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5 items from 2017


The Forgotten: Seth Holt's "Station Six - Sahara" (1963)

15 March 2017 5:47 PM, PDT | MUBI | See recent MUBI news »

Seth Holt is an odd figure. An editor at first, his career spans classic Ealing comedies (The Lavender Hill Mob, 1951) and gritty kitchen sink drama (Saturday Night and Sunday Morning, 1960), while his overlapping career as producer saw him preside over the classic The Ladykillers (1955). On becoming a director, he worked mainly at Hammer, which made radically different content from Ealing but perhaps shared the same cozy atmosphere.Taste of Fear (a.k.a. Scream of Fear, 1961) is a zestful Diabolique knock-off, while The Nanny (1965) continued Bette Davis' career in horror. It's incredibly strong, beautifully made and quite ruthless: Bette referred to Holt as "a mountain of evil" and found him the most demanding director she'd encountered since William Wyler. During the daft but enjoyably peculiar Blood from the Mummy's Tomb (1971), Holt developed a persistent case of hiccups that turned the screening of rushes into hilarious occasions. Then he dropped dead of a heart attack, »

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The Best Murder Mystery Series Ever — IndieWire Critics Survey

22 February 2017 5:00 AM, PST | Indiewire | See recent Indiewire news »

Every week, IndieWire asks a select handful of TV critics two questions and publishes the results on Tuesday. (The answer to the second, “What is the best show currently on TV?” can be found at the end of this post.)

This week’s question: What is your favorite murder mystery show?

Erik Adams (@ErikMAdams), A.V. Club

It has to be “Twin Peaks,” right? I’m one of those annoying people who insists the show is so much more than “Who killed Laura Palmer?”, but that is our entry point to David Lynch and Mark Frost’s weird little world, and the question that briefly made “Twin Peaks” a pop-culture phenomenon. And the chapters of the series that deal with finding Laura’s murderer are some of the most compelling, from the dream-sequence enhanced “Zen, Or The Skill To Catch A Killer” or the eventual solution to the mystery, a »

- Hanh Nguyen

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The Best Murder Mystery Series Ever — IndieWire Critics Survey

22 February 2017 5:00 AM, PST | Indiewire Television | See recent Indiewire Television news »

Every week, IndieWire asks a select handful of TV critics two questions and publishes the results on Tuesday. (The answer to the second, “What is the best show currently on TV?” can be found at the end of this post.)

This week’s question: What is your favorite murder mystery show?

Erik Adams (@ErikMAdams), A.V. Club

It has to be “Twin Peaks,” right? I’m one of those annoying people who insists the show is so much more than “Who killed Laura Palmer?”, but that is our entry point to David Lynch and Mark Frost’s weird little world, and the question that briefly made “Twin Peaks” a pop-culture phenomenon. And the chapters of the series that deal with finding Laura’s murderer are some of the most compelling, from the dream-sequence enhanced “Zen, Or The Skill To Catch A Killer” or the eventual solution to the mystery, a »

- Hanh Nguyen

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Women who worked on Play for Today | Letters

15 January 2017 10:35 AM, PST | The Guardian - TV News | See recent The Guardian - TV News news »

Deborah Orr (Why can’t TV make new plays for today?, 14 January) correctly points out that British playwrights are tackling many of the major social issues today in the theatre instead of using the more democratic medium of television. She laments the loss of Play for Today, saying it “fostered such talents as Mike Leigh, Alan Bleasdale, Dennis Potter and Jack Rosenthal (though this was the 70s, so no women.)” There was at least one – me. I wrote a play for that series which was directed by the late Alan Clarke. It was called Nina, based on the lives of two Russian dissidents, and it starred Eleanor Bron and Jack Shepherd.

Jehane Markham

London

• Over the 14 years (1970-84) that Play for Today ran, at least 21 female dramatists (including Julia Jones, Beryl Bainbridge, Caryl Churchill and Paula Milne) had plays produced for it. Play for Today also employed four female producers (Irene Shubik, »

- Letters

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Interview: Ridley Scott & Tom Hardy take us inside the world of Taboo, their new BBC TV series

6 January 2017 10:48 AM, PST | HeyUGuys.co.uk | See recent HeyUGuys news »

Author: Jon Lyus

“I feel least qualified to go and do a period drama for the BBC,” says Tom Hardy during our interview sessions early last December for his new eight part drama Taboo.

The show airs its first episode tomorrow night on BBC One and charts the return of James Delaney, described by the actor as a “perverse renaissance man”, to London from his adventures in Africa upon the death of his Father.

He is a man with guilty secrets, and one who gives no quarter to the hostility he encounters from his family and the institutions which seek to hold him to order. As viewers will see tonight the dawn of the Industrial Revolution has been recreated in all its gory, dirty glory. This is a bleak beginning to a story that has an even darker path to tread in future weeks.

We sat down with Hardy and »

- Jon Lyus

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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2003 | 2002

5 items from 2017


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