2 items from 2016
We return to the 2015 horror Unfriended, and how it and other films explore the dark side of social media...
Nb: The following contains spoilers for Unfriended
Unfriended is one of those horror films that becomes less effective the noisier it becomes. Released across America by Universal last year, the film's a twist on the old teen-slasher format, so of course there’s lots of screaming, stalking and violent death. But these scenes of bloody pay-off are a distraction from Unfriended’s quieter moments - for its here the movie's true power lurks.
At a time when the found-footage genre is in desperate need of reinvention, Unfriended finds an ingenious twist on the old first-person, shaky-cam sub-genre. The entire movie takes place on the flickering laptop screen of its protagonist, Blaire (Shelley Hennig). We’re subjected to an initially dizzying array of opening and closing windows, as Blaire »
“I’ve always been involved in the script oversight, notes, casting and selection of the director,” Sparks told Variety on Monday at the Los Angeles premiere of Lionsgate’s “The Choice” — which marks the 11th Nicholas Sparks adaptation. “Film is always a very collaborative process. You’ve got a lot of voices — studio voices, producers’ voices, directors’ voices, casts’ voice. I was always one of those voices,” said Sparks, who also foresees being involved in any future adaptations of his novels.
As his dynamic love stories continued to be developed into films, the bestselling author’s involvement in the productions increased; a progression he described as “a natural evolution.” Sparks was credited as a producer for “Safe Haven” (2013), “The Best of Me »
- Alyssa Sage
2 items from 2016
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