jane Fonda, who also holds two Oscars for best actress; and the second to independent producer Megan Ellison to celebrate the launch of the ‘Women in Motion’ programme. Both women are emblematic of their cinematic generations.
· In 2016, the first award will be presented to a laureate who has made an exemplary contribution to both the film industry and women’s causes. The first award winner will then be offered the chance to choose the recipient(s) of the second award, intended to support up-and-coming talents in the film industry, from a shortlist of individuals compiled throughout 2015. The second award will be accompanied by financial support for an ongoing film project.
· The awards will be presented on 15 May 2016, during the ‘Presidential Dinner’ organised by Kering and the Festival de Cannes and hosted by François-Henri Pinault, Pierre Lescure and Thierry Frémaux.
A long-term commitment to both Women and Cinema
Kering and cinema
· From financing films and restoring works to producing documentaries and supporting producers and feature films, Kering and its Corporate Foundation have supported a number of films with a strong message: “Desert Flower” by Sherry Hormann (2009), “Home” by Yann-Arthus Bertrand (2009), “Brave Miss World” by Cecilia Peck (2013), and “Ice and Sky” by Luc Jacquet (2015).
· Kering has also been a partner of the Ecole de la Cité film school, part of the Cité du Cinéma complex created by Luc Besson, since its launch in 2012.
· Through its brands, Kering has also supported high-profile film institutions and festivals, such as the Tribeca Film Institute (New York), Britdoc (London), the Los Angeles County Museum of Art (Lacma) and the Lumière Festival (Lyon).
Kering and women
· Kering has been committed to empowering women for many years, primarily through the Kering Foundation, created and chaired by François-Henri Pinault, Kering Chairman and CEO, as well as the Chime for Change initiative launched by Gucci, to empower women and girls around the world.
A world leader in apparel and accessories, Kering develops an ensemble of powerful Luxury and Sport & Lifestyle brands: Gucci, Bottega Veneta, Saint Laurent, Alexander McQueen, Balenciaga, Brioni, Christopher Kane, McQ, Stella McCartney, Tomas Maier, Boucheron, Dodo, Girard-Perregaux, JeanRichard, Pomellato, Qeelin, Ulysse Nardin, Puma, Volcom, and Cobra. By 'empowering imagination' in the fullest sense, Kering encourages its brands to reach their potential, in the most sustainable manner.
Present in more than 120 countries, the Group generated revenues of more than €11.5 billion in 2015 and had more than 38,000 employees at year end. The Kering (previously Ppr) share is listed on Euronext Paris (Fr 0000121485, Ker.Pa, Ker.Fp). »
- Sydney Levine
John Waters, Cindy Sherman, James Ivory, Angélique Kidjo, Emmanuel Finkiel (Je Ne Suis Pas Un salaud), Deniz Gamze Ergüven's Mustang co-writer Alice Winocour (Disorder), Nicolas Pariser and his star Melvil Poupaud (Le Grand Jeu) and Bang Gang (Une Histoire D'Amour Moderne) director Eva Husson joined Guillaume Nicloux and Isabelle Huppert on the red carpet.
The Kidnapping of Michel Houellebecq, Alfred Hitchcock casting James Bond Sean Connery for Marnie, Gianfranco Rosi's Sacro Gra and The End with Gérard Depardieu, came up in my conversation with the Rendez-Vous with French Cinema opening night film director, Guillaume Nicloux.
- Anne-Katrin Titze
Paris– François-Henri Pinault’s Kering, one of the world’s most powerful luxury companies, is partnering up again with Cannes Film Festival to roll out the second edition of their Women in Motion program.
Women in Motion has been developed jointly by Kering and Cannes to highlight women’s achievements in film and encourage more diversity within the industry. The program will keep the same format, featuring a series of recorded talks with high-profile talent and execs.
As part of the Women in Motion initiative, two awards will be handed out during a gala dinner hosted during the festival on May 15, with Cannes’ artistic director Thierry Fremaux and president Pierre Lescure in attendance, along with jury members and other high-profile guests.
- Elsa Keslassy
Valley Of Love Us première Photo: Anne-Katrin Titze
The day before the opening night New York Rendez-Vous with French Cinema screening of Guillaume Nicloux's Valley Of Love, starring Gérard Depardieu and Isabelle Huppert, attended by John Waters, Cindy Sherman, James Ivory, Angélique Kidjo, Emmanuel Finkiel (A Decent Man), Deniz Gamze Ergüven's Mustang co-writer Alice Winocour (Disorder), Nicolas Pariser and his star Melvil Poupaud (The Great Game), I met with Eva Husson for a conversation on her debut feature Bang Gang (Une Histoire D'Amour Moderne).
Tara Subkoff's teenage #Horror, Ben Affleck, a cat and Gillian Flynn, author of David Fincher's Gone Girl, Martin Scorsese's The Wolf Of Wall Street, Cervantes, C.G. Jung, Dostoyevsky, Homer, and a Baudelaire, Nietzsche and Van Gogh connection bring us into the present.
Two best friends, teenagers Laetitia (Daisy Broom »
- Anne-Katrin Titze
We're nearly finished* with 2015 Film Bitch Awards, our own annual year in review yearbook/party and of imaginary Oscar ballot (well, half of it is that). Today the remainder of our Best Scene categories with six final scene categories. This group hands more nominations to films from the top ten list of course but for highlights to point out here on the blog before you click over, we're using films outside the top ten list.
Obviously this page (and post) of awards contains mild spoilers so if you haven't seen the films and wish to stay pure, these are not the awards categories you're looking for. Here is one nominee I felt the need to gab about (maybe you will too?) from each category...
While Creed was mostly ignored by the Academy, chances are its big box office (which significantly outgrossed Stallone's last two attempts are reigniting the »
- NATHANIEL R
This year's New York Rendez-Vous with French Cinema opens with Guillaume Nicloux's Valley Of Love, starring Gérard Depardieu and Isabelle Huppert. Jacques Audiard's Cannes Palme d’Or winner Dheepan closes the festival. Melvil Poupaud, Julie Delpy, Alice Winocour, Diane Kruger, Maïwenn, Louis Garrel, Emmanuelle Bercot, Eva Husson, Rudi Rosenberg, Emmanuel Finkiel, Danielle Arbid, Nicolas Pariser, Clémence Poésy, Nabil Ayouch, Grégoire Hetzel, Mathieu Lamboley, Alain Resnais' composer Mark Snow, Huppert, Nicloux and Bruni Tedeschi are expected to attend.
Bercot's Standing Tall (Catherine Deneuve, Sara Forestier, Benoît Magimel, Rod Paradot); Winocour’s Disorder (Diane Kruger, Matthias Schoenaerts); Pariser's The Great Game (André Dussollier, Poésy) and Bruni Tedeschi's Three Sisters with cinematographer Simon Beaufils - who also brilliantly shot Paolo Virzi's study of capitalism in crisis Human Capital - are four of the early bird highlights. »
- Anne-Katrin Titze
The Film Society of Lincoln Center and uniFrance have announced for the 21st edition of Rendez-Vous with French Cinema in New York, a series of free talks starting with Isabelle Huppert, who co-stars with Gérard Depardieu in the opening night film Valley Of Love. It's followed by Melvil Poupaud starring with André Dussollier and Clémence Poésy in Nicolas Pariser's The Great Game (Le Grand Jeu) and a discussion with Lolo director Julie Delpy and Stephanie Zacharek.
Composers Grégoire Hetzel (Catherine Corsini's Summertime - La Belle Saison and Arnaud Desplechin's My Golden Days - Trois Souvenirs De Ma Jeunesse), Mark Snow (Alain Resnais' Wild Grass and Life Of Riley) and Mathieu Lamboley (Lolo) will take part in French Touch Composers, moderated by Elsa Keslassy.
Isabelle Huppert - Friday, March 4, 5:00pm
Melvil Poupaud - Saturday, March »
- Anne-Katrin Titze
Paris — France’s 2015 Louis Delluc best first feature winner, Nicolas Pariser’s “The Great Game” begins, in apt anticipation, with a shot of a man stepping into an unlit hotel hallway. It then takes the spectator on a trip down the dark corridors of power as a once budding novelist and ex-radical-leftist meets – not by chance – a silken backroom grandee at France’s Ministry of the Interior, a combination of the FBI and Homeland Security. He enrolls him into a ploy to bring down the current minister by provoking him into absurdly repressive measures.
“The Great Game” makes seemingly clear reference to France’s Tarnac Affair where nine back-to-the-farm anarchists were arrested in an early-morning raid over anti-state terrorist claims in a case still rumbling through French courts (the charges of terrorism were dropped by a judge in August 2015).
A drama of ideas, expressed directly by characters – a relative rarity »
- John Hopewell
11 items from 2016
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