11 items from 2017
Ralph Fiennes will do double duty on his third film as director, “The White Crow,” additionally taking on the key role of Rudolf Nureyev’s teacher and mentor. The twice Oscar-nominated actor will join the international cast which has also added French actors Laurent Lafitte and Raphael Personnaz, French actress Calypso Valois and rising German star Louis Hofmann.
Fiennes will play Nureyev’s mentor Pushkin who helped launch the dancer’s international career beyond St Petersburg. In his role as director Fiennes has also newly enlisted “Jackie” costume designer Madeline Fontaine, director of photography Mike Eley and composer Ilan Eshkeri for his production team.
The biopic of the legendary Soviet ballet dancer and choreographer, which tells the story of story of his defection to the West, “The White Crow” is written by David Hare. Russian dancer and film newcomer Oleg Ivenko had previously been announced to play Nureyev with French actress Adele Exarchopoulos, »
- Robert Mitchell
Fiennes will play Nureyev’s teacher and mentor, Pushkin, who helped launch Nureyev’s career out of St Petersburg, and will also direct the feature.
As previously reported, professional dancer Oleg Ivenko will play the lead role of Nureyev, while fellow dancer Sergei Polunin, Blue Is The Warmest Colour star Adèle Exarchopoulos and Russian actress Chulpan Khamatova are among the cast.
The production has now also attached Elle star Laurent Lafitte, The French Minister star Raphaël Personnaz, Personal Shopper actor Calypso Valois and Land Of Mine star Louis Hofmann ahead of its summer 2017 shoot in St Petersburg and Paris, with locations including the Mariinsky Theatre and the Palais Garnier.
- firstname.lastname@example.org (Tom Grater)
20 February 2017 3:09 AM, PST | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »
The White Crow is being developed by the BBC Films and produced by Oscar-nominated Gabrielle Tana through Magnolia Mae Productions, with Francois Ivernel through the French branch of his company Montebello Productions.
"This is a story of an uncompromising »
- Vladimir Kozlov ,Nick Holdsworth
When Academy Award winners are announced Feb. 26, about four-fifths of the contenders will go home empty-handed. Though they might feel bad for a while, they’ll always be identified as Oscar nominees. But what about all those people who turned in great work and didn’t even get that far?
Take Stephen Frears. When “Florence Foster Jenkins” opened, there was appropriate buzz about the performances and the design work, but almost none fSor him. Frears takes tricky material and succeeds, but maybe he makes it look too easy.
- Tim Gray
Blue is the Warmest Color star Adèle Exarchopoulos is staying busy, having finished a highly-anticipated film and joining another. First up, she’s starring alongside Matthias Schoenaerts in Michaël R. Roskam‘s The Drop follow-up Racer and the Jailbird, recently picked up by the newly-launched distribution company Neon. Likely stopping by Cannes, check out the first look above and synopsis below for the French-language, Belgian-set romantic thriller from the director of Bullhead.
The drama takes place in the fast-paced world of racing, and centers on a story of love at first sight when gangster Gino aka ‘Gigi’ (Matthias Schoenaerts) meets Benedicte aka ‘Bibi’ (Adèle Exarchopoulos), a wealthy and fearless racing driver. Gigi and Bibi fall madly in love, but with fate stacked against them their loyalties will be pushed to the limit. How much can their love endure to save what may already be lost?
In other news, Screen Daily »
- Leonard Pearce
Another day, another slew of casting announcements, with a few them involving some actresses who’ve stepped in and out of the world of James Bond.
The “Blue Is The Warmest Color” stars are getting busy. First up, Adèle Exarchopoulos is joining Chulpan Khamatova (“Good Bye Lenin!”) and dancers Oleg Ivenko and Sergei Polunin to star in Ralph Fiennes’ next directorial effort “The White Crow.” About famous Russian ballet dancer and choreographer Rudolf Nureyev, the drama charts the iconic dancer’s famed defection from the Soviet Union to the West in 1961, despite Kgb efforts to stop him.
Continue reading Lea Seydoux, Adele Exarchopoulos, Eva Greene & Gemma Arterton Land New Roles at The Playlist. »
- Edward Davis
Ralph Fiennes has lined up his third directorial effort, with Variety reporting that he is set to helm The White Crow, a biopic of the Russian ballet dancer Rudolf Nureyev, which has been scripted by David Hare (The Reader) and is based on Julie Kavanagh’s book Rudolf Nureyev: The Life.
According to an official statement, the film will “delve into the most cinematic, cultural and politically charged chapter of [the life of Nureyev], a fearless, explosive personality both on and off the stage.”
“This is a story of an uncompromising spirit, of homeland and ideologies that restrict, and of friendship,” said Fiennes. “It is, equally, a tale about the life and ballet culture he left behind in Russia.”
Russian dancer Oleg Ivenko is set to play Nureyev, while the cast also includes Blue Is the Warmest Color star Adele Exarchopoulos, Ukrainian dancer Sergei Polunin and Russian actress Chulpan Khamatova. Production is set to take place in St. »
- Gary Collinson
Bloom has picked up international sales rights to “Strangers 2,” to be directed by Johannes Roberts (“The Other Side of the Door,” “47 Meters Down”) from a screenplay by Bryan Bertino – who wrote and directed the 2008 original, which grossed $82 million worldwide – and Ben Katai.
Bloom will introduce “Strangers 2” to buyers at the European Film Market.
“The Strangers 2” centres on a family that, arriving at a secluded mobile home park, are forced to spend the night in a borrowed trailer, where they are attacked by three masked psychopaths. The sequel is currently casting for Summer shoot in the U.S.
The Fyzz Facility Pictures’ Wayne Marc Godfrey (“The Foreigner,” “The Survivalist”), Robert Jones (“Centurion,” “The Usual Suspects”), Mark Lane and James Harris (“47 Meters Down,” “I Am Not A Serial Killer”) are producing, in association with Relativity Media.
- John Hopewell
Ralph Fiennes is set to direct The White Crow, about the life of legendary Russian ballet dancer Rudolph Nureyev. It's based on the book Rudolf Nureyev: The Life by Julie Kavanagh. The Hours scribe David Hare adapts the script while Gabrielle Tana will produce through Magnolia Mae Productions together with Francois Ivernel's Montebellow Productions. Nureyev was a renowned ballet dancer and choreographer in the 1950s who went on to become the director of the Paris Opera… »
Ralph Fiennes is to direct “The White Crow,” written by David Hare, which centers on the life of Russian ballet dancer Rudolf Nureyev. HanWay Films is handling world sales and will introduce the project to buyers in Berlin.
The film is based on Julie Kavanagh’s book “Rudolf Nureyev: The Life,” which “delves into the most cinematic, cultural and politically charged chapter of [the life of Nureyev], a fearless, explosive personality both on and off the stage,” according to a statement.
Fiennes said: “This is a story of an uncompromising spirit, of homeland and ideologies that restrict, and of friendship. It is, equally, a tale about the life and ballet culture he left behind in Russia.”
Russian dancer Oleg Ivenko will play Nureyev and Adele Exarchopoulos »
- Leo Barraclough
Lili Fini Zanuck, the Oscar-winning producer of “Driving Miss Daisy,” is to direct documentary feature “Eric Clapton: A Life in 12 Bars,” partnering with producer John Battsek, whose credits include Oscar-winners “One Day in September” and “Searching for Sugar Man.”
Altitude Film Sales is handling international sales, and Altitude Film Distribution has taken U.K. rights. First footage will be unveiled to buyers at Berlin’s European Film Market.
“Clapton’s music is the foundation of our film. His commitment to the blues, its traditions and originators, is absolute from his earliest days,” said Zanuck, who previously directed 1991 crime drama “Rush.” “He was also forever restless in his search of a suitable vehicle to shape and grow his artistic voice, often bewildering fans and the media with sudden changes in musical direction, bands, songs, guitar style, tone and physical appearance.”
The film will also examine Clapton’s personal life, which »
- Leo Barraclough
11 items from 2017
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