George Seaton connected an ideal cast to this true-life WW2 story so good that a lazy script and slack direction can’t sink it. William Holden is the American-Swede who spies for the Allies, ruining his own reputation and schmoozing with Nazis that will kill him if he slips up. Wonderful Lilli Palmer is the patriot-agent who steals his heart. The locations are impressive but one inspired scene captures with perfection the utter depravity of fascist power. If ever a WW2 movie needed a remake, this one qualifies.
The Counterfeit Traitor
Region-free Blu-ray
Viavision [Imprint] 118
1962 / Color / 1:78 widescreen / 141 min. / Street Date April 27, 2022 / Available from /
Starring: William Holden, Lilli Palmer, Hugh Griffith, Carl Raddatz, Ernst Schröder, Charles Régnier, Ingrid van Bergen, Helo Gutschwager, Wolfgang Preiss, Werner Peters, Erica Beer, Stefan Schnabel, Klaus Kinski, Eva Dahlbeck.
Cinematography: Jean Bourgoin
Production Designer: Ellen Schmidt
Art Directors: Hal Pereira, Tambi Larsen, Mathias Matthies
Film Editors: Hans Ebel,...
The Counterfeit Traitor
Region-free Blu-ray
Viavision [Imprint] 118
1962 / Color / 1:78 widescreen / 141 min. / Street Date April 27, 2022 / Available from /
Starring: William Holden, Lilli Palmer, Hugh Griffith, Carl Raddatz, Ernst Schröder, Charles Régnier, Ingrid van Bergen, Helo Gutschwager, Wolfgang Preiss, Werner Peters, Erica Beer, Stefan Schnabel, Klaus Kinski, Eva Dahlbeck.
Cinematography: Jean Bourgoin
Production Designer: Ellen Schmidt
Art Directors: Hal Pereira, Tambi Larsen, Mathias Matthies
Film Editors: Hans Ebel,...
- 5/17/2022
- by Glenn Erickson
- Trailers from Hell
With readers turning to their home viewing options more than ever, this daily feature provides one new movie each day worth checking out on a major streaming platform.
To fill the void left by the absence of this year’s Cannes Film Festival, for the next two weeks, this column will be dedicated to films that premiered at the festival over the course of seven decades.
There’s not much subtlety to the opening of Alf Sjöberg’s 1951 film “Miss Julie,” which begins with a tight shot of a caged bird, then turns its focus on the eponymous star (played by a vibrant Anita Björk), as she gazes out at a raucous Midsummers’ Eve celebration populated by her father’s servants. The film draws from the classic August Strindberg play of the same name, which Sjöberg himself had mounted before adapting the story into his film, and it went on...
To fill the void left by the absence of this year’s Cannes Film Festival, for the next two weeks, this column will be dedicated to films that premiered at the festival over the course of seven decades.
There’s not much subtlety to the opening of Alf Sjöberg’s 1951 film “Miss Julie,” which begins with a tight shot of a caged bird, then turns its focus on the eponymous star (played by a vibrant Anita Björk), as she gazes out at a raucous Midsummers’ Eve celebration populated by her father’s servants. The film draws from the classic August Strindberg play of the same name, which Sjöberg himself had mounted before adapting the story into his film, and it went on...
- 5/18/2020
- by Kate Erbland
- Indiewire
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