12 items from 2014
Will Nashville pit Rayna versus Luke? How will Five-0 mark the big 1-0-0? How does Once Upon a Time‘s Rumple know the Snow Queen? Is a Grimm romance doomed? Read on for answers to those questions plus teases from other shows.
Nashville scoop, please! — Molly
I hear that Rayna and Luke are going to compete against each other at this year’s CMAs — that’ll make for some awkward pillow talk — and Teddy will find love in the wrong place. Follow-up: Has Teddy ever found love in the right place?
Hi Matt, can you please tell us something »
Interview conducted by Tom Stockman August 14th, 2014
Despite his appearance and the roles you’ve often seen him in before, it turns out that actor John Turturro is one sexy stud! In Fading Gigolo he’s nothing like the nervous genius he played in Quiz Show, or the angry hothead from Do The Right Thing, or that weasel Bernie Bernbaum he played in Miller’S Crossing. No, in Fading Gigolo, which Turturro wrote, directed, and starred in, he played Fioravante, an honest-to-goodness gigolo whose eagerly-paying clientele include Sofia Vergara and Sharon Stone! With Woody Allen as Murray, his unlikely pimp, Fading Gigolo sounds like the most oddball vanity project project to come down the pike in decades. But Fading Gigolo was a funny, gentle, and surprisingly sensitive comedy with a witty script, amusing characters and a jazzy sense of life in New York that felt like an old-fashioned Woody Allen movie, »
- Tom Stockman
The man who teamed with Michael Douglas to launch Columbia-based production outfit Stonebridge Entertainment died today of cancer in L.A. Peter McAlevey was 58. The Suffern, NY, native was working as a Newsweek entertainment writer when Jeffrey Katzenberg recruited him to the new Disney team. During McAlevey’s tenure there, he partnered with Michael Douglas on Stonebridge, where they produced such films as Flatliners (1990), Double Impact (1991), and Radio Flyer (1992). Outside of Stonebridge, McAlevey also produced the romantic comedy Hard Promises (1991), starring Sissy Spacek and future CSI star William Petersen, which bowed at the Toronto International Film Festival. After Stonebridge shuttered in 1994, McAlevey launched Thunderbrid Pictures, which made such pics as Klash (1995) and the boxing remake Body And Soul (2000). Other credits include Shadow Hours (2000) and the System of a Down docu Screamers (2006). The Columbia University grad, who roadied for the New York Dolls during their 1970s heyday, also produced last year’s horror pic Kill Her, »
- The Deadline Team
CSI: Miami and CSI: New York are no more, soon we’ll have CSI:Cyber but who would have thought that we would still have CSI: Las Vegas? When reviewing CSI: Complete Season 13 the most noticeable thing is it is a show that survives not only by pure popularity, but that it constantly adapts itself, never letting itself stagnate.
Though this is season thirteen (unlucky for some) I’d say that the big difference came in season twelve with Ted Danson and Elisabeth Shue. My initial surprise really was just how good Ted Danson can act now, but in a way his introduction into CSI brought him back into the shows I take time to watch. With the character of D.B. Russell, Danson moved into CSI: Las Vegas and made the role as head of CSI his own, Laurence Fishburne did well and of course we miss William Petersen as Gil »
- Paul Metcalf
John Malkovich has done TV movies and miniseries, but the May 30 premiere of NBC’s Crossbones marks his first role as a series regular. As Malkovich, who stars as the pirate Blackbeard in the drama from Luther creator Neil Cross, tells Entertainment Weekly Radio, he’d only ever been approached about starring in one other show: CSI, when William Peterson left the CBS procedural. “I had a conversation with Billy. I had a conversation with Gary Sinise, who’s also an old friend and does the other CSI. Sort of about what that was, what it meant, what the life was, »
- Mandi Bierly
William Friedkin‘s 1977 classic Sorcerer finally hit Blu-ray last week, and it marked my first viewing of the film. Before you give me grief, know that I had seen and loved The Wages of Fear, and I was just holding out on watching the remake until it came in a Friedkin-approved version. It should surprise no one that I found Sorcerer to be as fantastic as the original, but my favorite Friedkin film remains unchanged. Not only did To Live and Die in L.A. introduce the world in 1985 to the bow-legged joy that is William Petersen, but it’s also a remarkably successful mix of dark sensibilities, characters with depth and honest excitement. It’s an intelligent thriller that makes no guarantees as to the morality or life expectancy of its characters, and its pacing and energy help make it eminently re-watchable. The DVD includes a handful of extra features (never ported over to the Blu-ray for »
- Rob Hunter
“Money alone sets all the world in motion.”
—Publilius Syrus, Maxim 656
The desire for money, for personal gain or business interests, is a frequent catalyst for dramatic action in William Friedkin’s films. In The Night They Raided Minsky’s (1968), The French Connection (1971), Sorcerer (1977), The Brink’s Job (1978), Deal of the Century (1983), To Live and Die in L.A. (1985), Blue Chips (1994) and, more recently, Killer Joe (2011), the pursuit of money entails underhand tactics, struggle, betrayal and violence. Dollar bills are passed from one person to another, in plain view or sight unseen; or promised at the completion of a job; or seized, burned or spent. But the money always materializes again, somehow, coursing into the narrative economy and organizing social relations.
In a notable sequence in To Live and Die in L.A. we see this material created illegally, and witness its eruption and flow into the system. Friedkin here offers an »
- Yusef Sayed
Guilfoyle has played series regular Captain Jim Brass in all 14 seasons of the crime series and will make his final appearance during the season finale on May 7. He reportedly found out last week that he would not be returning to the series.
“Paul made Captain Brass a standout character,” said “CSI” exec producers Carol Mendelsohn and Don McGill. “He is not just an original cast member, he is an original. In a show about forensics, fans always looked forward to the handcuffs coming out, and Captain Brass putting his spin on the crime of the week, just as Paul Guilfoyle put his indelible stamp on the character and the show. He will be missed.”
The actor joins other stars who have previously left the show, »
- Andrea Seikaly
CSI will lose one of its original stars, Paul Guilfoyle, by the end of the current season, EW has confirmed. The actor, who has played Captain Jim Brass since the CBS show debuted in 2000, is only one of two original stars left on the show; George Eads, who plays Nick Stokes, will be the lone remaining original actor when season 15 kicks off in the fall.
“Paul made Capt. Brass a standout character,” CSI exec producers Carol Mendelsohn and Don McGill said in a statement to The Hollywood Reporter, which broke the news. “He is not just an original cast member, »
- Katie Atkinson
The CSI franchise is spawning yet another series, this time set in the FBI’s Cyber Crime Division in Quantico, Virginia. While there’s no official name yet for the new CBS show, there is a lead, as Medium and True Romance star Patricia Arquette is set to be front and center of a team tasked with solving crimes that “start in the mind, live online, and play out in the real world.” Arquette’s Medium, a supernatural procedural drama, aired on NBC from January 2005 to January 2011 and coincidentally ran directly against CBS’s CSI: Miami and, in later seasons, CSI: NY. Arquette won the Emmy Award for Outstanding Lead Actress in a Drama Series for her fictionalized portrayal of real-life medium Allison DuBois in its first season on air. Her newest role as Special Agent Avery Ryan will put her in the driver’s seat like her fellow CSI counterparts William Petersen, David Caruso »
- Dustin Hucks
Turner Classic Movies (TCM) will open the 2014 edition of the TCM Classic Film Festival with the world premiere of a brand new restoration of the beloved Rodgers & Hammerstein musical Oklahoma! (1955). TCM’s own Robert Osborne, who serves as official host for the festival, will introduce Oklahoma!, with the film’s star, Academy Award®-winner Shirley Jones, in attendance. Vanity Fair will also return for the fifth year as a festival partner and co-presenter of the opening night after-party. Marking its fifth year, the TCM Classic Film Festival will take place April 10-13, 2014, in Hollywood. The gathering will coincide withTCM’s 20th anniversary as a leading authority in classic film.
In addition, the festival has added several high-profile guests to this year’s lineup, including Oscar®-winning director William Friedkin, who will attend for the screening of the U.S. premiere restoration of his suspenseful cult classic Sorcerer (1977); Kim Novak, who »
- Melissa Thompson
Neal Thompson is Senior Editor at Amazon Books. He is also a journalist & author, amateur photographer/videographer, and compulsive reader-writer. Neal interviewed Michael Connelly, creator of Bosch, a new Amazon Original Pilot.
In 1992, a seasoned crime reporter named Michael Connelly published his first novel, the story of a body in a drainpipe, a bank robbery, and police corruption, based partly on a true crime that had occurred in La. Featuring Hieronymous “Harry” Bosch, a Vietnam vet turned Lapd detective, The Black Echo won the Edgar Award for Best First Novel, established Connelly as a new voice in the mystery/thriller world and Bosch as one of the more complex characters in modern crime fiction.
Now, more than a dozen novels later, Bosch is coming to the little screen. Amazon Studios has produced the first episode in a hoped-for series entitled Bosch, co-written by Connelly and with Titus Welliver (who has »
12 items from 2014
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