| Daytime Emmy Awards | |||
| Year | Result | Award | Category/Recipient(s) |
|---|---|---|---|
| 1999 | Nominated | Daytime Emmy |
Outstanding Sound Editing for: "Honey, I Shrunk the Kids: The TV Show" (1997) Shared with: Christopher Harvengt (supervising sound editor) Jim Williams (adr editor) Jason W. Jennings (sound effects editor) Tiffany S. Griffith |
| Emmy Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1998 | Won | Emmy |
Outstanding Sound Editing for a Miniseries, Movie or a Special for: Rough Riders (1997) (TV) Shared with: G. Michael Graham (supervising sound editor) Greg Schorer (co-supervising sound editor) Kristi Johns (adr editor) Suzanne Angel (adr editor) Bill Bell (sound editor) Mark Friedgen (sound editor) Bob Costanza (sound editor) Robert Webber (sound editor) Gary Macheel (sound editor) Richard S. Steele (sound editor) Lou Thomas (sound editor) Adriane Marfiak (sound editor) Anton Holden (sound editor) Michael Lyle (sound editor) David C. Eichhorn (sound editor) Mark Steele (sound editor) Tim Terusa (sound editor) Rusty Tinsley (sound editor) Tim Chilton (foley artist) Jill Schachne (foley artist) For part II. |
| 1997 | Nominated | Emmy |
Outstanding Sound Editing for a Series for: "Chicago Hope" (1994) Shared with: Mark Cookson (sound effects editor) Dave Weathers (supervising sound editor) Doug Kent (supervising sound effects editor) David Beadle (dialogue editor) Robert Moore (sound effects editor) David Grecu (dialogue editor) Jane Boegel (adr editor) Tom Scurry (dialogue editor) Daniel Tripoli (dialogue editor) For episode "Day Of The Rope". |
Outstanding Sound Editing for a Series for: "Profiler" (1996) Shared with: Peter Austin (supervising sound editor) Michael Babcock (sound effects editor) Linda Keim (sound effects editor) Kenneth L. Johnson (sound effects editor) Paul Longstaffe (dialogue editor) Warren Smith (dialogue editor) For episode "Cruel and Unusual". |