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2 items from 2012

Lone Star Cinema: Office Space

10 July 2012 11:30 AM, PDT | Slackerwood | See recent Slackerwood news »


Although Office Space wasn't a mega-hit in theaters, the workplace comedy has become a cult classic. The 1999 movie, shot in Austin and Dallas, has lent such lines to the lexicon as "Looks like someone has the case of the Mondays." Mike Judge's first full-length live-action movie follows the plight of workers at a generic white-collar company called Initech.

Office drone Peter (Ron Livingston) has a job he hates, stuck in a cubicle across from a lady who repetitively answers her phone in a high-pitched tone, overseen by eight bosses -- one of which is Lumbergh (Gary Cole in ginormous specs). Peter's work buddies are Samir (Ajay Naidu) and Michael Bolton (David Herman), both of whom constantly vent frustrations on their wonky fax machine. Bolton is beleagured by folks who ask if he's related to the singer. When asked why he won't go by Mike instead, he responds, "Why should I change, »

- Elizabeth Stoddard

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The Films Of Richard Linklater: A Retrospective

2 May 2012 9:37 AM, PDT | The Playlist | See recent The Playlist news »

Given that he's one of the more diverse and prolific filmmakers out there, it's been a disappointingly long four years without a new movie from Richard Linklater ("Me and Orson Welles" premiered at Tiff in 2008). Fortunately, the Austin, Texas-based filmmaker is back with "Bernie," a dark comedy which reunites him with two of his most memorable leads, Jack Black and Matthew McConaughey, that has picked up strong reviews and, opening in limited release last Friday, has been performing surprisingly well at the box office.

With "Bernie" expanding wider this weekend (read our review), it seemed like the perfect time to look over Linklater's diverse and eclectic career. He'd already made his mark by founding the Austin Film Society in 1985 (which has gone on to be the center of the industy in the Texas city), but since his debut with an ultra-low-budget student film in 1988, Linklater's tackled everything from romance to »

- Oliver Lyttelton

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