5 items from 2016
Woo hoo! The pre-Code marvels return for one last go-round -- tales of sin and moral turpitude but also serious pictures about social issues that the Production Code effectively swept from Hollywood screens -- financial crimes and ethnic bigotry. Forbidden Hollywood Volume 10 Guilty Hands, The Mouthpiece, Secrets of the French Police, The Match King, Ever in My Heart DVD-r The Warner Archive Collection 1932-1934 / B&W / 1:37 flat Academy / 63, 62, 78, 85, 70 min. / Street Date October 27, 2015 / available through the WBshop / 40.99 Starring Lionel Barrymore, Kay Francis, Madge Evans; Warren William, Sidney Fox, Aline McMahon; Frank Morgan, Gwili Andre, Gregory Ratoff Rochelle Hudson; Warren William, Lili Damita, Glenda Farrell, Claire Dodd; Barbara Stanwyck, Otto Kruger, Ralph Bellamy, Ruth Donnelly. Cinematography Merritt B. Gerstad, Barney McGill; Alfred Gilks; Robert Kurrie; Written by Bayard Veiller; Joseph Jackson, Earl Baldwin, Frank J. Collins; Samuel Ornitz, Robert Tasker; Houston Branch, Sidney Sutherland, Einar Thorvaldson; Bertram Millhauser, Beulah Marie Dix. »
- Glenn Erickson
Did you ever see an actor/actress in a famous role and then hear later that they were not the first, or even the second choice to play the iconic part? Many of the legendary movie characters began as a vehicle for a different star than the one who we know-and-love in the part. Here are a few of the greatest examples of famous "Almosts'.
Christopher Walken As Han Solo: George Lucas had a very hard time finding his Han Solo in Star Wars: A New Hope (1977). This character was the last of the lead figures to be cast. Lucas’ leading contender at one point was none other than Christopher Walken. Just think about the possibilities in that performance! However, a chance meeting with Harrison Ford (Who was working as a carpenter at the time) inspired Lucas to cast Ford in the part instead, which launched him into super stardom in the 80s. »
- firstname.lastname@example.org (Rob Young)
Exclusive: The distributor is broadening its remit with the acquisition of worldwide rights to Sound Of Redemption: The Frank Morgan Story.
The documentary has already played at IFC Center in New York and Laemmle Theaters in Los Angeles and will be made available to international buyers at MIPDoc with a focus on distribution in 2017 on digital and broadcast platforms.
Sound Of Redemption: The Frank Morgan Story chronicles the life of alto sax player and Charlie Parker protégée Frank Morgan, a musical prodigy who became a longtime heroin junkie, San Quentin prisoner and, ultimately, a jazz legend.
“This beautiful documentary is an amazing testament to the power of music, and we are extremely excited to share Frank’s story with people all over the world,” said Bond/360 COO Elizabeth Sheldon.
“As Bond continues to focus on the art and culture space, this acquisition furthers our presence in the international marketplace for high quality nonfiction films.”
Sheldon negotiated »
- email@example.com (Jeremy Kay)
Anne Marie is tracking Judy Garland's career through musical numbers…
How do you talk about this movie? How do you talk about this song? Sure, there are star-turns. There are underdog stories. But there is nothing in Hollywood legend so powerfully wedded as Judy Garland and The Wizard of Oz. It's the kind of lightning-in-a-bottle marriage of star and song that comes once every couple of generations. This was the number that would define Judy Garland as she defined it. It would be her biggest hit; one she recorded and re-recorded. It would follow her throughout her career, and outlive her when she died. Every moment before and after in the story of Judy Garland, MGM, and Studio System Hollywood lives in the shadow of "Over The Rainbow."
The Movie: The Wizard of Oz (MGM, 1939)
The Songwriter: Harold Arlen (Music & Lyrics)
- Anne Marie
Hal Roach looks on as technicians install Vitaphone equipment in his studio screening room, ca. 1928. (Click on the image to enlarge it.) 'A Century of Sound': Q&A with former UCLA Preservation Officer Robert Gitt about the evolution of film sound technology Long before multi-track Dolby stereo and digital sound technology, there were the Kinetophone and the Vitaphone systems – not to mention organ and piano players at movie houses. Much of that is discussed in A Century of Sound, which chronicles the evolution of film sound from the late 19th century to the mid-1970s. A Century of Sound has been split into two parts, with a third installment currently in the planning stages. They are: Vol. 1, “The Beginning, 1876-1932,” which came out on DVD in 2007. Vol. 2, “The Sound of Movies: 1933-1975,” which came out on Blu-ray in 2015. The third installment will bring the presentation into the 21st century. »
- Andre Soares
5 items from 2016
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