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3D in the 21st Century. For the Love of Movies: "Hugo"

12 May 2015 11:06 PM, PDT | MUBI | See recent MUBI news »

The following article has been adapted from a lengthier essay on the film written in 2011.Cinema is always in a state of change. Consequences of this constant flux become more obvious in retrospect, as movements come and go and film form evolves. One of the clearest indications of cinema’s major shifts lies in its technological advancements. Today’s changes are anything but subtle—we can notice them as they occur before us. Regardless of where one stands on the topic of cinema’s health as an art form, it can be agreed that it is going through some of its most monumental changes. Indeed it is even technically switching mediums, as the digital revolution is rendering celluloid obsolete. In Martin Scorsese’s Hugo (2011), new technology is revealed to be not a danger but a challenge, and an opportunity to explore new potential in filmmaking. The essentials of film form »

- Adam Cook

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1 item from 2015


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