5 items from 2014
2014 is shaping up to be the Year of Agnes Varda.
This week, the free-spirited French director will receive the Pardo d’onore Swisscom at the Locarno Film Festival, which is just the latest in a series of honors, distinctions, appearances, exhibitions, restorations, retrospectives, seances, soirees and other all-around cool happenings that this 86-year-old filmmaker, photographer and artist has been involved in so far this year.
For the uninitiated, Varda is one of the key innovators of independent cinema in France. Long before John Cassavetes picked up a camera in the States, before the French New Wave was even a swell on the horizon, Varda had the impulse to make a personal movie called “La Pointe courte,” which launched the film careers of actor Philippe Noiret, herself and (to some extent) the editor who agreed to help Varda how to assemble her first feature, Alain Resnais.
That was 1955. Resnais went on »
- Peter Debruge
French director to receive the Pardo d’onore at the Locarno Film Festival next month - only the second woman to receive the honour.
French director Agnès Varda is to receive the Pardo d’onore (honorary Leopard) at the 67th edition of the Locarno Film Festival (Aug 6-16).
The festival’s tribute to her will be accompanied by screenings of a selection of her films: the features Cleo from 5 to 7 (1962), The Creatures (1966), Lions Love (…and Lies) (1969), Documenteur (1981), Vagabond (Sans toit ni loi, 1985), The Gleaners and I (Les glaneurs et la glaneuse, 2000) and The Beaches of Agnes (Les Plages d’Agnès, 2008), and the short film Oncle Yanco (1967), as well as the five episodes of the TV series Agnès de ci de là Varda (2011).
Varda will also take part in an on-stage coversation at the festival.
After working as a theatre photographer, Varda began directing in 1954 with the feature-length film La Pointe Courte, starring [link=nm »
- email@example.com (Michael Rosser)
The Belgian-born Varda, 85, has directed more than 30 films over a career spanning more than six decades, starting with her 1954 “La Pointe Courte,” with Philippe Noiret, also at his debut. Edited by Alain Resnais, this pic about a young Parisian couple spending a few days in a village on the Mediterranean coast to decide whether to stay together or not became a defining influence on the next generation of Gallic directors.
The tribute to Varda from the Swiss fest dedicated to indie and cutting-edge cinema will comprise screenings of a wide selection of her films, including “Cleo from 5 to 7,” (1962); “The Creatures” (1966); “Lions Love (…and lies),” (1969); “Documenteur,” (1981), “Vagabond” (1985); “The Gleaners and I” (2000); “The Beaches of Agnes” (2008); and the »
- Nick Vivarelli
Bertrand Tavernier's The French Minister (Quai D’Orsay) starring Thierry Lhermitte, Raphaël Personnaz, Niels Arestrup and Anaïs Demoustier, with Jane Birkin impersonating a version of Toni Morrison and Julie Gayet as a potent advisor, is the closing night film of New York's Rendez-Vous with French Cinema.
We discussed the importance of rhythm for his film, how Billy Wilder and Jacques Becker set a mood, the working relationship with writers Christophe Blain and Cultural Counselor to the French Embassy Antonin Baudry, Arestrup's dedication, and the decision to not watch films when making one. Tavernier also gave me insight into how he created the unequaled complexity of character with Philippe Noiret and Isabelle Huppert in Coup De Torchon.
"A fool »
- Anne-Katrin Titze
This is the @puremovies review of Cinema Paradiso, starring Philippe Noiret, Enzo Cannavale, Antonella Attili and Isa Danieli, and directed by Giuseppe Tornatore. If your spirits need lifting through the cold and dark winter months, the beautifully saturated tones of Guisepe Tornatore’s Cinema Paradiso are just the ticket to warm the cockles. This classic film, made in 1988 and fully restored to celebrate its 25th anniversary, is Tornatore’s love letter to cinema, and is imbued with the nostalgia for the Italy of bygone days. Based in a small Sicilian town, Cinema Paradiso explores how film can bind a community, as witnessed by the film’s protagonist, Salvatore, who works in the local cinema during his formative years. Played by three different actors throughout the different stages of his life, Salvatore experiences firsthand the impact his local cinema has on the small community, creating a microcosm of society where the villagers laugh, »
- Rowan Cooper Dale
5 items from 2014
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