The pre-eminent American photojournalist of sub-Saharan descent. An acclaimed photographer for Life magazine from the late 40s through late 60s, he turned to directing films, his second of which, the blaxploitation movie Shaft (1971), achieved success at the box office. In 1989 his first film effort, The Learning Tree (1969), was selected among the first 25 films so honored, by the U.S. Library of Congress to be preserved in the National Film Registry for all time.
IMDb Mini Biography By: Bill Takacs| Genevieve Young | (August 1973 - 1979) (divorced) |
| Elizabeth Campbell | (1962 - 1973) (divorced) 1 child |
| Sally Alvis | (1933 - 1961) (divorced) 3 children |
Father of Gordon Parks Jr.
Once was a piano player in a Minnesota bordello.
Spent the years 1948-1968 as a photographer and reporter for Life Magazine.
Grandfather of Gordon Parks III
Co-founder of Essence Magazine
Considered one of the contributors (along with Melvin Van Peebles) to the blaxploitation genre - _Sweet Sweetback's Baad Asssss Song (1971)_ and Shaft (1971) were the first films that started a genre.
First African American film director that directed a film for a major studio (Warner Brothers) - The Learning Tree (1969), which was based on his autobiography of the same name.
Godfather to 'Quibilah Shabazz', the daughter of Malcolm X (1920 - 1965).
His life story was told in a TV documentary co-produced by Denzel Washington: Half Past Autumn: The Life and Works of Gordon Parks (2000) (TV).
Has three schools named after him at lifetime: The Gordon Parks Elementary School in Kansas City, Missouri, USA, Gordon Parks Academy in East Orange, New Jersey, USA, and Gordon Parks High School in St. Paul, Minnesota, USA.
Father of Toni Parks-Parsons.
Was the commencement speaker at the Kansa City Art Institute's Class of 1984 graduation.
He was the youngest of 15 children. He dropped out of high school after his mother died. His jobs included playing piano in a brothel before he became interested in photography while working as a train porter.
Best known for his gritty photo essays on the grinding effects of poverty in the United States and abroad and on the spirit of the civil rights movement.
He was awarded the American National Medal of the Arts in 1988 by the National Endowment of the Arts in Washington D.C.
Member of the Academy of Motion Picture Arts and Sciences (Writers Branch)
Frequently smokes a pipe when he makes cameo appearances.
"I don't make black exploitation films." from The Village Voice (1976)
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